The climactic rise and fall of Kurtz and Nathan Price typifies the destructive, insidious force of society’s truth upon the human soul. Signs of Kurtz’ troubled state litter Marlow’s initial days at the Central Station. While admiring an agent’s artifact collection, Marlow stumbles upon a small sketch “representing a woman, draped and blind-folded, carrying a lighted torch” (Conrad 122). Kurtz’ revelatory painting of the “sinister” looking woman engulfed in darkness clearly reflects his struggle with forging ahead on the continuum of truth (Conrad 122). Unfortunately, the constant praise of his peers, who regarded Kurtz as a “remarkable person” (Conrad 115), “exceptional man,” (Conrad 119), “a prodigy” (Conrad 122), coupled with the unbounded freedom of the Congo, creates a severe superiority complex within him, grinding his continuum to a halt. Once on his knees, the European imperialist mentality effectively crushes Kurtz’ inner principles: “it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own” (Conrad 147). In Poisonwood Bible, Nathan Price also falls…
However, the evil of some people might not be evident until drawn out from societal values and motives. The darkness of men consumes their mind and is able to control them in inexplainable ways. Marlow draws that Europe’s presence in Africa spread new evils that spread throughout the natives, through Kurtz, and through himself. Darkness is everywhere and can be present in many different ways. Kurtz struggled with the desire for greed and power, which led him to his own fall. Marlow discovered his own corruption and moral depravity, but was able to control it. Although darkness is universal among men, its temptations can still be…
the alternative nightmare to Kurtz, the embodiment of lesser evil shrouded in hypocrisy - in light of Kurtz's success, almost as a death shroud…
Objects which have power entrap characters in HOD and DWW. Kurtz relationship with ivory exhibits power entrapping and taking over oneself. Kurtz’s constant pursuit for ivory, allows him to let ivory take over him and entrap him. Ivory entraps Kurtz to a point beyond redemption. Through this entrapment Kurtz is utterly subdued by the ivory which results in the ivory controlling and dictating his life. “The thing was to know what he belonged to how many powers of darkness claimed him for their own”. Through the use of a metaphor Conrad illustrates that Kurtz is overtaken by a greater more possessive power such as ivory. Here Conrad clearly emphasizes that the ivory does not belong to Kurtz, rather he belongs to the ivory. This further highlights the notion of power entrapping. Here ivory is referred as darkness. This implies that ivory entraps Kurtz, controlling him and committing him to a life of evil and sin. The concept of objects entrapping is also…
powers of darkness claimed him for their own. That was the reflection that made you creepy all over. It was impossible--not good for one either--trying to imagine. He had taken a high seat amongst the devils of the land--I mean literally. You can't understand--how could you?" (Pg. 118 ) Kurtz is the shadow of Marlow, but for Europe the shadow is imperialism. The manager is an example of the negative effects of imperialism. The good…
The id is categorized on pleasure; the part of our psyche which corresponds with our instincts, the ego is based on one’s conscience and is responsible for carrying out the absurd demands in a realistic fashion, while the super-ego is based on one’s conscience in a society and is accountable for comprehending the brain’s values/morals. Kurtz is the paramount character in Joseph Conrad’s “Heart of Darkness”. Working in the country of Africa in representation of one of the biggest Belgian trading companies, he is presented as a man with a great deal of talents. "The original Kurtz had been educated partly in England, and - as he was good enough to say himself — his sympathies were in the right place. His mother was half-English, his father was half-French. All Europe contributed to the making of Kurtz […]." (2.29) Throughout the beginning of the novel, Kurtz represents Europe’s way of life and seems to represent it well. In Europe, all he is exposed to is a civilized and contained environment in which social norms are able to guide him and lead him from going astray. In this environment, Kurtz was able to balance the aspects of his id and his super-ego easily. In other words, he was capable of knowing his limitations when it came to achieving his desires. However, after going to Africa, he seems to undergo a drastic change in personality and in conscience. His morality and his psyche all seem to deteriorate. Being…
Kurtz is one of the characters of the novel that is able to show who he really is and who he has become through his stay with savages. He is able to show an embodiment of Europe, an assault on European values, and that he has become like a tyrant. Like Marlow, Kurtz wished to travel to Africa in search for adventure and to do philanthropic ideals, of “humanizing, improving, and instructing”(pg.96) the Natives, which was in his initial report to the Company. In the jungle, Kurtz, enjoyed the taste of power and he soon abandoned his philanthropic ideals, and he raised himself on a pedestal. He used to have a concern on how to he was going to bring the “light” of civilization to the Inner Station. But he descended into madness that he will not able to save himself, and as Marlow says that Kurtz has truly gone to the “farthest point of navigation”(pg.…
Heart of darkness is not only an attack on colonialism, but also a criticism of the dark greed that the human heart retains. Moreover, most of the content of the novel is pervaded by symbolic meanings among which destiny and foreshadowing play a leading role, and such is their relevance that both of them are consistently present explicitly and metaphorically throughout the novel. Therefore, the apparently innocent journey to the Congo to meet Kurtz masks a deeper meaning, a symbolic journey to the bottom of the human heart, a heart thirsty for power and wealth ―the heart of darkness ― which is represented by Kurtz and the colonialist lifestyle that surrounds him. “Kurtz 's methods had ruined the district… They only showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him -- some small matter which, when the pressing need arose, could not be found under his magnificent eloquence”.…
Cited: "Heart of Darkness." SparkNotes. Ed. Joesph Conrad. SparkNotes, 1 Jan. 2012. Web. 24 Oct. 2012. .…
In both texts, there are individuals showcasing major facets motivated by greed, obsessed with the stimulus that is presented in either century. In Conrad’s Heart of Darkness, the character ‘Kurtz’ is primarily stimulated by greed. His obsession with ivory was at an extreme where main character ‘Marlow’ refers to his physical appearance as “like a ball- an ivory ball” and as having an “ivory face.” These respective simile and metaphors encapsulate how Kurtz had become gripped by ivory to the point where it was taking over his very being. This description that Kurtz is placed in is carried through to his dying moments where “The brown current ran swiftly out of the Heart of Darkness-Kurtz’s life was running swiftly, too…” This indirect juxtaposition links the ideas of Kurtz’s life with the Heart of Darkness, not being a physical location, but an internalised nature representing Kurtz. These links of the rapacious Kurtz to a being of pure immorality is an insight into the overtaken existence of greed within individuals of evil.…
The main theme of the novel Heart of Darkness is the darkness of the human nature and its destructive influence on human beings. This research paper aims to analyze the character and personal downfall of Kurtz and use him as an example for the darkness of the human nature. It will show how easily a man can experience bad fate; Kurtz was an ambitious man full of hope who came to Africa in search for wealth and fortune and ended up going insane and dying.…
He describes him as an “emissary of pity” but with a scathing tone. He also views him as strict and known to follow the rules. Kurtz is one of the “gang of virtue” who is coming to “save’ Africa but the brick maker thinks that is a farce. Others have only talked about Kurtz with reverence.…
Kurtz must fall according to the company, for he went rogue and he unveiled the evils of the imperialistic leadership. In Vietnam Kurtz sees through a facade of good will, saving the people from their own ignorance and the dangers of communism, it is simply a power struggle. While Kurtz appears to be the embodiment of all things evil in the war he is simply representing the battle for control. Kurtz removes the ‘rules of war’, which do not even appear to be adhered to when Kilgore bombs a Vietnamese village.…
Madness is another major theme in the story. Kurtz has clearly gone mad from being in the congo too long. He speaks of killing people like it is nothing. However, his madness could be due to the lack of authority he has to answer to, leading to his abuse of power.…
Marlow never explicitly chooses to be evil nor good, however, vaguely acknowledges that both good and evil are evident around him. He travels around the jungle, also referred to as the “heart of darkness” (57) and “center of evil” (36), rather than going straight through it, in contrast to Kurtz. He avoids abrasive confrontation with evil. However, as the distance between Marlow and the restraints of society grow, it is apparent that his temptation to sin grows as well. Moreover, because Conrad describes evil as both an omnipresent, driving force in the plot as well as a vacancy or a lack of good. Kurtz embodies evil and a lack of humanity, the closer Kurtz reaches a lack of self…