Josie Mendez-Negrete’s novel, Las Hijas de Juan: Daughters Betrayed, is a very disturbing tale about brutal domestic abuse and incest. Negrete’s novel is an autobiography regarding experiences of incest in a working-class Mexican American family. It is Josie Mendez-Negrete’s story of how she, her siblings, and her mother survived years of violence and sexual abuse at the hands of her father. “Las Hijas de Juan" is told chronologically, from the time Mendez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father 's brutal legacy. It is a upsetting story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the experiences of women and girls. At the same time, "Las Hijas de Juan" is an inspirational tale, filled with strong women and hard-won solace found in traditional Mexican cooking, songs, and storytelling.…
It is good to realize that the author is a young Chicano man willing to raise the voice for all the ones who are not able. It is important to keep transmitting this kind of message because people needs to remember being illegal does not make them less. This kind of works should continue, mostly after the last elections which led to an apparent unfavorable result for the Chicano people. After all, as Veliz said, the main idea is to change peoples’ heart because only love will defeat all the hate and racism that exist…
In "My Life as an Undocumented Immigrant" by J.A. Vargas is an acknowledgement of an undocumented immigrant from Philippines to the USA. His story is an illustrative one for such a settler: every one of the 18 years of his life in the USA is a persistent battle for citizenship and acknowledgment. The writer is attempting to persuade his audience in the need of presenting more liberal laws on migration and lawful status for existing undocumented…
The theme of Dominican history is the focal point of the novel. In the opening pages Diaz explains that this novel is for “those of you who missed you mandatory two seconds of Dominican history” (Diaz, The Brief Wondrous Life of Oscar Wao, p. 2). In an interview with Slate Magazine Diaz explained that he had to read hundreds of books about the Trujillo regime, as well ask numerous Dominicans for local stories. This is where many of the nicknames Diaz uses in the novel to call Trujillo originate. He refers to Trujillo as “the failed cattle thief”, “T-zillo”, and “El Jefe” (Diaz, The Brief Wondrous life of Oscar Wao P. 110). The importance of understanding the way people felt about Trujillo is a crucial aspect to understanding the significance of what Diaz is trying to explain in his stories of Oscar’s family. Diaz uses an epigraph taken from the La Nacion newspaper to explain the impact Trujillo had on the people. “Men are not indispensible. But Trujillo is irreplaceable. For Trujillo is not a man.…
Human tendency to categorize others extends to simple instinct. From the moment a baby is born, the first question already categorizes the baby: boy or girl. In Richard Rodriguez’s Brown: The Last Discovery of America, he addresses these ideals of categorizations, untangling arduous inner conflicts in the process. Due to his diversity, Rodriguez feels unwanted and omitted in his day-to-day life. With a lack of a category for himself, Rodriguez journeys to discover new parts of himself and embrace them, as well as question societal norms. This complicated work commences many arguments that lead to a difficult relationship between the reader and Rodriguez. Rodriguez discusses categories which leads to his personal creation for all the misfits.…
Kingsolver’s novel depicts immigration policies as unfair matters that test the limits of legality and morality. These policies do not allow people to be themselves. In order to demonstrate this, Kingsolver integrates two supporting, dynamic characters: Estevan and Esperanza. These two illegal immigrants changed their names to Steven and Hope when they met two Americans that weren’t aware that they were illegal (104). This is a scene that shows trust from Estevan to Taylor, because they said their real names to her but not to the two others and the point where they all realize that if their identities are revealed they could be sent back. The author uses dialogue to explain why people do things and how some people are ignorant . Taylor, the protagonist , had a conversation with Estevan on why they came to America. He also shared some of the factors that made them leave like how “…police use electricity for interrogation...which is an actual telephone…” (134), and Taylor responds with,” Do you mean they question you over the telephone?”…
The term immigrant is defined as “a person who comes to a country to take up permanent residence” (“Immigrant”). In her autobiography, Barefoot Heart, Elva Trevino Hart speaks of her immigrant ways and how she fought to become the Mexican-American writer she is today. She speaks about the working of land, the migrant camps, plus the existence she had to deal with in both the Mexican and American worlds. Hart tells the story of her family and the trials they went through along with her physical detachment and sense of alienation at home and in the American (Anglo) society. The loneliness and deprivation was the desire that drove Hart to defy the odds and acquire the unattainable sense of belonging into American society.…
First, Rodriguez's skin color means nothing to his identity because he realizes his color does not make him "disadvantaged" in life. (149) Rodriguez believes his skin color is a label for a Mexican worker based on people's biased opinions on his race and class. When he used to go at Stanford one of his friend had asked him if he was available for a summer construction job. (140) His friend was almost apologetic…
In the story, the author is getting pulled in various directions. Rodriguez wants to stay true to his Mexican culture for his parents' sake claiming they, “...grow distant, apart, no longer speak,” but also wants to belong in American culture where his education has driven him to a position not many Mexicans get to or have to opportunity to be (Rodriguez 105). This story confronts the idea that anyone can succeed as long as they are willing to sacrifice their cultural identity in the process.…
This intense, short story contains flashbacks of a woman named Lena’s childhood. She was constantly embarrassed of her culture and family. She yearned for assimilation and could not handle the pressure of being different all her life. Lena finally decides to leave the reserve and pursue her life journey in the city, where she would also be schooled. Not only does Lena find out that the city is not the greatest destination, she realizes that again, she does not fit in amongst everyone - in this case the “white society.”…
On a crisp night in Boston, all seemed well as Diane enjoyed a nice meal with her family, and the next day, her mom, dad, and brother were stolen by US Immigrations and Customs Enforcement, and she was stranded. The book In the Country We Love: My Family Divided, tells us the life story of Diane Guerrero, a Colombian girl who was born in the United States, unlike her parents and brother who were both born in Colombia. The author tells a heartbreaking story of a girl’s resilience in frightening situations, like isolation and poverty. Diane’s home life was turned upside down, but despite the countless number of nightmarish situations, Diane strived and pursued her dreams with no aid…
The book, Honor and the American Dream: Culture and Identity in a Chicano Community, and the film, Salt of the Earth, both relay to their audience, the pursuit of happiness within the Chicano community in which they live. These works aim to show how Mexican-American immigrants fight to keep both their honor and value systems alive in the United States of America, a country which is foreign to their traditions. The Mexican-Americans encountered in these works fight for their culture of honor in order to define themselves in their new homeland, a homeland which honors the American dream of successful capitalism.…
As civilizations transformed from barbaric societies into each individually modernized nations, social hierarchy proved to be inevitable. In the short story, “Geraldo No Last Name” by Sandra Cisneros, a fellow named Geraldo was killed in a fatal hit-and-run tragedy (though he could have been saved if the surgeon had no neglected him), however, his background was a mystery, and no one knew his last name or his existence except for a girl he encountered at a dance, Marin. Marin knew little about Geraldo and yet, she was his only acquaintance at the hospital as the severely injured Geraldo waits for the surgeon. Through the words of the narrator, Geraldo was inferred as a possible illegal immigrant, family-oriented, hard-working at first, but since he went to a dance; he must have strayed from that path and had driven himself to the darker side.…
Everyone in this life has a need of survive. As an immigrant, is very difficult to come to a new country and start a new life from the beginning. In the essay “The Back of the Bus” written by Mary Mebane talks about a bus ride from North Carolina to South Carolina when the segregation laws were still in place. Mebane wrote this piece because she “wanted to show what it was like to live under legal segregation before the civil rights act of 1964” (Mebane, 167). On the other hand, the essay “Like Mexicans” written by Gary Soto, the author expresses how is to growing up in the ‘barrio’ and makes a comparison between two different cultures. Even though: “The Back of the Bus” and “Like Mexicans” are although different because of segregation and differences of cultures, they share the same struggles through racism, stereotype and having no choice.…
Critical law writers and social n science draw attention to the manners the dominant society racialize the minority groups. This racialization is seen in response to the needs such as the labor market. The concept of dominance is brought out in Vaints of Gregorio Cortez, borders of conflict. The proletarian idea of the hero as an outdated aspect that robs the rich and gives poor no chance to gain acceptance. The outlaw is either seen frankly as an outlaw, without sentimentalizing, or he is made an actor in border conflict.…