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Guernica Symbolism

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Guernica Symbolism
In its final form, Guernica is an immense black and white, 3.5 metre (11 ft) tall and 7.8 metre (23 ft) wide mural painted in oil. In creating Guernica, Picasso had no interest in painting the non-representational abstraction typical of some of his contemporaries, such as Kazimir Malevich. The mural presents a scene of death, violence, brutality, suffering, and helplessness without portraying their immediate causes. The choice to paint in black and white contrasts with the intensity of the scene depicted and invokes the immediacy of a newspaper photograph.

Guernica depicts suffering people, animals, and buildings wrenched by violence and chaos.

* The overall scene is within a room, where, at an open end on the left, a wide-eyed bull
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Symbolism in Guernica

Interpretations of Guernica vary widely and contradict one another. This extends, for example, to the mural's two dominant elements -- the bull and the horse. Art historian Patricia Failing said, "The bull and the horse are important characters in Spanish culture. Picasso himself certainly used these characters to play many different roles over time. This has made the task of interpreting the specific meaning of the bull and the horse very tough. Their relationship is a kind of ballet that was conceived in a variety of ways throughout Picasso's career."

When pressed to explain them in Guernica, Picasso said, "...this bull is a bull and this horse is a horse... If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are."

In "The Dream and Lie of Franco," a series of narrative sketches also created for the World's Fair, Franco is depicted as a monster that first devours his own horse and later does battle with an angry bull. Work on these illustrations began before the bombing of Guernica, and four additional panels were added, three of these relate directly to the Guernica

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