The paintings and writings in George Catlin work might teach someone that the Ojibwe/Chippewa were very ritualistic. In George Catlin Braves' Dance, Ojibwa, 1835–37 Ojibwe/Chippewa oil painting as well as Snowshoe Dance at the First Snowfall, 1835-37 displayed how ritualistic and grateful the Natives were. They would sing a song to the Great Spirit for allowing them to wear their snow shoes to hunt better. This shows you how much of their lives revolved around hunting and thanking the Great Spirit. In the Braves’ Dance Painting we are not sure why they are dancing but we see again how closely the Natives follow their rituals. In the Braves’ Dance it does seem like they might be asking the Great Spirit for something; this shows how much they…
In the overall analysis of the three pieces in terms of piano, guitar and orchestra versions, I have found that the three songs in various versions are different in some extent. That is to say, each piece has its distinguished feature with reference to sound, time, structure, melody, tempo, and harmony. To be more specific, the report will examine each song within its different versions only. Before I start analyzing the pieces, I would like to give a brief introduction about Albeniz’s work.…
During his time owning Limón Dance Company, José Limón choreographed some of the most recognisable masterpieces of the time, including his signature piece The Moor’s Pavane (1949) and Ode to the Dance (1954). The Limón Dance Company soon became a ‘landmark of American Dance’ and their dances were considered modern dance…
Pina Bausch was appointed director of dance for Tanztheater (Dance Theatre) Wuppertal in 1973. She exposed her dancers to a mixture of dance and theatre which was extremely rare during this time. Bausch’s works consisted of speech, singing and at times crying and laughing too. Substantial choreography rarely used. This strange new outtake on dance seemed to create a revolution in the dance world and succeeded in founding…
During Monday’s class, we focused on Isadora Duncan’s perception of modern dance and dance in general. Her perception of dance was to use it as a mechanism to search our inner souls and find its connectedness with nature (Brown 7). We began an exercise concentrating solely on our breaths. Since Duncan believed in liberation and individuality, breathing is an action that we all individually own and is used as a tool to access our inner thoughts and our souls. During the breathing exercises, I fell into a deep state of meditation, focusing on the subtle inhales and exhales of my breath, and eventually felt invigorated afterwards. With each breath, I felt a release of this uninvited ball of negative energy, which had itself wrapped inside my core,…
All six dances in the ‘black and white’ ballets are based on sexuality. The male dancers in ‘Sarabande’ are dancing about masculinity, whereas the girls in ‘Falling angels’ are dealing with the issue of body image and pregnancy. ‘Petite mort’ is about sexual intercourse, the name ‘Petite mort’ translating into English as orgasm. The way the girls are lifted in all the dances represents at times the control men have over women like in ‘six dances’ and ‘sweet dreams’, ‘no more play’, and at other times, the relationship between male and female. Not only is the theme of sexuality a motif throughout the series of dances, it is also a defining characteristic of Jiri Kylian’s contemporary style.…
The legendary Bob Fosse began dancing at a very young age. He began at burlesque shows and watching strippers at the strip clubs nearby. He always saw himself living a life of dance and fame, so he moved to New York where his career took off. He went from choreographing small parts, so having his own Broadway shows and movies. The different stages in his life led him to some many ups and downs, but that did not stop him from creating more masterpieces. Bob Fosse won multiple awards for his movies and plays, and it is all in thanks to hardships that helped him create the Bob Fosse dance style. Not many people could be said to have transformed the history of musical theater. The impact that Fosse had on the industry can still be felt today. Bob Fosse formed his career and dance style from his life. While Fosse had a very particular style, it would not have grown into what it is now if it weren’t for the ups and downs of his life. Because Fosse was born into a vaudevillian family, naturally he was meant to be in the show business. He used his dancing growing up, not to only for fun, but to gain attention from friends and family. From there he moved on to bigger and better things, such as choreographing at the young age of 13 and then first choreographing for a movie at the age of 26. The physical limitations that he had related him more with the eccentric dancers of the 1930’s and 40’s.Once he became popular in the business, Fosse started experimenting with drugs and practicing promiscuity. During this time, his style went from a more high energy dance, to a sexier, burlesque style. Once this style blew up, Fosse was on a roll, creating plays and even winning awards for his work. Fosse’s interest in dance influenced all of his work, and he used that interest to become involved in every aspect of stage and film production. In this research, one will learn how Fosse’s recognizable dance style came to be.…
One of the first things that our class learned was the western definition of dance, which is that dance is representational. Aristotle believed that “art is imitation of nature” and the 19th c. ballets agreed. To represent nature, ballets used gestures and mime to tell their stories, with each movement correlating to a similar real world action. Fast forward a couple hundred years to the 1940s, choreographer Jerome Robbins followed the 19th c. ballet tradition. Robbins placed an emphasis on utilizing gestures and mime to create ballets that had realistic, individual characters which can be observed in his ballets Fancy Free, The Concert, and Dances at a Gathering. Robbins’s focus on character development made his ballets more relatable…
In his second film, he was paired with Ginger Rogers for the first time. The Astaire-Rogers series are among the top films of the 1930's. He was credited with two important innovations in film musicals, first, on his insistence that they film a dance routine with the dancers in full view at all times. Second, he was persistent that all the songs and dances be integrated into the plot lines of the film.…
Save the last dance is a movie that is about a young lady who, in her younger years danced ballet, and was good at it. She had a goal of getting into Juilliard, which is a prestigious school for the fine arts. After her mother was killed in a car accident, she decides to quit dancing, and moves to the inner city. She?s taken in by a group of friends who frequent a dance club. She soon learns that ballet and street dancing are not the same and have completely different feels and styles to them. She falls in love with one of the guys that dances there and he in turn, helps her re-find her inspiration to try out for Juilliard and continue dancing.…
The first time I watched Yvonne Rainer’s choreography, I could not describe how I felt; in the video, she just continues a series of listless movements, while her limbs do not seem to make harmony with each other. It’s like someone commands her to take weird poses constantly, then she follows the orders indifferently. It seriously made me think about what a dance is.…
When Jess and Claire did their own take on a classical dance from Ginger Rogers and Fred Astaire, it made me feel very happy for them. It is heartwarming for me to watch people “slow” dance and look into each other’s eyes as intensely as both of them did. Also a quote that was brought up was the Ginger could do everything Fred did but “She just did it backwards and in high heels”. Early in the performance we saw Jess use crutches with Claire, and she was showing him and she would move around in them, and she happened to be able to go backwards with them where Jess said he had some difficulty with…
Being a disc jockey or better knows as a Dj, dance is apart of my job. Seeing all types of dance to all types of music every day of my life. I have probably seen it all, that’s why it is hard for me to talk so passionately about one single dance clip when I have seen so much, until I saw this http://www.youtube.com/watch?v=7KZgCJDQQPM. This video contains the dancing of one of the best b-boyers also knows as break-dancers in the entire world. He is voted number one in Korea for break dancing. Break dancing is a combination of a Dj, hip-hop, beat boxing, and of course dancing. It is a six step performance leading into a power move then finally a freeze, a moment when the dancer completely stops moving holding a difficult position. It started in New-York and grew up mainly around hip-hop. Break dancing spread quickly to Korea and Japan in the eighties but became popular in the early nineties. The reason this specific video of break dancing stands out so much is because of the music he is dancing to and because it keeps his…
As a child Drummond direly wanted the Golden Dancer. He believed that once he had the Golden Dancer he would have all he wanted in the world. The Golden Dancer was an expensive wooden rocking horse. It took Drummond’s parents saved for an entire month just to get it for him on his birthday. The rocking horse had gold all over with a red mane, blue eyes, and purple spots. In the excitement of the moment, Drummond gets on the Golden Dancer and it instantly breaks. He claims, “All shine, and no substance!” (Lawrence and Lee 110). Drummond learns from this experience that no matter how nicely something is pieced together the underlying truth peers through. Perceptions of individuals and objects can be deceiving, but the lessons that one gains from…
For my observation paper I will be writing about the Wendell Tyler Cooper performance Disembodied on February 11, 2011. What was interesting was that the entire performance he danced alone on stage and was still able to make the show dynamic and continuous. The performance incorporated dance, music and video; it also had a spiritual sense to it which reminded me of a passage in Black Dance From 1619 to Today by Lynne Emery (Chapter 1, page 2) referring to “religious dance forms”. Wendell Cooper also included other aspects with video, music, and speaking; it seemed to me as if he was reading poetry or some type of spoken word. The movement was very grounded and earthy, there were no restrictions and he was barely upright without a curve in the spine. Some more characteristics that are similar to the movement mentioned before is the African characteristics by Magaretta Bobo Goins which include: bent knees, barefoot, generally movement begins in torso and travels outward, rhythms are syncopated, singing and dancing simultaneously.…