Foils in Othello

The Foils of Othello One of William Shakespeare’s many attributes as a playwright of the late 16th century was his character development. Shakespeare’s seamless use of indirect characterization sets his works apart from the other playwrights and authors of his time. In Othello, the Shakespearian tragedy about the newlywed Othello and Desdemona, Shakespeare uses character foils to emphasize the strengths and weaknesses of the characters. By making inwardly similar characters seem like polar opposites, Shakespeare truly shows how dynamic each of the characters is. Othello, the play's protagonist, is the most dynamic character of them all due to the fact that he is a complete foil of himself by the final act of the play. In the second act Othello is introduced as confident, esteemed general of the Venetian army and a “valiant Moor,” (1.3), but by the end of the play he becomes overcome with insecurity and jealousy because of the rumors fed to him by his general. Throughout the play the audience witnesses the subtle shift in Othello’s feelings toward his wife, Desdemona, and his former lieutenant, Cassio. Othello’s suspicion soon drives him to insanity because he cannot figure out what the truth is. He says “I had been happy, if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known.”(3.3) exclaiming how he would rather Desdemona sleep with the entire army without him knowing than being uncertain of her rumored affair with Cassio. The lie that Iago tells Othello ruins the Moor’s life. Othello goes from a respected commanding officer to an emotionally distraught killer. Iago had made the Moor a mirror image of himself. Iago, the play’s antagonist, hated Othello and although the two characters were similar at the end of the play, they were complete opposites at the beginning. Iago is a very sneaky character that steps on and manipulates other people to get what he wants. This is different than Othello because as far as the audience