By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…
This paper will analyze and explore the stylistic differences between the largely unrealistic and conventional style of the Egyptian art of the Old Kingdom depicted in the work Mer-ib and his Wife in their Chamber of Sacrifice and the realistic style of Greek artist Euthymides in his work Revelers. The primary differences in these art styles lies in their representation of the human form. While the Egyptian Old Kingdom style seems to rely less on the artist’s representation of reality and more on a set of standards in Egyptian art, the Greek work appears to attempt to capture exactly what the human eye experiences.…
This work of art is from the Greek, Hellenistic period, c. 270- 250 B.C.E. This fifteen inch marble bust corresponds to a member of the Ptolemaic dynasty according to the typical facial features of the ruling family at that time. The Ptolemaic dynasty occurred when there was a succession of Macedonian Greeks over Egypt from the death of Alexander the Great in 323 B.C. until the annexation of Egypt by Rome and the suicide of Cleopatra VII in 30 B.C. Therefore, this head was most likely created to symbolize a Ptolemaic Queen. Its subject matter, the themes or ideas in a work of art distinct from its form, is not evident immediately. At first, one believes this to simply be a portrait of a woman typical of the time. Upon further research, it is believed that this head was created to represent a queen or even perhaps a goddess. Recently, it has been identified by different scholarly organizations as the head of Arsinoe II, who ruled with her brother Ptolemy II from 278 B.C.E. until her death in 270 B.C.E.1 (Met)…
Successful sculptural forms are created through careful attention to common artistic elements and techniques. In order to discover an artist’s intentions while looking at a sculptural piece, it is vital to note the artist’s visual cues. Such visual cues may include form, shape, texture, material, lighting, space, and dynamism. In addition, classical sculpture is commonly comprised of well-balanced idealized forms, with a sense of naturalistic beauty and elegance in mind. Great sculpture also must convey a strong sense of gracefulness and stability. The Lansdowne Bust of Athena of Velletri very successfully exhibits artistic qualities and sculptural…
Throughout European history art has changed in many ways. During medieval European history the art style was very unrealistic. The human body proportions were all wrong. Grown men and women were sized as children or midgets. The art style was also not very elegant due to the fact it was called the dark ages. During the Italian and upper European renaissance the art styles changed along with the rest of Europe’s culture, economy, and the shift of power from the nobles to the monarchs. While decreasing the power of the papacy and the churches influence on art and literature. This shift in Europe lead to the new style of art called humanism. Humanism showed the perfection of the human body with proper proportions. During this style period the greatest works of art in the world came to existence. During this period great artists flourished using many new techniques of art. Artists were being commissioned by the church, monarchs, and rich nobles for paintings and statues. This era brought out the greatest artists and creations through the style known now and forever as humanism.…
The death of Alexander the Great inspired the beginning of the Hellenistic era of the fourth century. The characteristics of this period marked a separation and divide from earlier Greek’s works. Hellenistic artist’s begun expressing their sculptures with such high degree of naturalism contrasting with the earlier religious sculptures that used the idea of realism. Another essential idea that Hellenistic artists used to convey their message on sculptures was the use of emotion, drama, lighting and dynamics poses. The foundation of the Hellenistic era supported many of the works created during the Italian Renaissance. Many of the sculptures created during the Italian Renaissance comprised of religious beings such as Mary or JesuThis paper will…
A characteristic of this statue is representational of the style of hair that was popular in the culture of the time. Long braided locks are arranged on the sculptures of women held by a brim worn atop the forehead. Another distinct characteristic displaying the popular posture present in the scultpure of women in the Archaic period was the positioning of the arms. One arm is positioned across the abdomen while the other across the waistline along their backside. This elegant and graceful pose is acredited to the bow of an actor/actress after their performance in a play still to present day.…
There we observed the change in the form of statues. Being able to see the statues and painting we’ve studied and saw in our textbook in real life amused me. Being able to go up to them and look at the details rather than staring at the photographs also made me more interested in the art itself. For this assignment I decided to compare “Seated Statue of Gudea” and “Statue of Eros Sleeping”.…
Two portraits can be used as an example to show how the art style in the Renaissance differs from past artwork. “One is from Ballini, Portrait of a Young Man and the other was painted by Raphael, called Portrait of a Young Man With an Apple (Doc. 5).” In Ballini’s work, we see a man staring off to something to the left with a blank expression on his face. He is wearing dark clothes and there is no background behind him. In Raphael’s work however, we see a man holding an apple which rests on his other hand. He has different textured clothes on and he is looking at the painter with a bit more expression to his face. There is also a background in this portrait. There may be some differences in both portraits, like their point of view, what they are doing in the painting, or what the background style is like, but both of these portraits have a major similarity. They both are portraits of a man, which show the concept of humanism and focus on the individual. In both portraits, there's is a good amount of detail on the face and what the man is looking at. This is also seen in a sculpted statue called David, by Michelangelo (Doc. 7).” Michelangelo sculpted David with an excessive amount of detail from his muscular complexion to his serious expression and contrapposto stance. Renaissance artists focused more on the concept of humanism and included it into their works of art by bringing out facial features and expressions, defined human details, and used new art techniques like contrapposto and linear perspective which made Renaissance art differ greatly from past artwork, which featured less humanistic qualities standing…
5. Explain the stylistic influence that the later art period had on the future art world. (i.e., its legacy, or historical influence)…
At the start of the 14th century a time period in human history started that lasted until the mid-seventieth century known as the Renaissance. A rebirth occurred that made this era captivating to study. This rebirth of intellect was in the form of a renewed interest in the classical form of thinking. This renewed way of thinking shifted the prime importance of culture away from divine and supernatural matters, to humankind now being the main importance. With this new culture based on classism, artworks started to become more common and wanted as the artists began to gain recognition. The scholars saw a new found interest in the studding of ancient Greek and Latin classics. The art work that was being produced showed increase detail in not only…
Throughout Egypt, during the middle empire art evolved as a symbol for power and permanence featuring straight lines and powerful figures; as time passed art evolved again morphing from simply representational images of man to the more idealized and anatomically correct style of Roman art. As art became more and more prevalent through the late 3rd and early 4th century’s artists began to focus more on anatomical perfection and realism borrowing artistic elements from other cultures such as the Greeks. Though the artistic styles of ancient Egypt and early Roman art vary widely, the underlying symbolism remains the same. This is clear in both the Egyptian Sculpture Vizier (Figure 1) and the Roman sculpture Bust of and Unknown Man (Figure 2). Where the ideas and concepts of both sculptures are essentially the same, their vastly different styles are evident of the time periods in which they were made.…
Around the times that Athens defeated the Persian Empire and was declared as the strongest Greek city, Classical art was at its peak (480-323 BC). Out of all the Greek cities, Athens was the city that was advanced in politics, economics, and culture. During the period of time that the Athenians were dominating Greece, the classical art style emerged. The philosophical context of classical art is that the Greeks wanted to make sculptures of the perfect bodies so they studied bodies until they did it. The Greeks were able to learn how the body is shaped and then transfer it over onto a medium, where tons of practice resulted in classical art (perfect proportions). The classical style is often depicted with realistic bodies in a natural body shape.…
Funerary krater: In year 1050 there is evidence of the development of a specific Greek style. This specific style is found first on the vases/ceramic wares. The decoration on the surface is a narrative of a funeral procession. The figures are very simplified; depicted into very simple geometric shapes; torso and hips are triangular. We see a body lying in state (prothesis) which means this vase could have been used as a grave marker. I do want you to notice that there is more of an attempt to display real human emotions. The mourners’ arms are raised over their head as if in distress. It is no surprise that the Greeks would acknowledge real emotional grief in this painting. They were a civilization that was self aware. Their deities were not only human looking but also had very human characteristics. In fact the only difference between the gods and humans was that the…
I have chosen as the subject of my essay to contrast and compare two female statuettes from ancient cultures. The first is an ancient Egyptian statuette named The Offering Bearer which was discovered about 1920 in the tomb of Meketre in Thebes and appears to have been made around 1985 B.C.E. by an unknown. (The Metropolitan Museum of Art, 2007). The second is an unnamed figurine commonly referred to as Statuette of A Standing Woman. This statuette, whose artist is unknown, is one of several figurines collectively called the Tanagra Figurines. They are named after the city where most of them were discovered. They were discovered in the late 1800's through the early 1900's and they date to the last quarter of the 4th century B.C.E. to the early 3rd century B.C.E. (Department of Greek and Roman Art, 2007). The first figure is made from gessoed and painted wood and the limbs, basket, duck, and base were all made separately then attached to the central figure. (The Metropolitan Museum of Art, 2007). The second figure uses terra cotta material and is made using a mold. Like the Egyptian figure, however, the arms heads and other peripheral items were often made separately and then attached to the body. (Department of Greek and Roman Art, 2007).…