In the beginning of the story, Rainsford, Whitney, Captain Nielsen, the crew are sailing on a dark night. Rainsford describes the night as “moist, black velvet.” They were sailing around an island known as ‘Ship-Trap Island’, which readers learn later on that the island withholds a jungle (which explains the humidity). The night is quiet,…
The literary works of two Canadian authors can often be place under a microscope where the similarities of their works become very apparent. The writing styles tend to have many aspects in common. The short story “Cornet at Night” by Sinclair Ross is very similar to “The Boat” by Alistair MacLeod. They are similar in not just one but in many ways. The two literary works share many aspects between them. These aspects extend over a wide variety of topics. These aspects are used by the authors in both short stories to help develop the plot and deepen the story. The most comparable of these aspects are the theme, setting and the diction that is used.…
After exploring the island, Ralph's top priority is starting a signal fire so that the boys can be rescued by a passing ship. How do the others react to Ralph's insistence that they start a fire? What does this demonstrate about Ralph's leadership abilities?…
‘The conch was silent.’ Here Golding uses irony to show how the conch, the loudest material on the island, could be silent and be ‘forgotten’ at one point o time. The conch could symbolically represent the boys on the island as they being humans could yet become savages. The silence of the jungle portrays the evil among the hidden creatures in the forest. Beasts that could take over you entire soul and turn you into someone else. ‘The beast is within you’ is an absurd yet truthful line for the boys on the island.…
"Trouble always comes in threes. Maybe you didn't notice it on the mainland because things are so complicated. On the island you can see it because it's small and you know everybody. There's just 35 houses. Somebody gets hurt, everybody knows about it. They can…
In the first chapter of Lord of the Flies Golding uses the Island as an allegorical object, presenting the general overview of society and civilisation. The Island can be represented as the Garden of Eden; an innate place of perfection to be undisturbed and civil. It seems to be an idyllic place for some time with rules and order throughout, this is up until it is corrupted and nature is changed by the boys’ savage intentions. This relates to biblical themes of the Garden of Eden once corrupted by mankind (Adam & Eve). We also see a use of pathetic fallacy, the Island in this sense is more important than anything, it foreshadows the events which are beginning to unfold. Throughout both pieces of Literature Shakespeare and Golding use religious beliefs and values; in Macbeth the uses of supernatural creatures like the witches represent a devil like figure. The strong Christian themes in the play and during Elizabethan times made them even more evil, Shakespeare conveys Lady Macbeth as the total opposite of what a women ‘should be’. She knows as a female she is limited because of her gender, she asked to be filled with cruelty which is ironic because she created the plan to kill the King. This point is significant in the quote “unsex me here”. Similarly you could argue the…
Lawson uses distinctively visual techniques to portray the harshness of the Australian bush environment. In ‘The Drover's Wife’, Lawson describes the bush in negative overtones with nothing to alleviate its bleakness ‘stunted, rotten native apple trees’, ‘waterless creek’, ‘everlasting, maddening sameness.’ This is reinforced in “bush with no horizon... no ranges... no undergrowth...” Through cumulated negation and repetition of ‘no’ Lawson paints an uninviting and sparse setting for the story. Likewise, Lawson perpetuates the same idea in his ‘In a Dry Season.’ Lawson engages the reader immediately through the use of second person ‘you’ll’ and the imperatives ‘Draw’ and ‘add’ in the accumulation of images ‘Draw a wire fence and a few ragged gums, and add some scattered sheep away from the train.’ This allows the audience to participate in recreating the bush setting. The narrator’s negative impressions of the outback is evident in the stoic tone ‘the least horrible…
Immediately shown, a different writing style was used in Passage Two. Through the use of tone, the writer’s description of the Okefenokee Swamp is negative. The swamp is described as “vast and primeval, unfathomable, unconquerable, bastion of cottonmouth, rattlesnake and leech, mother of vegetation, father of mosquito, [and] soul of silt.” The writer uses pessimistic adjectives to show the audience the extremity of the swamp. The tone of the piece is…
At the beginning of the poem, there is a use of cacophonic sounds of “branching vines.” “Burred faintly belching bogs” are used to describe the ugly sounds of the swamp as the character takes a step forward; which only add more to the misery and struggle of the speaker. The repetition of the word “Here” is also very unique because it is emphasizing the location of where the character is being tortured by having to walk into this swamp of misery and struggle. There is another sound the speaker describes “that sink silently on to the black slack earthsoup” (lines 20-22). This diction considered as imagery, because it is making a comparison between the swamp and earthsoup.…
This passage offers a very important case of foreshadowing for the reader. This piece of the text comes well before any mentioning of ‘The Beast’ by the younger inhabitants of the island, but the connotation of the text, complimented by words like ‘creature’ and ‘mirage’, give whoever is coming out of the dark an eerie feeling around their character. That character turns out to be Jack, the boy of the island whose savagery grows parallel to the belief in The Beast by the group of boys. Jack will also go on to represent what Simon finds out is the true beast of the island, the evil capacity of each of the boys. The phrase, ‘..stepped from the mirage on to clear sand’ also gives the reader insight into how humans are able to conceal savage human…
By way of a varied use of descriptive language the short stories of Lawson and poetry of Mackellar show that it is true that distinctively visual texts allow the reader to vividly imagine and gain insights into the characters, relationships and settings. Lonely drover’s wives, Bushmen and fettlers, as well as the setting of a sunburnt Australian landscape are brought to life and into unique relationship, in the visual imagery of Henry Lawson and Dorothea Mackellar’s compositions. Henry Lawson created a strong image of the uniquely Australian bush and the hardships of the people who have lived and worked there. The two important stories which reveal Lawson’s vision are, ‘In a Dry Season’ and ‘The Drover’s Wife’. He draws on the tradition of oral storytelling to make the bush come alive through colloquial language and idiom. Lawson uses a dry, sardonic humor to entertain and provoke empathy for his characters. His descriptions of the various settings are blunt but precise with illustrative adjectives and nouns of a “horrible” land. Contrastingly, the related text, Dorothea Mackellar’s poem, ‘My Country’, expresses a vivid and memorable panorama of place, drawing on a kaleidoscope palette of nouns, rhyme and first person perspective to ingrain in the reader’s imagination her passionate vision of the land and “love for her country, Australia.…
1 Many slept on deck Because of the day’s heat Or to watch a sunset They would never see again – Stretched out on blankets and pillows Against cabins and rails: Shirtless, in shorts, barefooted, Themselves a landscape Of milk-white flesh On a scoured and polished deck. Voices left their caves And silence fell from its shackles, Memories strayed From behind sunken eyes To look for shorelines – Peaks of mountains and green rivers That shared their secrets With storms and exiles.…
The wind was whistling as the sun had disappeared behind the noble mountains leaving a dark atmosphere of death in the cold, lonely, air. The distressing burial of the by-gone Lennie left a dull fog of depression that seeped through the ranch leaving dismal and unanswered questions. The configuration of the looming trees ganged upon George leaving him feeling guilt ridden.…
Laurence is against the stereotyped images of the Prairies as “dull, bleak, flat uninteresting. Where Laurence grew up was bizarre, agonizingly repressive or cruel at times and the ground in which the town was could be called harsh in violence of its seasonal changes but it was never a merely flat or uninteresting and never dull.…
Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of identity in ‘Journey: The North Coast’ reflects in poet’s visualisation of the country side where he allows the readers to explore the beauty of Australian landscapes and empathize with the poet.…