Shelley’s Gothic novel, Frankenstein, explores the complex nature of mankind by considering the consequences of an unrestricted pursuit of science. A rise in scientific experimentation with Galvanism during Shelley’s time is reflected through the protagonist Victor as he uses it to bestow life. Shelley portrays Victor and the Creature as complex beings, demonstrating both inhuman and human qualities. Despite this, the subsequent rejection by his creator and the De Lacy family drives the Creature to ‘eternal rejection and vengeance of mankind’. Victor’s initial response when meeting the creature, demonstrates his savage, cruel treatment and lack of responsibility towards his creation.…
Victor’s rejection and abandonment of the creature and many other people’s subsequent rejection of the creature, based on appearance, reminds the reader of how society (both in Shelley’s era and in the modern day), can and do reject those who are different and Shelley cultivates more sympathy from the reader this way. Frankenstein has had love and support from family all his life, by showing us Frankenstein’s childhood and then showing us his acts toward the creature readers are positioned to think of how callous, selfish and awful Frankenstein is as he rejects the creature and does not deem him worthy. Frankenstein tells the readers of his charmed childhood and because of this the reader thinks he’s a decent man, you also admire how he loves…
From Young Frankenstein, the movie: “Dr. Frederick Frankenstein: For what we are about to see next, we must enter quietly into the realm of genius.” No, I am not really writing from “the realm of genius”.…
The creature in Frankenstein is banished by De Lacy, Felix Lacy, Agatha Lacy, and Safie. The creature lives in a room next to theirs and watches them. He subtly helps them and is quite kind, but when he reveals himself they chase him away and beat him. "I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other." This is a quote by the monster showing that he is rejected by almost every person he comes in contact with in the book. The monster begins to act out after constantly being rejected and starts to kill Victor’s loved ones for…
The Romantic era took place throughout the 19th century and held the belief that men demonstrate innate goodness, but civilization later corrupts them. Even in today’s society, many political figures, authors, celebrities, and athletes reinforce the Romantic idea of the natural goodness of man and the corruption of man by civilization as they initially exhibit pure values that succumb to the temptations civilization provides. Literature also reflects the belief of the innate goodness of man and the corruption of man by society. For example, Mary Shelley, entails these Romantic beliefs in her novel Frankenstein, in which both Victor Frankenstein and the Creature are born innately good but society later corrupts them. Victor’s,…
Shelley wants the reader to feel compassion for creature as well as for Frankenstein. She writes as though she is trying to distinguish the idea of a good or bad in a person. In her biography, written and research by the European Graduate School Program, that she is atheist and you can really tell that by reading the novel. Things such as morals and ethics can be easily leaned not only by attending the church but merely social interactions and self-education. I think that this is shown through the creature in how he is so neglected but continues to persevere and gain his own knowledge and wisdom through his sensations and passions. Mary Shelley created something more than just a…
It is here where the creature tells of his true nature. He is a being only wanting sympathy and compassion not unlike the wanting of most men. When he first meets people in a village he is immediately hated. He does not yet understand why and wishes only for the friendship and understanding. His next attempt is with a family living in a small cottage near the woodlands of which the monster resides. Learning from his previous encounter with the village people he waits months to attempt speaking to the cottagers. When he does he is only accepted by the blind father, but this joy is short lived by the creature for the son of the man immediately upon his return to the cottage throws the being out in an attempt to “save” their father from the retched beast. It is here after that the beast learns that the only being he can gain sympathy from would be one of his own species, however, only his creator can make him a companion. Frankenstein firstly agrees to the task only to realize what this would mean to the world and destroys his work before it is finished. This is the final blow the monster and he becomes ever more so blood…
In her novel Frankenstein, Mary Shelley portrays her idea that creatures are born with good intentions, but this innocence is soon snatched away by the gnarled hands of life. The monster, when he is first created, wanders until he finds a family which he observes intently. At first the monster would steal some of their food, but “when [he] found that in doing this [he] inflicted pain on the cottagers, [he] abstained” (Shelley 99). The monster has been alive for a very short period of time and knows little of social norms, yet he has an instinctive predisposition towards good actions. Victor was also innocent in his youth, and remembers fondly how he was raised by devoted parents. Victor recalls, “I was so guided by a silken cord that all seemed…
In Mary Shelley’s Frankenstein, misery and isolation compel the Creature to act rampantly against society’s moral standards. Despite being left in isolation, the Creature manages to hurt people while using misery as a justification for murder.…
Frankenstein's Monster is a tangible representation of evil being created. Humans are solely responsible for the evidence of evil, primarily based off how they treat each other. Originally, the Monster embodies a childlike naivety which causes him to be completely unaware of his status as "an abhorred monster" (Shelley 92). Completely isolated from society, the Monster still develops a sense of self awareness which leads to the revelation of his loneliness. Desperate to cure his emotional pain, the Monster observes a family from afar and envies their happiness and connectedness. Eventually, he "hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding" (Shelley 196), and receive companionship and love from his ideal future friends. At this point, the Monster is clearly not evil, rather just an innocent being seeking the same validation that most humans strive to find.…
The character of The Creature in Mary Shelley’s novel, Frankenstein, endures a life of denial, abandonment and isolation. Due to his unusual appearance, society and his creator, Victor Frankenstein, reject him. The creature was crafted into an innocent being with no evidence of any previous knowledge. He is developed into an actual monster due to his unstable upbringing as well as a life without companionship. It is deemed that the creature is an evil being, but in reality it is due unfortunate life of loneliness that lead him to perform unjust actions. The character of the creature should not be viewed as evil, but unloved as it is evident from the hatred his creator had for him, his desperation for a companion and society’s denial towards him that he was ultimately not an evil being.…
The monster of Frankenstein was denied the opportunity to be good. Frankenstein’s monster was resentful towards everyone because of his father, Victor Frankenstein. Frankenstein created the monster and ran away immediately after he came to life. In the novel written by Mary Shelley, Frankenstein says, “I took refuge in the court-yard belonging to the house which I inhabited; where I remained during the rest of the night…catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life” (614). When he ran away, it made the monster spite him. The monster became angry that his father, the man that created him, didn’t want him anymore and was afraid of him. The monster stalks the De Lacy family, eager to learn from them. One day he decides to go inside and talk to the old, blind De Lacy man, the other family members come…
In conclusion, Frankenstein’s creation is a child in a distorted and large frame. He tends to be scared and vulnerable when alone and seeks approval as children do, such as when they cry out for their parents. He also starts off his life unbiased and unprejudiced, happy with the world, even loving his surroundings. Just as young children hold no prejudices until altered by their surroundings as the creature was after he was attacked by villagers and rejected by the ones he loves. Finally both children and the monster had to develop their senses and learn about the world around them through experience. In reality…
The monster, although it has acquired the name Frankenstein in popular culture, remains nameless throughout the novel, signifying its lack of acceptance in a human society. The monster’s rejection stems significantly from its appearance, ranging from its "yellow skin" (Shelley 42) and "dim-white sockets" (42) to its "straight black lips” (42) and a "shriveled complexion” (42). Shelley has clearly distinguished the monster, marking the first divide between monster and human. She has also established the initial trickling of the monster’s inability to associate with humans. In fact, the monster’s own creator, Victor Frankenstein, rejects it due to its appearance and refuses to interact with the hideous beast. The monster’s appearance prevents other characters from seriously interacting with the monster, as they form a prejudice against a non-human being. The fear of that which is non-human lingers throughout Shelley’s…
The monster continually calls out for sensibility from the romantic. The monster has a desire for companionship, and implores of his creator to make him a being of his own species. The monster also desires to be accepted by mankind. The final way the monster displays sensibility is through his desire to learn. He displays his capabilities of learning at the beginning of his creation, and continues to grow throughout the novel. Victor Frankenstein shows the individualistic, mystic, and love of nature side of romanticism. He displays individualism through his desire to be his own creator. He also rejects the help from others, and strives on selfish ambition. Victor shows the mysticism, through gaining power of being his own god. Finally, he shows a love for nature, through taking the time to breathe and admire the beautiful countryside around him. Romanticism is concluded in the comparison of the two characters, and how similar their situations are. Victor Frankenstein and the monster both have a strong desire for love from others around them. They also show great passion for sympathy from others, which they do not necessarily receive. Their situations are unrealistic, and portray the case of non-neoclassicism. Both Frankenstein and the monster experience deep sorrow throughout the entire novel. This experience is heightened when the monster is denied a companion and Victor loses all of his loved ones. In the end, both Victor and the creature share their desire for friendship, which neither fully obtain, due to the circumstances of the rejection and bitterness. Mary Shelley’s Frankenstein, displays the aspects of Romanticism through Frankenstein and his creature; they display sensibility, individualism, love of nature, non-neoclassicism, and…