INTRODUCTION:-
Instead of covering nearly every bit of space with ornament, as the Egyptians did, the Greeks selected only the best places for it, and thus gave it its proper effect. The decorations, especially the sculptures, were one of the chief features of a Greek temple. Besides their temples the Greeks built many theaters which may be studied from their ruins, but of their dwelling-houses almost nothing remains to us.
The Greek style is noted for the repose, harmony, and proportion of its effect. These are terms we might use in speaking of a painting, but they relate to the composition of a building which is, in many respects, similar to the composition of a picture. In selecting his materials, and style, and site, and in arranging his masses of stones; in placing the lights and shades, and in producing an effect of symmetry and balance, the architect is doing much the same things that a painter does in composing his pictures. As to proportion, we may say, in a general way, that Doric temples were twice as long as they were wide, and once and a half as high as they were wide. The column was about six times its diameter in height, while the capital was one-half one diameter in height.
CLIMATIC INFLUENCES:-
To make further comparison with the Egyptian, we notice that the Greek made a gable to his roof. This was to ward off the weather, a thing the Egyptian never had to think of. It shows us how climate will bring out new features in architecture, and that, what might be beautiful in Egypt, might seem ridiculous in Chicago. Only the suitable is beautiful.
STYLE OF CONSTRUCTION:-
Using stone as the main constructional material led to trabeated and columned architecture, resembling that of the temple architecture in Ancient Egypt.
Because many Greek buildings were made of wood, mud-brick, or clay, nothing remains of them except for a few ground-plans, and almost no written sources on early architecture or