Arguably, the representations of truth by the media are influenced by ulterior motives. Frontline satirize such motives of media networks by purposely misrepresenting a current affairs program so to invite scrutiny upon the representations of truth. The opening sequence of each episode uses a combination of fast paced music and off screen shots so to give Frontline all the appearances of a real current affairs program. However it is when we see Mike Moore, a ridiculously exaggerated representation of Ray Martin, that we realize that Frontline is satirizing the works of the media. For example, the episode Add sex and stir ', uses characterization and dialogue to invite scrutiny upon the importance of ratings for media corporations. Evidence of this is found through the characterization of Brian, an executive producer who lacks morals or decency. Through Brian 's crude dialogue, sport rates, sex rates, put the two together and you 've got dynamite ', Frontline invites responders to reflect upon the morals that journalists should hold. According to the AJA code of ethics, journalists should not place unnecessary emphasis on personal characteristics such as sex or gender '. However, it is blatant that Brian does not embed these values and hence this
Arguably, the representations of truth by the media are influenced by ulterior motives. Frontline satirize such motives of media networks by purposely misrepresenting a current affairs program so to invite scrutiny upon the representations of truth. The opening sequence of each episode uses a combination of fast paced music and off screen shots so to give Frontline all the appearances of a real current affairs program. However it is when we see Mike Moore, a ridiculously exaggerated representation of Ray Martin, that we realize that Frontline is satirizing the works of the media. For example, the episode Add sex and stir ', uses characterization and dialogue to invite scrutiny upon the importance of ratings for media corporations. Evidence of this is found through the characterization of Brian, an executive producer who lacks morals or decency. Through Brian 's crude dialogue, sport rates, sex rates, put the two together and you 've got dynamite ', Frontline invites responders to reflect upon the morals that journalists should hold. According to the AJA code of ethics, journalists should not place unnecessary emphasis on personal characteristics such as sex or gender '. However, it is blatant that Brian does not embed these values and hence this