McLune wrote about the discrimination of black women throughout hip-hop. The dominate rhetorical appeal used by McLune is pathos, which “is an emotional appeal that involves using language that will stair the feelings of the audience” (Hooper, etal 86). She complains about being a black woman and hearing the excuses for men when they talk about women in hip-hop and how it is just okay with society. McLune is also irate about the fact that Eve, who is a female rapper raps about women in a bad way and doesn’t seem to think that, that is not right. Another type of appeal McLune uses is logos “which demonstrates an effective use of reason and judicious use of evidence” (Hooper, etal 86). Back in the 60s it was wrong and considered unfair to demonize colored men, but yet the men in today’s society are disrespecting colored women. The author explains how record labels exploit this and benefit off of the disrespect artist show black women. The least used appeal by McLune is ethos “which establishes the speaker’s or writer’s credibility” (Hooper, etal 86). Hip-hop owes its success to woman hating. Few artist dare to be different and not speak badly about women and the ones that do, they don’t make it clear that they feel it’s disrespectful for rappers to demoralize women which is not good in…
To gaze into the lyrics of both Notorious B.I.G. and Tupac Shakur is like living in the ghettos of New York City where violence never stops. Both of these artists grew up seeing and living a life filled with violence. Gunshots and drive-byes, death and murder were a daily occurrence. Although the lyrics of both artists are simply telling their life stories and how hard it was to grow up in their “hoods” they contain vulgar, hateful, and sexual verses that send the wrong message to their listeners. Whether these listeners are teens or adults, white or black, they are continually sending notions of hatred and fear through their lyrics and actions. Ultimately, their lyrics, actions, and creation of the East coast West coast rivalry began promoting violence to whoever hears, listens, or watches them.…
Mclune goes on to say that artists should embody respect between genders through their music. She argues that Black female rappers are just as much to blame as their male peers. She encourages women to speak in a collective voice, as to defend themselves, instead of being “hyper feminine and hyper sexual to please men.” (McLune 215)…
Mickey Hess looks at the use of multiple identities by rap musicians to obscure the conflicting contradictions between authenticity and marketability. Hip hop, having budded from a culture of oppression against African-Americans, grew as a medium of resistance. Hess cites Tricia Rose’s words, stating that hip hop, in the context of resistance, wages an “ideological warfare with institutions and groups that symbolically, ideologically, and materially oppress African Americans” (pp.298). Therefore, the experience of oppression and life in the projects is central to most rappers’ identities as hip hop artists.…
(3 McLune). Powell’s article seems to reveal the fact that poverty is the reason for sexism and it should be excused because of it. Knowing that wealthy white boys can execute the same hateful lyrics as poor black boys, gives Jennifer the idea that his reasons are just ridiculous. The faculties of the record labels are not the only ones to blame in this situation. As artist and role models to our society they should take more responsibility in their music as well as their actions and what they represent. Many artists appear to only care about their own mainstream acceptance…
Although Morgan addresses the negatives to hip-hop music and rap, she also highlights what she appreciates and admires about it. The things she values in this style of music is that it offers a rare opportunity for black men to voice their despair, and she values the fact that its popularity provides a channel for a strong voice commenting on their communities. Morgan argues that listeners should hear these sexist and angry lyrics as a sign that large-scale changes that are necessary in the opportunities available to black men.…
Claim: As young people our freedom of speech should not be limited because It is a natural right, we must be allowed our individuality, and what we do off campus should be our own personal business.…
The author’s final plea for the acceptance of rap as true poetry is to clear the misconception to all rap music revolves around stereotypically “gansta” lyrics, violence, and misogyny. The “gangsta” style is just one niche of music, “and less dominant than it once was. Rap, considered as a literature rather than it’s top selling hits, addresses a wide range of topics, even including science fiction.” (20) McWhorter mentions Jay Z, whose “magesterial volume of this lyrics” proves that rap can have an intelligent, meaningful message.…
In the 1980s, we saw many different genres of music emerge, genres such as Pop, Rock, and R&B. But a new genre emerged that sparked a lot of controversy: “Gangsta Rap” otherwise known as Hip Hop. Rappers/Rap groups such as NWA, Run DMC, Big Daddy Kane, and more changed the industry with catchy tunes and lyrics that talked about hard topics like slavery, violence, and police brutality. These lyrics sometimes caused major conflict, whether between races or with civilians and police. Hip Hop was very controversial in the 80s. “Gangsta rap” has caused a lot of controversy, many people protested this music in the late 80s and 90s due to the message within its lyrics and what those lyrics conveyed. Many accused “Gangsta Rap” for promoting things such as crime, killings, profanity, drugs, sex, racism, and more. But Gangsta rap doesn’t influence this type of lifestyle; it’s telling a story/conveying a message of the individuals who wrote the lyrics.…
The always extolled US Constitutional First Amendment right to free speech, and the exercise of it, is in truth penultimate to and contingent upon the right to revolution and rebellion as the ultimate and last resort and stand. For the right to free speech is nothing at all but an empty and servile rhetoric without the implied resolve to fight to the death for it in the last instance. Thus also the Second Amendment’s purpose is to provide the people with the ways and means to effect the intrinsic right to revolution/rebellion in guarding against abusive centralized power. As Jefferson stated, the Second Amendment is constructed for the purposes of the peoples’ “last resort, to protect themselves from tyranny in government.” – i.e., revolution.…
“You weren’t born in a barn.” Scolded the mother. Growing up Mexican, we have to say hello to everybody and I mean everybody. Especially no vulgar language and to always respect yourself and others. In today’s society most of the morals I mentioned are lacking.…
By Tricia Rose Black Noise: Rap Music and Black Culture in Contemporary America (Music Culture) Description: From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men. But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself."…
Rose, Tricia. “Hip-Hop Wars: What We Talk about When We Talk about Hip-Hop – and…
Rap music has become more of a distinctive music genre over the past few decades. Rap music and hip hop is only good for dance and for parties too. Sources of information that describe people growing oppression, and declining for advancement. Its sounds, images, and attitude consist of the people, races and cultures. There are many rappers in the business who use negative and bad language such as Grandmaster Flash, Run DMC, Public Enemy, Ice-T, N.W.A., Ice Cube, Salt 'n' Pepa, Queen Latifah, Wu-Tang Clan, and Snoop Doggy Dog. Most of these rappers are the most influential and controversial groups in the history of African American rap music .The violence largely came from rowdy gangs in the audience. The people of today should encourage them to stay in school and avoid drugs and gangs. The different clothing, jewelry, and hairstyles changed rapidly and often reflected most groups. Violent lyrics cause violent behavior. Rap music is an art form that reflects life. Rap music created a commercial product. Between rap lyrics and violence they are overvalued. Hip hop is form of art and expression just as any of kind of music. When rappers rap they speak upon what happen in their life or what happen in the hood. In today society as black folks we are the most influence people of the race. Why? The beats, rhythms, and lyrics we listen to make us do what others do. The violence in rap music is increasing worldwide and the younger generation is affected by it. The words rappers say make people out here in the world behave a certain way. Such as killing, harassment, bullying, and rape. The music is being criticized by the crime, violence, racism and misogyny. In the news everyday there is something a rapper says that affect the people. It is negative.…
Many consider Kendrick Lamar to be above beyond the talent of an average rapper; to others he is the bane of “quality” music. These two polarizing views can be attributed to a several different reasons; a generational gap, a shift in public thought, and the political atmosphere. Putting aside generational bias, while one might relate with Kendrick Lamar for his overarching message regarding race inequality, others might call it politically charged propaganda. Not so long ago the Beatles were considered the bane of quality music- described as “the devil’s music” by many before they were famous. Nonetheless, like all music, Kendrick’s unique composition of lyrics and melody can…