The movie, Funny Face, is an enjoyable, entertaining and certainly a classic in cinema. Amidst the theatrical surface, it makes as fine material for criticism. Richard Dyer highlights this very well using the concept of ‘utopia’ in entertainment. It left a mark in the way I looked—and observed—the film from the general and critical merits. The central figures play a part in this. On one side you have Joe Stockton, an admirer of philosophy and book worm and the other in Dick Avery, who is a photographer and represents the side of entertainment. Watching the movie reinforced the notion through the numbers—the little escapades of the theatre. From the wonderful dancing, catchy songs and overall tug of war, the
The movie, Funny Face, is an enjoyable, entertaining and certainly a classic in cinema. Amidst the theatrical surface, it makes as fine material for criticism. Richard Dyer highlights this very well using the concept of ‘utopia’ in entertainment. It left a mark in the way I looked—and observed—the film from the general and critical merits. The central figures play a part in this. On one side you have Joe Stockton, an admirer of philosophy and book worm and the other in Dick Avery, who is a photographer and represents the side of entertainment. Watching the movie reinforced the notion through the numbers—the little escapades of the theatre. From the wonderful dancing, catchy songs and overall tug of war, the