Shakespeare’s soliloquy To Be, or Not to Be displays Hamlet’s inner thoughts, as he contemplates suicide. Keats predicted he would die young from tuberculosis, like his brother, and never experience his greatest desires- fame and “high romance”. In the end, Keats reconciled with his fear of death, and accepted his predicament “till Love and Fame to nothingness do sink.” Hamlet’s monologue reveals his troubled mind, torn between revenge and morality. The uncertainty over what action to take drives Hamlet insane, and he debates with himself whether “to be, or not to be”. Hamlet describes life as a “sea of troubles”, filled with “heartache, and [a] thousand natural shocks”, making it sound miserable and worthless. He contrasts by comparing death to relieving sleep, but “to sleep – perchance to dream”, is the true reason for choosing life – “for in that sleep of death what dreams may come/…/ must give us pause.” Hamlet concludes that the key factor keeping humans from choosing death is fear of the unknown – “thus conscience does make cowards of us all”, and in this conclusion decides upon the cowardly option to live. While Keats’ sonnet expresses his own fear of death, and his inner desires, Hamlet is mentally unstable and debating whether life’s hardships or death’s mysteries are a more daunting…
Hamlet has just fought with Gertrude and Claudius, and has decided to stay home, as opposed to going to college. Claudius told Hamlet he was not allowed to go, and Hamlet decided to stay for his mother. The, “O, that this too too solid flesh would melt…” soliloquy reveals the first thoughts of death that Hamlet has within the play. Not much has happened, but the King and Queen are married, and the ghost has been seen. As the first soliloquy, this is the first insight into Hamlet’s state of mind that the audience has.…
4.) During act III, scene IV, line 30, Hamlet, in order to see Gertrude’s reaction, indirectly accuses her of being a part of Claudius’ atrocity by saying that what he has done (killed Polonius) is as bad as killing a king and marrying his brother. Once Gertrude hears this, confused, she repeats “as kill a king?” and asks him what she has done to cause him to be so rude to her, assuring that, like his father’s ghost had said, she was only weak and she had nothing to do with his assassination.…
For the most part, this Hamlet's soliloquy is the crisis of the play. It is when Hamlet fail to kill Claudius at prayer although he has the inner certitude that he is the murderer of his father. And this is obviously due to his consciousness. This soliloquy emphasizes in one way or another the universal human thought: to act or not to act in front of a situation requiring immediate action, always ask inner questions, make difficult choices and sometimes be tugged by his or her choice. Shakespeare uses, thereby, Hamlet to reflect on situations in the current life on which people are unable to have control, or difficult events to overcome, just because consciousness pushes them to understand that every action has its consequences and leads them…
How all occasions do inform against me,/ And spur my dull revenge! What is a man/ If his chief good and market of his time/ Be but to sleep and feed? A beast, no more./ Sure, he that made us with such large discourse,/ Looking before and after, gave us not/ That capability and godlike reason/ To fust in us unused. Now, whether it be/ Bestial oblivion, or some craven scruple / Of thinking too precisely on th' event—/ A thought which, quartered, hath but one part wisdom/ And ever three parts coward—I do not know/ Why yet I live to say “This thing’s to do,”/ Sith I have cause and will and strength and means/ To do ’t. Examples gross as earth exhort me./ Witness this army of such mass and charge/ Led by a delicate and tender prince,/ Whose spirit with divine ambition puffed/ Makes mouths at the invisible event,/ Exposing what is mortal and unsure/ To all that fortune, death, and danger dare,/ Even for an eggshell. Rightly to be great/ Is not to stir without great argument,/ But greatly to find quarrel in a straw/ When honor’s at the stake. How stand I then,/ That have a father killed, a mother stained,/ Excitements of my reason and my blood,/ And let all sleep—while, to my shame, I see/ The imminent death of twenty thousand men,/ That for a fantasy and trick of fame/ Go to their graves like beds, fight for a plot/ Whereon the numbers cannot try the cause,/ Which is not tomb enough and continent/ To hide the slain? Oh, from this time forth,/ My thoughts be bloody, or be nothing worth! (IV.iv.34-68)…
In Hamlet, Shakespeare reveals dynamics and statics in character traits mainly through soliloquies. In Soliloquy #2, Hamlet takes an adventure of self-awareness with a static, violent and depressing tone.…
And the urge to stuff the face and fill the stomach to its full capacity…
“To be or not to be: that is the question.” This is one of Shakespeare’s most remembered quotes from Hamlet, but it also brings forth the question; was Shakespeare really Shakespeare? Many have argued that Shakespeare in fact was an imposter or a pen name for someone else. The quote above could be read as the real Shakespeare trying to tell the world that not everything is what it seems or it could be interpreted as Shakespeare telling the world simply to believe in what you want to and not what you are meant to believe.…
And he does not have mere ‘a straw’ to find quarrel but ‘a father killed, a mother stained’. In this perspective, he compares and contrasts himself with the young Fortinbras. He sets him as an example for finding quarrels for the sake of name and honour. And then comes the resolution…
1. In the beginning of the act, Hamlets asks himself a question. “To be, or not to be—that is the question.” What Hamlet is actually asking is considering if he wants to live or kill himself.…
HAMLET: To be, or not to be--that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing end them. To die, to sleep-- No more--and by a sleep to say we end…
"To be, or not to be? That is the question-." One of Shakespeare's most remembered and famous quotes. This speech can be read in act 3, scene 1 of Hamlet. Hamlet recites this famous speech as he is strolling into one of the castle rooms, right before he speaks to Ophelia. Many people believe it has no significance to the play at all. This could be one reason as to why it is so famous. It could also be in part of the topic he is speaking of. Either way, the speech not only demands readers attention, but piques their interest…
Set in the medieval ages in the mighty Kingdom of Denmark, Shakespeare's Hamlet is a tragic tale of corruption, betrayal, and revenge. The play follows Prince Hamlet’s loss of sanity as he seeks vengeance for his father’s murder. Having murdered the king, Hamlet’s uncle, Claudius, has also married the queen and stolen the throne. In Act 3, Scene 3, Hamlet is granted the opportunity to murder Claudius, as he has his back turned to him deep in prayer. Realizing that his father was not granted the opportunity to pray before Claudius murdered him, Hamlet decides that he should not give Claudius the opportunity to pray and go to heaven. Within this scene, Hamlet undergoes a pivotal shift in mindset, with a newfound grasp of vengeance as he battles between evil and forgiveness. In Hamlet’s sixth soliloquy, he raises classic ontological questions, particularly, the true meaning of evil, the essence of revenge, and the concept…
Shakespeare is one of the world's most famous playwrights and is most famous for the line “to be or not to be.” This line comes from the play Hamlet in which Hamlet questions whether to live or to die. Overtime several film renditions have been created with different interpretations of this scene. In a 1996 film production directed by Kenneth Branagh, Hamlet is played by the same actor. In this rendition, Hamlet recites the soliloquy in front of a mirror. Another 1990 film production directed by Franco Zeffirelli with Mel Gibson acting as Hamlet, Hamlet paces through a family crypt. Although Gibson's rendition features the use of motifs of light and darkness and pans toward skeletons and tombstones, Brangh portrays a more powerful version by…
This soliloquy portrays Hamlet pondering whether it is better “to be, or not to be”(Shakespeare 3.1.57). The uncertainty and possible instability of life after death is of great concern to Hamlet, as a result he focuses…