Further in the play, Hamlet obsession with death becomes much more noticeable- particularly when he is in the graveyard with Horatio. He sees his old playmate and jester, Yorick, in his state of decay and eerily uses his skull to portray deaths omnipotence. What could have once been the vibrant head of a politician or king is now reduced to a simple, dirty skull: “Here hung those lips that I have kissed/I know not how oft.” (5.1. 194-195) Furthermore, Hamlet realizes the notion that death is the unalterable and permanent ending of all men. Hamlet now is fully aware of death, and knows what he must do to avenge his father, yet he is immobile and is too scared to act. He asks himself “Am I a coward? Is it not monstrous/that this player here, but not in fiction, in a dream of passion/could force his soul so to his own conceit…” (2.2. 575-580) Hamlet is angered by the fact that he is too scared to perform a deed that should be committed for all the right reasons. He thinks too much and that is his ultimate downfall. Although very noble, he struggles with the issue of avenging his father's death, and since Hamlet is more into philosophizing than action, he thinks about his intention to kill Claudius, lessening his ability to execute his plans. When the ghost informs him about Claudius' actions, Hamlet is prompt by replying: " Haste me to know ’t, that…