Five Famous Filipino Painters.Doc

Félix Resurrección Hidalgo y Padilla (21 February 1855 - 13 March 1913) was a Filipino artist. He is acknowledged as one of the great Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associate himself with the First Philippine Republic under Emilio Aguinaldo. His winning the silver medal in the 1884 Madrid Exposition of Fine Arts, along with the gold win of fellow Filipino painter Juan Luna, prompted a celebration which was a major highlight in the memoirs of members of the Philippine reform movement, with Rizal toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.
Works:

Las virgenes Cristianas expuestas al populacho

Laguna Estigia

La Marina

Vicente Silva Manansala (January 22, 1910 - August 22, 1981) was a Philippine cubist painter and illustrator.

Manansala was born in Macabebe, Pampanga. From 1926 to 1930, he studied at the U.P. School of Fine Arts. In 1949, Manansala received a six-month grant by UNESCO to study at the Ecole de Beaux Arts in Banff and Montreal, Canada. In 1950, he received a nine-month scholarship to study at the Ecole de Beaux Arts in Paris by the French government.

Manansala's canvases were described as masterpieces that brought the cultures of the barrio and the city together. His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once in the city. In his Jeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the city.

Manansala developed transparent cubism, wherein the "delicate tones, shapes, and patterns of figure and environment are masterfully superimposed". A fine example of Manansala using this "transparent and translucent" technique is his composition, Kalabaw (Carabao).

Vicente Manansala, a National Artist of the Philippines in Visual Arts, was a direct influence to his fellow Filipino neo-realists: Malang, Angelito Antonio, Norma Belleza and Baldemor. The Honolulu Academy of Arts, the Lopez Memorial Museum (Manila), the Philippine Center (New York City) and the Singapore Art Museum are among the public collections holding work by Vicente Manansala.

Works:

Jeepneys

Madonna of the Slums

Juan Luna y Novicio (October 23, 1857 — December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.

His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Félix Resurrección Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals.

Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. His allegorical works were inspired with classical balance, and often showed figures in theatrical poses.

Works:

Death of Cleopatra

Spolarium

Bay of Biscay

Pacita Abad (1946–2004) was born in Basco, Batanes, a small island in the northernmost part of the Philippines, between Luzon and Taiwan. Her more than 32-year painting career began when she travelled to the United States to undertake graduate studies. She had over 40 solo exhibitions at museums and galleries in the U.S., Asia, Europe, Africa and Latin America. She also participated in more than 50 group and traveling exhibitions throughout the world. Abad’s work is now in public, corporate and private art collections in over 70 countries.

Her early paintings were primarily figurative socio-political works of people and primitive masks. Another series was large scale paintings of underwater scenes, tropical flowers and animal wildlife. Pacita’s most extensive body of work, however, is her vibrant, colorful abstract work - many very large scale canvases, but also a number of small collages - on a range of materials from canvas and paper to bark cloth, metal, ceramics and glass. Abad created over 5,000 artworks and painted a 55-meter long Alkaff Bridge in Singapore and covered it with 2,350 multicolored circles.

Abad developed a technique of trapunto painting (named after a quilting technique), which entailed stitching and stuffing her painted canvases to give them a three-dimensional, sculptural effect. She then began incorporating into the surface of her paintings materials such as traditional cloth, mirrors, beads, shells, plastic buttons and other objects.

Works:

Ati-Atihan

Filipina: A racial identity crisis (1990)

Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) is one of the most important artists in the history of painting in the Philippines. Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. Born in Paco, Manila, he earned a degree from the Liceo de Manila Art School in 1909.

At a 2001 auction in Wellesley, Massachusetts, two original 1950s paintings by Amorsolo, The Cockfight and Resting under the Trees, were bought by a New Jersey collector for $36,000 and $31,500, respectively. During a 2002 episode of Antiques Roadshow, a Sotheby's antiques appraiser estimated that an attendee's signed 1945 rural landscape painting by Amorsolo could fetch between $30,000 and $50,000 at auction. At a 1996 Christie's auction, Amorsolo's The Marketplace went for $174,000. In April 2002, Portrait of Fernanda De Jesus was bought for US$ 377,947.

On November 30, 2009, the Family Gathering Fruit sold for USD 77,257 at Christie's. On December 6, 2009, Fruit Gatherer was auctioned off in Maryland, in record-breaking manner, topping 19th and 20th century European and American paintings. In May 2010, the highest priced Amorsolo painting was auctioned off at Christie's for about US$ 440,000.

In 2010, South East Asian Fine Art had an increasing demand and so prices of Filipino Old Masters investment pieces escalated and continue to escalate as the western world starts embracing Asian Art. Demand for Amorsolo's works plays a vital part of this emerging global demands. Certified Amorsolo works are not readily available in the market and so art investors hire dealers who have direct access to these works. These independent agents could provide last bid prices vis-a-vis competitive bidding in Sotheby's and Christie's. They also have an excellent network. They know existing private collectors, museums and galleries that can provide authenticated and certified works by the Artists and additional certifications from duly recognized experts can be attained for additional fees. Private offices such as "T1W Masters Arts" offer this service to pre-qualified investors.

Works:

Antipolo

Project

In

MAPEH IV

Submitted BY: Bryan Mark Fajutag

Submitted to: Mrs. Sarmiento

-----------------------
My Wife, Salud (1920)