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hall of the bulls
Egyptian art was mainly made for after life purposes. For example, the Egyptians used a very accurate gridding system for many art pieces. On the grid system Egyptian artist created a method called frontalism or twisted perspective which is the head of a person drawn in profile and the body seen from the front. Frontalsim and the grid system were a very important piece in a pharaoh or important leader’s afterlife. In the tomb of Ti there is a painting of Ti watching a hippopotamus hunt which shows both the grid system and Frontalism. Unlike Ti the hunters are in motion. Ti stands nearly three times the size of his hunters while motionless watches the hunt. Ti is motionless for afterlife purposes because his soul needs to be able to find the piece so he can enjoy what he loves in the afterlife hence hippopotamus hunting (Kleiner 66).
In Minoan culture art is not as serious as Egyptian art. They don’t use the Egyptian grid system and their art is not strictly focused around the afterlife. According to John Papadopoulos in an article titled “Inventing the Minoans: The quest for European Identity” the Minoans had more peaceful and happier lives than the Egyptians and it showed in their art pieces. Many of their paintings were loose. For example, the bull leaping painting from the palace Knossos in Greece shows a bull and people in motion without a particular gridded or precise system. The people in the bull leaping painting were constructed of stylish circular shapes instead of the sharp ridged look the old kingdom of Egypt had shown. Paintings like the bull leaping and La Parisienne represent people with long curly hair symbolizing a Minoan care free, relaxed atmosphere. The Minoan people were making art for living in the moment in contrast to old kingdom Egyptian artwork that was made for afterlife purposes. For instance, Egyptians from the old kingdom built huge monuments called pyramids that were made for leaders on behalf of their afterlife journeys. The Minion
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