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Hamlet's Paranoia

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Hamlet's Paranoia
Hamlet, the eponymous hero of Shakespeare’s greatest work, descends swiftly into madness and paranoia after the murder of his father and the realization of his mother’s true, morally reprehensible, nature. As a result of these new responsibilities and extreme circumstances, Hamlet diverges from his usual, logical thinking into paranoia and over analysis, a condition that prevents him from trusting anyone. Hamlet, having been born a prince, is, for the first time, forced to make his own decisions after he learns of the true means of his father’s death. Another contributing factor to his madness is the constant probing of others into Hamlet’s sanity. These factors all contribute to Hamlets delay, and that delay contributes to the tragic downfall of Billy Shakespeare’s most brilliant hero at the hands of a distraught and vengeful Laertes. Hamlet once saw his mother as the epitome of virtue. This image is dashed against the rocks when he finds her married, incestuously, to his uncle less than two months following his father’s death. Having only seen his mother with his father, Hamlet perceives that he has lost her after she marries Claudius. Hamlet has, “All his life he has believed in her, we may be sure, as such a son would” (Bradley, 98). Hamlet looks down upon his mother’s second marriage as disrespect to the memory of his father. Hamlet cries out “O, most wicked speed to post with such dexterity to incestuous sheets!” (I. 2. 161-62). Now alone save for Horatio, Hamlet’s madness is left to grow unchecked. In his new solitude, Hamlet realizes that he lacks the ability to build new relationships and as such becomes intensely suspicious of all others. Hamlet also gains an almost tunnel vision like devotion to his father’s memory. This lack of trust manifests itself in what turns out to be Hamlet’s biggest mistake, not telling anyone about his encounter with the Ghost. Dodsworth This demonstration of paranoia carries and effect that “is twofold; Hamlet suggests


Cited: Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempist. New York: Routledge, 1992. Bradley, A.C. Shakespearean Tragedy. New York: St. Martin’s Press. 1992. Dodsworth, Martin. Hamlet Closely Observed. Dover, NH : Athlone, Press, 1985. Erlich, Avi. Hamlet’s Absent Father. Princeton, NJ: Princeton University Press. 1985. Garber, Marjorie. Shakespeare After All. New York: Pantheon Books, 2004. Hill, Aaron, and William Popple. Critical Responses to Hamlet, Volume 1, 1600-1790. Ed. by David Farley-Hills. New York: AMS Press, 1997. Orbison, Tucker. “‘This Distracted Globe’: Self in Hamlet.” Perspectives on Hamlet. William G. Holzberger and Peter B. Waldeck, ed. Lewisburg, PA: Bucknell University Press, 1975. Primaudaye, Peter De La. “Intellectual Backgrounds.” Hamlet. Ed. by Harold Bloom. New York: Chelsea House, 1990. Shakespeare, William. Hamlet. New York: Washington Square Press, 1992. Waldeck, Peter B. “Anxiety, Tragedy, and Hamlet’s Delay.” Perspectives on Hamlet. William G. Holzberger and Peter B. Waldeck, ed. Lewisburg, PA: Bucknell University Press, 1975. Wilson, John Dover. What Happens in Hamlet. Cambridge: Cambridge University Press, 2001

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