Jan Wong starts out as a naïve, nineteen year old, Canadian student who is displeased with the capitalistic nature of her surroundings. It was the early seventies and to the author, she was experiencing a cultural revolution all her own. Opposition to the Vietnam War was strongly prevalent, the notion of feminism was beginning to arise, and there was a strong desire against conformity of any nature. The author grew up middle class to second generation Chinese citizens and was fueled by bourgeois guilt, and by a feeling of separation from her roots. “Curiosity about my ancestry made me feel ashamed that I couldn’t speak Chinese and knew so little about China” (14). After devouring every morsel of information that she could, she firmly believed Mao and his “comrades” were the only people who had a legit shot at establishing a utopic society. It was official. Jan Wong was going to Beijing.…
The women of Asia are oftentimes objectified because of exoticism and fetishes about the stereotypical Asian woman – submissive, accommodating, passive, meek, and agreeable. In reality, several Asian cultures treasure their women because they believe that the female species is the only source of life. Hence, the women of Asia are respected and valued, catered to by the men and given only the best treatment and offerings. The play M. Butterfly by David Henry Hwang includes inaccurate representations of the Asian and Western cultures, mostly those concerning the stereotypical Asian woman and the Westerners with whom they interact in order to depict the often-warped relationship of the East and the West. In particular, Hwang describes the relationship of two characters, Song Liling – a Chinese actor pretending to be a woman – and Rene Gallimard – a French diplomat imprisoned for treason – to reveal the false perceptions the East and the West have of each other. Hwang elucidates the interaction between the East and the West through his degradation of masculine tendencies, ironic use of stereotypes, and implication of “rape mentality.”…
How do the stories of Hsiao‑erh, Hsi‑liu, and Ts’ui‑hsien (all by P’u Sung‑ling), reflect successful women? To what extent are these stories unrealistic portrayals of seventeenth-century Chinese women, based on the real-life stories of women presented by Jonathan Spence?…
Xinran’s novel ‘Sky Burial’ outlines the story of a young woman on a harsh quest for love. The Harsh and demanding landscape of Tibet changes Wen in more ways than one throughout the text, transforming her Personality and beliefs, but there is one thing that remains the same in Wen, her love for Kenjun. Wen’s harsh experiences in Tibet changed her dramatically but in the end, her sacrificing Tibetan lifestyle gives Wen a new found strength.…
In Maxine Hong Kingston’s The Woman Warrior, Hong Kingston shares a tragic story involving one of her aunts. Originally the story was told to Hong Kingston by her mother, but a lot of the information was withheld so Hong Kingston includes a lot of what she thinks could have happened. Regardless of what is true and what is not, this piece of writing was extremely engaging and interesting. Hong Kingston dives into the norms held in Chinese culture and how they affect different people.…
The Death of Woman Wang, by Jonathan Spence is a historical novel pertaining to average people living in northeastern China. Spence’s book is unlike the “typical” social Confucian society China was thought to resemble during the seventeenth century. In this book, ideas of a Confucian family are challenged and can be seen as alternative but non-the-less, Confucian throughout human interaction and specifically in individual behavior. The Confucian ideas of filial piety, suicide, and being subservient are present, yet not as prominent as historians might think in a small town known as T’an-ch’eng.…
The Death of Woman Wang, by Jonathan D. Spence, paints a vivid picture of provincial China in the seventeenth century. Manly the life in the northeastern country of T’an-ch’eng. T’an-ch’eng has been through a lot including: an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Chinese society in Confucian terms was a patriarchal society with strict rules of conduct. The role at this time of women, however, has historically been one of repression. The traditional ideal woman was a dependent being whose behavior was governed by the "three obedience’s and four virtues". The three obedience’s were obedience to father before marriage, the husband after marriage, and the son in case of widows. The four virtues were propriety in behavior, speech, demeanor and employment. The laws of the land and fear of shame in society dictated that men were allowed to rule over their household leaving women in a powerless state as almost a slave of the home. In P’u’s stories women are portrayed as complex characters who hold important roles in the family, but are treated with little to no respect by authority figures, and other men of higher class. In The Death of Woman Wang, Spence portrays…
The Chinese practiced foot binding for over a thousand years in the Song and T’ang dynasties. Some people found it very cruel, and then some found it fascinating. The ‘Golden Lotuses’ were the art and symbol for the wealth and beauty of ancient China. For any other culture, one would ask what foot binding is? Or, how did foot binding in Ancient China compare to John Fairbank’s text “Footbinding”? Also, how does the history of ancient China and Fairbank’s text differ and how are they similar? Then, how can foot binding be defended? In this paper, one will be able to understand the cultural significance of foot binding.…
In America, Suyuan’s relationship with her other daughter, Jing-mei, deteriorates due to miscommunication between them. For example, when Suyuan tries to help Jing-mei find her inner prodigy, Jing-mei defies and resents her, thinking that her mother is trying to make her “be someone [she’s] not” (Tan 153). Jing-mei does not fully appreciate her mother…
Fortunate to be born into a family that supported education, Wu Zhou, in her travels with her father, gained a loving parent-child bond that drove her to exceed boundaries and achieve great things. Since her father did not have the chance to become a man of status, she wanted to make him proud and prove society’s standards wrong by outcompeting her opponents—males. Being well versed in education, politics, and discovering her own beauty, she gained position of Talent Wu, or fifth- ranked concubine to Emperor Taizong.…
The movie version of Snow Flower and the Secret Fan is very different from the book because of the minimal attention the film gives to the practice of footbinding. In Lisa See’s novel this tradition of footbinding is an extremely important process of a girl’s life. A small foot on a woman is a beautiful woman in nineteenth-century China. Footbinding was a sign of wealth back then and the more beautiful a mother could make her daughter the more marriageable her daughter would become. The footbinding process is a long and drawn out process that starts at an early age of a girl’s life and impacts a girl’s early, middle, and late stages of their life.…
Although most of author’s arguments fit her thesis, this article was biased as a secondary source because it was written based on the perspective of Chinese elite males. Most of historical articles ignored the feeling of women. To be unbiased, we must seek the initiative and motivation of women about their persist in footbinding because footbinding was experience upon their own body. And we have to realize that the existing of footbinding was not only the reflection of political status but also the self-esteem and desire of women in ancient…
In this story, Wang Lung’s life gives detailed examples of the hardships and struggles of living in a lower social class. Then, as the story progresses, the novel tells of the luxuries and customs of being wealthy. Many people can relate to this novel because it shows what life was a wealthy man and as a poor man. Nowadays, people in third world countries or are just common laborers…
“No Name Woman” is a work of literature that tells about Kingston’s upcoming in the Chinese-American culture. The core of the story is about a story that Kingston’s mother is telling her about her aunt. “In China, your father had a sister who killed herself… We say that your father has all brothers because it is as if she had never been born.”(1507) Kingston continued to listen to her mother explain that her aunt was pregnant and accused of adultery because her husband had been away for some time. Kingston’s mother tells her this story solely to teach her a lesson about the responsibilities of becoming a woman. “Don’t let your father know that I told you. He denies her. Now that you have started to menstruate, what happened to her could happen to you.” Kingston’s family wants her to participate in the punishment of her aunt; however, she interprets the story as a different lesson. She relates to her aunt because, like Kingston, her aunt did not want to conform to norms of society. Kingston relates to the spiteful acts of her aunt. She feels that in order for her to understand the moral of the story, then her aunts life must branch into her own. Kingston interprets her own judgement of her aunt. Instead of conforming to her family’s beliefs, she forms her own purpose of the story. Kingston shows great cultural growth by honoring her aunt using…
Described as utopian in nature, the Chinese culture is often in pursuit for the perfect individual, a harmonious and structured society where the citizens as a whole create the ideal culture. In a collection of short stories entitled The Bridegroom, author Ha Jin documents this aspect of reality in homeland China. Primarily for the purposes of instruction and satirical verse, Ha Jin, shows how people are trying to find themselves in a society that focuses on the ‘whole’ of the country rather than the individual. He is able to interconnect this theme of individualism through four major stories in the book while presenting ‘Chineseness’ or satire of fictional verse as a way to focus on the changes throughout China and the political discourse that its citizens face.…