Jacob and Wilhelm Grimm, more famously known as the Brothers’ Grimm storytellers, took the image of the witch as presented by the MM and extended it, exploiting society’s prejudices and folklore tales. Jacob Grimm specifically, like Kramer and Sprenger, also believed that “women in general [were] to be predestined for clandestine magic because they, as opposed …show more content…
While some examples can be excused with Dahl’s imagination, others can be directly linked back to the Brothers’ Grimm’s works. The first detail that Dahl gives is how “real witches” always wear gloves, “a REAL WITCH [sic] is certain always to be wearing gloves when you meet her….because she doesn’t have fingernails. Instead of fingernails, she has thin curvy claws like a cat…” (24). Schimmelpfennig writes that “in early illustrations of storybooks the witch is often drawn with claw-like fingers” (para. 9) along with the “common belief that witches are able to morph into animals themselves (cf. Merrifield 175)” (para. 9) when paired alongside black cats being associated stereotypically with witches and the trait Dahl has introduced the reader in spotting a “real” witch goes from being completely sexist to historically