Design and Cinema Form Follows Film
Edited by
Belkıs Uluoğlu, Ayhan Enşici, Ali Vatansever
CAMBRIDGE SCHOLARS PRESS
Design and Cinema: Form Follows Film, edited by Belkıs Uluoğlu, Ayhan Enşici, Ali Vatansever This book first published 2006, edited by Cambridge Scholars Press 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2006, by Belkıs Uluoğlu, Ayhan Enşici, Ali Vatansever and contributors
All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN 1-84718-003-5
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Contents
Editors’ Introduction Belkıs Uluoğlu, Ayhan Enşici, Ali Vatansever The Lived Image Juhani Pallasmaa Part I: Discourse on Form and Film ix 1
CHAPTER ONE: Existential Forms 1. Lived Space in Architecture and Cinema Juhani Pallasmaa 2. The Interaction of Places and Characters in Agnés Varda’s Cléo from 5 to 7 and Vagabond: Images of Women Transformed by Spatial Experiences Gül Kale 3. The Question of the Designed Object in Cinema Ayşe N.Erek & Ayşe E.Coşkun Orlandi CHAPTER TWO: Narrative Forms 4. Narrative Form in Chinese Garden Andong Lu & François Penz 5. The Deceptive Design of Hong Sang-soo’s Virgin Stripped Bare by Her Bachelors Marshall Deutelbaum 6. Digital Playtime Experience (Jacques Tati’s Playtime in the Age of Multimedia) Ferenc Boné 7. Hotel as a Double Metaphor: Space, Representation, Reality and Beyond Dilek Altuntaş CHAPTER THREE: Structural Forms 8. Dramatic Structure in Films Halit Refiğ
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CONTENTS
9. Voice and Value in Almost Famous and Velvet Goldmine Arthur Lizie 10. When Film Follows “Form”: Film as Composition Tuğyan Aytaç Dural