“Even before he reached me, I recognized the aroma baking up from the skin under the suit--the smell of burned matches. The smell of sulfur. The man in the black suit was the Devil.” (King) A common theme among depictions of The Devil is that of unusual physical attributes. The Devil is depicted in three different stories (Joyce Carol Oates’ ‘Where Are You Going, Where Have You Been?’, Nathaniel Hawthorne’s ‘Young Goodman Brown’, and Steven King’s ‘The Man In The Black Suit’) in three different ways, yet each description bares remarkable similarities in some aspects to the next. Themes common to the devil are that of his physical appearance or how he presents himself, his apparent supernatural powers or attributes, and his victimology.…
Conflict: "- everything belonged to him - but that was a trifle. The thing was to know what he belonged to, how many powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible — it was not good for one either - trying to imagine. He had taken a high seat amongst the devils of the land - I mean literally." (pg. 109)…
The Satanic imagery of ‘devil’, positions the creature as evil and through the rhetorical question and exclamation, we learn of his aggressive and…
When Tom Walker meets the devil, he glances up at him and sees his image. He is described to be dark and devilish when the text says, “but his face was neither black nor copper-color, but swarthy and dingy, and begrimed with soot, as if he had been accustomed to toil among fires and forges.” This shows him in a murky approach . Some of the key words are “dingy”, “begrimed”, “fires”, and “forges” which tells that the devil is covered with ash and is very dirty as if he had never been clean.…
Satan’s soliloquy in Book 4 develops his character through self-reflection, elucidating his many complex characteristics and emotions. While Satan is portrayed as a rather humane protagonist thus far, his motives, beliefs, and fears are not explained and thus, only allowed for a one-dimensional interpretation. During Satan’s soliloquy in Book 4, however, he finally reflects upon himself, revealing his motives, fears, and doubts and thus, enriching his character.…
"Where do you think Abigal could be Parris?" Danforth said. "I believe she has gone to the ship that is going to be on its way to Barbados," Parris said sadly," She has taken my money and she has gone with Mary Warren, Sir." "Call Hale, and we will find her right away." As the three of them go onto a hidden path a few miles down they see Abigal and Marry Warren. "STOP! STOP RIGHT THERE YOUNG LADIES!" Danforth screamed. They cuffed the girls and took them back to the jail house. "Bring me only Abigal, leave Marry Warren in the cell until further notice." There were two knocks on the door, and entered Abigal Parris. "Where were you going Abigal?" Said Danforth. "Sir, I was going to Barbados. I was going to Barbados to be with Tituba, and to get away from the madness. Everyone has trafficked with the devil here, Sir. I am one of the only pure ones in this village!" Abigal said. "Abigal you have fooled us enough. You have beguiled everyone in this village. Have you trafficked with the devil? Have you seen the face of the fiend? Have you seen anyone with him?" Danforth said in disgust. "No, Sir. I love God." She replied. "Take her to the cell and bring in Marry Warren." Danforth said. He heard footsteps through the hallway, and then three knocks on the door. "Marry Warren, where were you and Abigal going?" Danforth said. "Abigal was taking me to Barbadoes. She said she wanted to be with Tituba, so they…
In Twelfth Night, Malvolio duped himself into believing that Olivia is in love with himself. When received a love letter meant as a prank, he makes the letter suit himself. In this antic, they lock Malvolio away claiming he is possessed and sends a priest, who is really the clown. Even though Malvolio would not be able to see who is talking to him, the clown puts on a robe to camouflage as a priest. “ I’ll put it on, and I will dissemble myself in’t,” he claims knowing that it will help convince himself what he is acting to be (55). In the film, Jerry gets stuck in the life of a woman. When he is proposed to, he agrees originally, caught up in his own lie. He even gets excited and easily gets along with the other girls in the band, fooling himself of his true…
In “Young Goodman Brown”, Hawthorne writes, “What if the devil himself should be at my very elbow!” (Hawthorne 4). This foreshadows to Goodman Brown meeting a character with the devil-like characteristic of having a staff that “bore the likeliness of a great black snake” (Hawthorne 4) that joins him on his journey through…
Bruce Lee, a famous martial artist, said, “A quick temper will make a fool of you soon enough.” (goodreads.com). Anger has caused many people resort to violence. Being quick to anger proves lack of logic and thinking. Tybalt was quickly made a fool after challenging both Mercutio and Romeo due to a bad temper. He died soon after due to his own horrible decisions. Tybalt practically was his own killer with his actions throughout the story. Tybalt was responsible for his own death because he tried to start the fight, he lost his temper multiple times, and he disobeyed the Prince's order of no fighting.…
Dimmesdale begins to be taken over by the devil. He tells Hester, "his spirit lacked the strength that could have borne up, as thine has been, beneath a burden like thy scarlet letter" (141). The minister can preach a good sermon about the consequences of sin, but he can't deal with them himself. Dimmesdale is just too weak and good-natured…
“Then a powerful demon, a prowler through the dark, nursed a hard grievance. It harrowed him to hear the din of the loud banquet every day in the hall…”…
The fact that the old man is blind embodies the creature’s interpretation of himself as undesirable, prefixed from his father’s abandonment and other’s reactions. “I had sagacity enough to discover that the unnatural hideousness of my person was the chief object of horror with those who had formerly beheld me. My voice, although harsh, had nothing terrible in it…” (112) The creature begins to capture the man with his kind words. Sadly, when the family walks in their reaction is indescribable for the creature is once again disappointed and misjudged based on appearance. Although this time, with all the effort he had, the creature is truly heartbroken from this human experience, “My heart sank within me as with bitter sickness…” The creature’s path of love was in shambles as he now searched for destruction instead of acceptance. “My protectors had departed, and had broken the only link that held me to the world.”(119) His fall and loss of innocence is reflected through a book mentioned by Mary Shelly, “Paradise lost”. The fallen angel, Satan, even had companions. Depicting that even the fall of Satan’s can be seen as one not close to as lonely as the creatures fall. Always relating back to his father, the creature now deeply seeks revenge and is filled with anger. He travels back to the cottage with witch like rituals and hellish fire, the cottage is soon engulfed in…
Shakespeare and his contemporaries were fascinated by madness. This fascination was perhaps connected to not being able to distinguish disease from demonic possession. At any rate, mad characters appear with frequency in Shakespeare’s plays and particularly in revenge plays. Hamlet’s mad distraction is all the more interesting because it is created or manipulated by Hamlet, himself.…
Malvolio is a very egotistical character; he is immune to enjoyment and affection. He plays a significant part in the story of Twelfth Night, as he is foolish but self-righteous at the same time. Shakespeare made Malvolio the character in the story that the reader would immediately lable as the baddy this is because Malvolio is a puritan and puritans were against the theatre. The theatre was what made Shakespeare therefore he sent subliminal messages throughout Twelfth Night to stay against the puritan cause. This was extremely clever. Malvolio links more and more into the story as it progresses; this is because he becomes similar to a 4th point in the love triangle. He is a pretentious, pompous, condescending fool in his actions and his thoughts. He thinks he is higher up the social ladder and house hierarchy when he is merely a steward who takes dislikes a little too far.…
Since then, the stories of demons and devils have intertwined with our society, leaving behind a long history that includes many appearances by Lucifer, who is often recognised as a demon to many people, to give us the image of the Devil we have today. Jeffrey Burton Russel, an American historian and religious studies scholar analyses the Devil in his own works such as; Satan: The Early Christian Tradition (1981), Lucifer: The Devil in the Middle Ages (1984), and Mephistopheles: The Devil in the Modern World (1986). In The Devil in the Modern World Russel’s third installment of his history of Devil-culture relations, he details the concept of the Devil and how it changed throughout the past centuries. Russel details the past portrayals of the Devil and creates his own definitions based off the studies, writing: “The Devil is the symbol of radical evil. But does he exist, and in what sense? The key to the question is in what sense.” (Russel 18). In what sense do we have to look at when analysing the Devil to this degree? Russel expands on this question through the roots…