Fredric Jameson - Postmodernism

This story of Fredric Jameson ‘Postmodernism or, The Culture Logic of Late Capitalism, in Chapter I structures itself with “social democracy or the welfare state.” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I) How it went from being something amazing to something so radical which traced back to the end of the 1950’s or early 60’s.
Than it goes on to talk about the modernist forms of art and how it changed into the movements of “ideologically or aesthetic repudiation.” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I) It gives examples of different artists like; Andy Warhol, John Cage, Phil Glass and Terry Tilley who started off in an expressionist format than went off to add some “punk and new wave rock into the rapidly evolving French nouveau roman fashions.” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I)
With the visible and detailed architecture that emerged from postmodernism to rather implacable “so called international style” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I) of Frank Lloyd Wright works. From the simplicity, fabrics, contexts and surroundings he had analyzers, analyze how profound his work was with a term “Master” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I) with identifying its characteristics.
The ending just brings forth the beginning of the chapter and talks about the relationship the public have with their historical knowledge. How one can cater to the arts in a very profound way with “emotion ground tones.” (Fredric Jameson Postmodernism or, The Cultural Logic of Late Capitalism, I) While others just reflect on the artwork in a political stances and vase it off a “multinational capital,” (Fredric Jameson, Postmodernism or, The Cultural Logic of Late Capitalism, I) which creates more space for new works to make money in a sense.

Work Citied
1. Fredric Jameson Postmodernism