Fred utilises the technique of a high horizon to signify the vastness of the expansive land. It contrasts its size with the sky allowing the land to appear more open and spacious. Through the emphasis of this great land almost invading the whole of the canvas space, William’s use of this technique brings focus to the audience of how desolate and isolated the scenery is.…
In Lineland everything/ everyone stays in a line. No one is able to move left or right. The way that the king communicates to his people is through sound. Square tries to explain flatland to the king, but he is unable to understand or have an idea of left and right.…
The Victorian culture did not treat women or people with disabilities equally. It was a rigid class structure and did not deviate much. Moving up classes was difficult or impossible. All of these were shown in Flatland with great satire.…
The way Carter writes about this land and its uniqueness, shows that this is not a sight you can see just anywhere. Carter uses phrases such as “ magnificent area “ to really shows readers it is not just a park or plot of grass and trees. Some time it can be difficult…
hills are round and soft as breasts. And on the level vegetable lands are the mile-long…
The simple, undeveloped land spreads across the east according to the author in the first chapter. Crane inscribe, “Vast flats of green grass, dull-hued spaces of mesquite and cactus, little groups of frame houses, woods of light and tender…
In his essay “The World is Flat”, Thomas L. Friedman reckons with the belief of flattening world he realizes in the journey to India. Friedman notes that Columbus's sea exploration shortened the distance for Spanish monarchy to grow its wealth and power out of the "source of [India's] untold riches" (633), and discovered "the world was indeed round" (664). Columbus found the hardware source of India's riches which is the free slavery labor and natural resources, and yet Friedman found the software source of India's riches when he "encountered in the real India [which] profoundly shook my faith in [the world is round]" (664). After meeting the Indians who "taken American names" with "great imitations of American accents", "are writing specific…
One theme demonstrated in Ray Bradbury's Fahrenheit 451, is ignorance versus knowledge. It is a certain kind of knowledge that most people in this future-set world lack. Not the knowledge that is about facts and how well you retain them, but the knowledge that is awareness, consciousness, and realization of what is going on around and using it to good use. Knowledge has power. Guy Montag slowly starts gaining this intelligence throughout the book, and strives to find other people with the same knowledge. Ray Bradbury discusses this theme through many different forms of figurative language including symbolism, personification, imagery, and similes.…
The poem by T.S. Elliot, The Hollow Men and The Heart of Darkness by Joseph Conrad embody apathy and indifference. Both Conrads Station Manager and Elliots hollow men present a profound intellectual and emotional lack of interest or concern as well as being devoid of distinguishable humanity. The two texts highlight the grave characteristics of both the station manger and the hollow men by embellishing the details of their vacant eyes as well as deaths other kingdom, of which they both inhabit, their indefinite characteristics and their hollowness.…
Henry Lawson establishes the harsh environment of the Australian landscape through vivid images of relentless isolation, poverty, survival and sacrifice in the words “bush all around-bush with no horizon” this emphasizes how they are surrounded with cruel repetitiveness and nothingness that accentuates their isolation and aloneness. The monotonous description of the landscape and their day-to-day lives contrasts the characters realization that they are tied to the land and grind of reality that the drover’s wife won’t experience any break in the uniformity of the scenery as she’s engulfed by existence not existing. Imagery is used to convey distinctively visual to the audience giving a clear tone and mental image of the characters surroundings.…
“There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made” (10).…
The wordless nature of the story emphasizes the protagonist’s inability to communicate with those around him, and the term ‘alienation’ is realized in the literal representations of the new country with its alien creatures. Most of the surrounding peoples’ faces are in blurred and in shadow, suggesting the unwelcoming and impersonalized feeling the persona experiences. War-torn countries are depicted as under attack of giants bearing flamethrowers and gigantic tentacles; or a city that appears vast and labyrinthine. These visual metaphors represents the struggles of ‘finding one’s way’ through the hostile environment and the oppressive power of authorities.…
In the book Flatland, a sense of a new world is introduced. Three different dimensions are shown in Flatland, the first dimension, the second dimension, and the third dimensions. The main character, A. Square, narrates the story from his perspective as he travels through the dimensions. The book appears to take place in the Victorian England era.…
4. Does the geographical movement of the novel have metaphorically thematic or symbolic application? What is the meaning of ice, winter, wind, Northern locations, darkness, etc.?…
Just like in Elizabeth Bishops poem, “The Map,” where she talks about how shapes and colors on the map aren’t really what we see in reality (213, 214). How one sees objects on a map is all in perspective, the same as how one might have seen the line back then before the Civil War. That line was capable of suggesting meanings or connections beyond itself. Where it’s not about actual geography but about refusing to standardize the images each person projects onto a place or…