On May 11 1937, he made the first sketch for the mural. By the tenth of May, he had already begun work on the canvas. And in early June, the mural was completed. There are about 100 recorded sketches relating to the mural, some made before Picasso started working on the canvas, and others done simultaneously with the painting. In some of the sketches, Picasso experimented with colour. Even when the mural was almost completed, the artist stuck pieces of patterned wallpaper onto the canvas to determine the effect of colour of the composition.
Charcoal and oil paint were the main materials Picasso had used on his painting. Picasso had to use a ladder and a long-handled brush to reach the furthest part of his artwork. An enormous size of the stretched canvas, measuring 3.5 x 7.8 metres and so had to be tilted to fit under the rafters of the ceiling, and dim lighting from bay windows on one side of the studio, failed to interfere with action or progress. The painting was completed in twenty-four mad and wild days. Streams of ideas, emotions, traditions, myths, obsessions and symbols of his roots deeply surrounded in Hispanic and Mediterranean culture spilled onto the canvas. These were fuelled by anger and a need to express his pain.
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