James McBride’s essay “Hip Hop Planet”, initially published in the April 2007 edition of National Geographic magazine, was written to indicate hip hop’s true societal function as a “warning” and an outcry fabricated by minority cultures. Utilizing a clear and relatively uncomplicated dialect, McBride is able to connect with an audience of general readers who are merely marginally educated on the topic. He compiles credibility by citing an assortment of anecdotes of his past experiences with hip hop music and culture, and punctuates this with the mentioning of his education at Columbia University’s journalism school. To a point, McBride constructs a well-founded argument as to why hip hop is a “warning” by elaborating on both the narrow and…
McLune wrote about the discrimination of black women throughout hip-hop. The dominate rhetorical appeal used by McLune is pathos, which “is an emotional appeal that involves using language that will stair the feelings of the audience” (Hooper, etal 86). She complains about being a black woman and hearing the excuses for men when they talk about women in hip-hop and how it is just okay with society. McLune is also irate about the fact that Eve, who is a female rapper raps about women in a bad way and doesn’t seem to think that, that is not right. Another type of appeal McLune uses is logos “which demonstrates an effective use of reason and judicious use of evidence” (Hooper, etal 86). Back in the 60s it was wrong and considered unfair to demonize colored men, but yet the men in today’s society are disrespecting colored women. The author explains how record labels exploit this and benefit off of the disrespect artist show black women. The least used appeal by McLune is ethos “which establishes the speaker’s or writer’s credibility” (Hooper, etal 86). Hip-hop owes its success to woman hating. Few artist dare to be different and not speak badly about women and the ones that do, they don’t make it clear that they feel it’s disrespectful for rappers to demoralize women which is not good in…
Just like many other rappers, Aubrey “Drake” Graham raps about how tough his life is/was and how he went from having nothing to having anything he wanted. However many people claim that these rappers rap about a life that they have never truly lived and that they try to create a public image that is fake which portrays them as a thug when they truly are not. In the articles, “Faux Americana: Why I Still Love Bruce Springsteen”, by Stephen Metcalf and “More Rock, Less Talk: Live Music Turns Off the Voices in Our Heads”, by Carrie Brownstein the authors discuss how they determine if an artist is authentic or not. One could argue that Drake is inauthentic due to the fact that he was an actor and lied about his background, along with the fact that he does not connect well with his fans during his live performances.…
Mickey Hess looks at the use of multiple identities by rap musicians to obscure the conflicting contradictions between authenticity and marketability. Hip hop, having budded from a culture of oppression against African-Americans, grew as a medium of resistance. Hess cites Tricia Rose’s words, stating that hip hop, in the context of resistance, wages an “ideological warfare with institutions and groups that symbolically, ideologically, and materially oppress African Americans” (pp.298). Therefore, the experience of oppression and life in the projects is central to most rappers’ identities as hip hop artists.…
Cited: 1. Kelley, R. (1996). Kickin ' reality, kickin ' ballistics: Gansta rap and postindustrial Los Angeles. In W.E. Perkins (Ed). Droppi" science: Critical essays on rap music and hip hop culture (117-158) Philadelphia: Temple University Press.…
Hess, Mickey. "Hip-hop realness and the white performer." Critical Studies in Media Communication 22.5 (2005): 372-389.…
Often in rap music the artist is describing points of their life or childhood that were notable to them. One prominent rap song “Juicy”, by Notorious B.I.G. is “Biggie’s ode to growing up in the ghetto. Alternating between his impoverished childhood and life at the top of the charts, Big creates a rags-to-riches narrative exemplifying the American Dream lived through Hip Hop.” Another example is Tinie Tempah’s “Written in the stars”, which also references his life as an impoverished young boy living in the ghetto. The is is evident in lines such as “Look I'm just a writer from the ghetto like Malory Blackman. Where the hells all the sanity at, damn I used to be the kid that no one cared about. That's why you have to keep screaming 'til they hear you out”. There are an abundance of rap songs that delve deep into the origins of the writer, often of the hardships they faced due to poverty and bad influence in their youth. These include being exposed to gangs, and gang related violence as well as drugs and alcohol at a young age. These very real references to their youth are central illustrations of how music mirrors…
In the 1980s, we saw many different genres of music emerge, genres such as Pop, Rock, and R&B. But a new genre emerged that sparked a lot of controversy: “Gangsta Rap” otherwise known as Hip Hop. Rappers/Rap groups such as NWA, Run DMC, Big Daddy Kane, and more changed the industry with catchy tunes and lyrics that talked about hard topics like slavery, violence, and police brutality. These lyrics sometimes caused major conflict, whether between races or with civilians and police. Hip Hop was very controversial in the 80s. “Gangsta rap” has caused a lot of controversy, many people protested this music in the late 80s and 90s due to the message within its lyrics and what those lyrics conveyed. Many accused “Gangsta Rap” for promoting things such as crime, killings, profanity, drugs, sex, racism, and more. But Gangsta rap doesn’t influence this type of lifestyle; it’s telling a story/conveying a message of the individuals who wrote the lyrics.…
As hip-hop culture evolved and entered mainstream American culture its focus shifted greatly; however, regardless of the general trends of the genre, hip-hop – specifically the rap music component - continued to express the concerns of an otherwise overlooked portion of America. Today, rap music stands in the forefront of popular music, and the effect of hip-hop culture on the American public is blaringly evident. Yet, despite its commercialization, hip-hop has maintained its status as a highly valid method of…
Herd, D. (2009, Spring). Changing images of Violence in Rap music. Journal of Public Health, 30(4), 395-406 12p. EBSCOhost.…
In James McBride article “Hip Hop Planet”, he introduces the reader to many issues that are affecting society, including violence, social class, and racism. McBride ensures that he includes hip-hop’s history, in order to explain that the musical genre began as an attempt to avoid or prevent teen gang involvement. Additionally, social class is present in hip hop culture because many of the artist's success determined by the resources that they have when beginning their career as a DJ. Lastly, race is revealed to play a large role in hip hop culture due to the fact that many rappers include lyrics about racial injustices, as well as tension between people of different cultures. Although McBride introduces different arguments throughout his essay,…
Russell-Einhorn, M., Ward, S., & Seeherman, A. (2000, May). Federal-Local Law Enforcement Collaboration in Investigating and Prosecuting Urban Crime, 1982–1999: Drugs, Weapons, and Gangs. Retrieved from Abt Associates Inc. Web site: https://www.ncjrs.gov/pdffiles1/nij/grants/201782.pdf…
The association of violence with alcohol also increased, but the relationship was not as pronounced as that with drugs, Explanations for the rise of gangster rap and violence in rap music have tended to focus on two basic themes. Representatives from the music and other media industries have argued that media violence is a reflection of actual social trends. Echoing this perspective, some scholars have focused on the structural conditions – oppressive economic and social conditions, the crack cocaine drug trade and ensuing drug war, and high levels of police brutality – within urban ghettos that promote violent themes in rap music. Within this framework, other writers have focused on the violent lifestyles of major rap artists as an explanation for the rising tide of violence in the…
By doing so, he informs the reader of the disadvantages of promoting degrading images of women and objectifying them in music videos. Parents have become aware of the language used and have begun restricting their children from contributing to the industry. As a result, the rap music industry’s profits will inevitably decline as women and young people become increasingly hesitant towards the genre. Brian also reintroduces the fact that rap music is harmful to women and their self-esteem. The rap genre encourages young people, especially young males, to be promiscuous and implies that women are objects used for pleasure. Ultimately, the continuation of theses nuances of misogyny and sexual objectification will result in a generation of domestic violence and the overpowering growth of a patriarchal…
In regards to the media, being Caucasian brings respect and authority. People are willing to hear what a Caucasian person’s opinion is. Whether it is in newspapers, magazines, films, radio, and television, Caucasians typically receive the most respect and are represented more. On the other hand, those who are not Caucasian tend to be shunned or silenced in the media. They are pushed to the background. They are barely seen and their voices aren’t heard as much. Non-whites are underrepresented in the media, especially in advertising and television. Non-white people are experiencing symbolic annihilation.…