The contexts of Frankenstein and Blade Runner affect many ways in which they represent their ideas and on the most basic level, a key difference would be their medium of production. Both creators chose to use the most popular medium of their time; for Shelley that was a novel, for Scott, a film. At some level, this choice also reflects some aspects of their stories. In Shelley’s case, the novel places a value on literature, which is shown in the monster’s discovery of the novels and his own valuation of language, which he considers “a godlike science”. In contrast, Scott clearly felt film was the best medium to…
When Mrs. McCourt first said that Prometheus and Frankenstein are related, I found it hard to believe because I didn’t see any obvious connections. However when I re-watched the movie while thinking about the themes and characters of Frankenstein, I saw many similarities despite that surprised me!…
The novel Frankenstein is also called the modern Prometheus. The reason why the novels subtitle is called the modern Prometheus is because in Greek mythology, Prometheus was the titan who stole fire from god and gave it to man. Victor stole the secret of creation of life from god in a way because he created a being in the likeness of a man. He stole this ‘fire’ or power and bought it to man just like Prometheus did.…
There are a multitude of differences between the novel and movie of Frankenstein that have distorted much of the original work of Mary Shelley. Many of the original intentions and details of the novel have been altered for the 1994 Kenneth Branaugh version of Frankenstein. Although these alterations are not as severe as the common changes of earlier Frankenstein films, they do restrict Mary Shelley's imaginative descriptions and deeper messages of her novel.…
Shelley heeds the destructive thirst for knowledge in the pursuit of superiority, foreshadowing the moral ramifications as a result of this unnatural intervention and disruption of both the physical nature and the innate spiritual self. The Promethean ambition possessed by man ultimately leads to loss of the essence of humanity in an attempt to usurp the natural order of the world. The connotation of the subtitle, “Modern Prometheus” foreshadows the heavenly retribution and consequences Victor Frankenstein has wrought upon himself in his obsessive quest for knowledge and power. His God-like transgression against nature through his ‘ardent desire for acquisition for knowledge’ unleashes a cycle of tragedy leading ultimately to his mortal downfall of mental and emotional instability. Shelley furthermore emphasises the cruelty of mankind when conscience and moral responsibility are abandoned through the symbolic creation of the Monster as the very condemnation of unchecked industrialized ‘progress’. The juxtaposition of the classical Promethean myth with the dystopic realm Victor Frankenstein has created is highlighted through the rejection of the Monster as ‘breathless horror and disgust filled [his] heart’, further underlining the moral irresponsibility Frankenstein has shown towards his…
1. The differences between Lincoln and Douglas on what right blacks Americans are entitled to enjoy: Abraham Lincoln was a Whig leader in the early nineteen century (1847-1849). In his view, he believed that blacks should have the same right as white. People were born with their own natural right, so Lincoln assumed that blacks could enjoy their liberty and freedom. On the other hand, Douglas stood on the view that “this government was first established it was the policy of its founders to prohibit the spread of slavery into the new territories of the United States”. Therefore, he believed that slavery could still exist in some states in America.…
Have you ever wondered why Frankenstein is mute and inarticulate in the movies but not the books? It’s pretty hard to sympathize with someone who looks mental right? So why is he inarticulate and mute in the movies but not the book?…
Take Shelly’s famous novel, Frankenstein as an example. The main character, a creature was supposed to be created like a human, but his creator failed and made him becoming an ugly, disgusting looking monster. Everyone was afraid of him and even trying to beat him to death. However, these people just did not notice that this scary monster actually had the kindest heart of the world. He did not have a house and enough clothes, but he once helped a poor family with chopping wood and hunting for food secretly. Although his appearance terrified others, he saw the world differently with a warm and kind heart, just like Edward. In the film, Edward was an extremely creative, talented person with a beautiful imagination. Before Peg brought him to the town, the town peers had lived in the same style of houses, derived similar designed cars and gone to work at the same time. The women of the town even had had the same style of haircut. After Edward arrived, he brought the beauty to the town. Then, he created different and lively designs of tree sculptures for each of their houses for free. Also, he designed for each woman a creative haircut. Everyone’s haircut was completely not alike. Also, Edward has a pure and loving heart. When Peg came to his mansion at the first time, she was curious of the several pictures were posted in his fireplace. He had a picture of beautiful…
Even as language plays a huge part in the definition of human, as taken from the OED, the narration, and thus language, in Frankenstein also helps to…
The story is being told from the perspective of Frankenstein, and thus we can conclude that he may be biased and reflect this in the manner in which certain characters are portrayed. An example of this are the similarities in the features of William and the creature. William is described as ‘very tall of his age.’ This is considered to be a positive attribute, whereas the creature is described as ‘gigantic stature and the deformity of its aspect.’ This is a somewhat more negative description of height. Additionally, when William smiles, ‘two little dimples appear on each cheek which are rosy with health’ in contrast to the creature ‘a grin wrinkled his cheeks.’ Through Shelley’s use of imagery and language, the monster is portrayed negatively and as evil, compared to William’s purity and innocence, despite the similarities between the two characters. The difference in the way they are perceived by…
Frankenstein by Mary Shelley and Blade Runner (directors cut, 1992) directed by Ridley Scott are both exposed to the continuing nature dominant paradigms presented in the 19th and 20th century. Mary Shelly and Ridley Scott challenge the dominant assumptions of the romantic and scientific paradigms, this ultimately challenges society’s understanding of humanity, and the concept of what makes someone human. Although 200 years separate these texts are both cautionary tales about the creation of life through science and technology, and both present similar ideas and perspectives on creation. Frankenstein and Blade runner both criticize the dangers of applying uncontrolled use of science and technology. These texts also question values and models of heroism through the characterization of the protagonists. Furthermore Frankenstein and Blade Runner critique humanity through the characterization of the created ‘monster’. This critique presents values of self-knowledge, repentance and the celebration of life.…
Such is the subtitle that accompanies Mary Shelley’s classic, Frankenstein. We’ve all heard of the famous monster created by Dr. Victor Frankenstein. But, not many know why the story is subtitled, “Or, The Modern Prometheus”. In fact, many may not even make the connection to the story of the ancient Greek god who brought fire to humans, his own creation, and was eternally punished for it. However, rhetorical analysis reveals quite a few similarities between the characters, and proves Shelley’s subtitle to be accurate. Both stories deal with topics of overstepping limits, harsh consequences, and lessons learned, which contribute to the overall theme…
Frankenstein, written by Mary Shelley and first published in 1818, follows the set of extraordinary events encompassing the life of Victor Frankenstein; natural philosophy devotee and reanimation pioneer. Characterization plays a major role in encouraging different attitudes in Frankenstein, an example being how the reader is encouraged to feel sympathy for Frankenstein and his creation throughout the novel. Aided by the differing narrative perspective, these sympathies are continually evolving, changing as the reader’s perception of the two is altered, and at the end of the novel, the reader is left questioning who the real monster is: Frankenstein, or his creation? The…
One of the greatest pieces of literature written during the Romantic Period is the world renowned novel, Frankenstein. This gothic literature is written by a young girl by name of Mary Shelley. People everywhere heard the story about the grotesque creature created by one of the world's maddest scientists that ever existed in the fictional world. Some even know how the author fabricated this story, but what they do not know is why did Mary Shelley subtitle her book Or, the Modern Prometheus? Could her story have anything to do with ancient Greek myth about the god named Prometheus? An analysis on the two characters, Prometheus and Dr. Frankenstein may explain why Mary Shelley subtitled her book Or, the Modern Prometheus.…
Frankenstein, or The Modern Prometheus, was first published anonymously January 1st, 1818. Although a work of gothic science fiction, Mary Shelly incorporated a multitude of sociological events that occurred between the late eighteen-century and the early nineteen-century; most specifically, the themes of this literary work and the characterization of the protagonist Victor Frankenstein, which integrate aspects that affected both Mary Shelly’s personal life and the European continent.…