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When the author is introducing the characters, it tells what a strong willed woman Hester is. Willa Cather, the author, gives direct statements about Hester’s custom to wait for an answer. She usually divined his arguments and assailed them one by one before he uttered them.” This quote from the passage hints at the reader that the woman knows her husband and will speak his argumentative…
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The Puritan Era was the most religious time in American history; committing any sin was seen as an act of rebellion. In that time the sin of adultery was taken very literally to an extent where the women were forced to wear the letter “A” across their bosom to show the people of the town what they had committed. In The Scarlet Letter, Hester Prynne’s sin results in such a punishment, but as the reader gets deeper into the book, a prominent and more profound understanding of Hester can be reached. It is through her struggles that Hawthorne gets across his primary themes. Hawthorne illustrates his theme through Hester's struggles that becoming an outcast can help one achieve a profound grasp of who they truly…
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The pistols from Ibsen's Hedda Gabler symbolize Hedda and her attitude toward having a child. Hedda Gabler obtained the pistols from her father, General Gabler, who comes from the upper class. Like a gun, Hedda is hot on the inside and cool on the outside. On the outside, Hedda appears like a sweet, beautiful young lady with good intentions. However, the reader learns that Hedda is a jealous, impulsive person with nasty intentions. Owning guns makes Hedda feel like she i. In the Victorian era, women had rules and guidelines to follow. Hedda tends to go against typical women's roles of the Victorian era, having more qualities that are deemed masculine than feminine. For example, she possesses guns and controls her husband, unlike a stereotypical…
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In the beginning Hester is in jail, dealing with the fact she committed adultery, and as such is a sinner and as punishment…
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The play, Hedda Gabler by Henrik Ibsen, is about defying society's limitations in order to achieve disclosure of one's essential self. The protagonist, Hedda Gabler, is cunning, deceitful, and manipulative; her disposition is displayed most prominently within passage three, after she acquires Lovborg's manuscript from George Tesman. In the passage, Hedda attempts to convince Lovborg to commit suicide and burns his manuscript after he leaves. In a grasping attempt to seize control over her life, Hedda conceals her true motives and beliefs from the public eye through her wariness of her words and actions.…
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“HEDDA: Do you find it so very surprising that a young girl – if there’s no chance of anyone knowing -…
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Our society’s gender roles are constantly evolving and changing, all in the name of “progressive thinking”, though not all for the good. With a new “social norm” appearing every few years or so, it comes as a surprise that it has been a relatively short time since women have broken through their defined roles to be seen on the same level as men on a social basis. Many of history’s pages are written from a patriarchal perspective, opening the way for the female protagonists and complimentary characters in Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll’s House” to make us rethink those gender roles through the events that occur during the plays and through their own complexity, providing interesting points of comparison and contrast between the plays and challenging audiences to think about gender roles in a new way.…
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In comparison to Ibsen’s character, Bernard Shaw’s character, Vivie, from his play Mrs. Warren’s Profession, is presented as a ‘new woman’ from the beginning of Act l. Whilst Nora is first presented to the audience as a timid, innocent woman, Vivie is unlike the typical Victorian woman as she is a “strong, confident” character, represented when she “proffers her hand” to the male character, Praed, with a “hearty grip”,…
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People are capable of doing crazy things! Nora, in Henrik Ibsen’s A Doll’s House, loved her husband so much that she committed forgery just for the sake of his wellbeing. Susan Glaspell’s character in Trifles, Mrs. Wright, murders her husband after she discovers that he killed the one most precious thing to her, her pet bird. It was out of love that these women committed illegal crimes. Nora wanted her husband to be healthy because she loved him and knew that without his salary coming in, their home would fall apart. In contrast, Mrs. Wright wanted her husband dead. He was responsible for taking the life of the only company she had for many years. Mrs. Wright loved her pet bird more than she loved her own husband. The bird was more than just a pet to this lonely woman, it was her single companion. Through their failed marriages, conviction of crime and judgment from their peers, these character’s personalities change completely and begin to show the reader the evolution of women’s place in society.…
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• Established the idea that it was acceptable to portray some women as evil in literature- accurate reflection of society which consists of ‘the murderers, the seducers, the espionage agents, the cheats, the bad mothers and the stepmothers’ as well as a plethora of good women…
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Flaubert’s Madame Bovary and Ibsen’s Hedda Gabler are two complete different characters but underneath it all they are very much the same. Both Emma and Hedda want things that they can not obtain. Emma wants to be part of the glamorous world of the wealthy and Hedda wants the powers that in her time, only a man can have. Emma is a farm girl who marries a simple country doctor. She wants a love that she has read about in her romance novels but what she desires most is to be part of the high society, the rich and famous, the expensive pearls and glamorous furs lifestyle. Emma buys beautiful silks and dresses, but with nowhere to wear them, she just sits in her living room with the blinds shut. Her husband does not make enough money to support her desires so Emma buys all the luxurious things on credit, and pretty soon it all catches up with her. On the other hand Hedda Gabler is already part of the high society; Hedda has always had what she wanted. She is the type of person Emma would have liked to be. Hedda however has different desires then Emma. She wants the power that her father the General had. Hedda wants to have control like a man would, but since she is only a women, she tries to find this power by manipulating others around her. Hedda tries to control Lovbergs actions by handing him a gun to kill himself; she wants to have power over someone else’s life.…
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Similar to the way media portrays women in today society, Ibsen play “A Doll’s House” is controversial for its time in literature, because Ibsen understood the challenges women faced during that time, and exploits it in his writing, likewise to the United Nations who are actively raising awareness to the degradation of women in today’s society. Susan Glaspell’s play “trifles” grasps the notion that women in the early nineteen hundreds were considered to be innocent caretakers, while on the other hand turns the back to women when it comes to equality in marital relationships. Understanding women’s rights during the period the plays were written in, is a critical piece to understanding why the authors choose to write them in the fashion they…
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Hester Prynne was a woman who made decisions that felt right for her, which were also good for those closest to her. As Emerson wrote, “What I must do is all that concerns me, not what people think.” The initial decision to commit adultery with Arthur Dimmesdale was, although against the law, right in Hester’s mind. She hated her husband, Roger Chillingworth, and loved Dimmesdale. Hester did not see the act as a sin or breaking the law, she saw it as an act of passion. Although, later she did feel shame when she had to bear the scarlet A upon her chest. Her love for Dimmesdale was expressed again when she hides his identity from the town fathers. Hester decided to do this not just for Dimmesdale, but also for herself. It made her feel better to be at least able to think she was saving the man she loved from her same fate. This decision also meant that she…
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The Gothic genre is an increasingly popular area for feminist studies, showing contrasts in society at the time and the expectations of women within it. In pre industrial times, women were expected to play a subservient role to men, they were expected to marry young and bare children, they would simply care for their husbands and support the family, they were denied the right to vote or own property and were expected to be the innocently silent, supportive backbone behind patriarchal society. It is noted that female characters in Gothic novels and plays often fall into one of two categories: innocent victims, subservient to the strong and powerful male characters, or the shameless and dangerous predator. The stereotypical female in Gothic literature is portrayed as an innocent, helpless maiden, passive, vulnerable, dependant and weak. However, a common theme in gothic novels is for this feeble female to feel sympathy for the villain, for example, Elizabeth in Frankesntein, Lucy in Dracula and Ophelia in Hamlet, sadly, this usually results in the innocent females tragic death such as Ophelia’s untimely suicide, which, similarly is seen in another of Shakespeare’s women, Lady Macbeth, although this female is certainly not fitting to the “helepless maiden” stereotype. She is an example of the other female figure prominent in Gothic literature, the strong, dominating, powerful predator. Ambitious and destructive, she offers a sexual threat. Lady Macbeth, so enthralled by dangerous ambition, she claims she would kill her own children, “How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, have pluck'd my nipple from his boneless gums, and dash'd the brains out.” Another example of the un-stereotypical female would be the vampires in “Dracula”, Stoker depicts them as deviants and sexually aggressive in order to undermine the foundations of a…
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Despite the fact that Hester Prynne committed a highly offensive crime as adultery, does make her a bad mother. Hester Prynne puts her daughter before her in all aspects of her life, even though she is in odds with the community. She teachers her daughter good manners, and the rights and wrongs of life. Hester also showers her daughter with love and support.…
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