Helene Lambert de Thorigny is an oil-on-canvas portrait from sometime between 1696-1700 and is 63x45 inches. It is currently on display in the Honolulu Museum of Art. Nicolas de Largillière did the portrait while Jean Baptiste Belin de Fontenay did the flowers. Helene Lambert de Thorigny was the wife of a wealthy Normandy financier. The portrait depicts the spirit of the Rococo, also known as late baroque, with the creamy pastels, curvatures, and a playful nature.…
John Singer Sargent’s portrait, Madame X, is described by Mahon and Centeno (2005) as one of the most discussed and notorious paintings housed at the 1884 Paris Salon. The piece defied every rule of Victorian fashion and etiquette, eliciting intense criticism. Diliberto (2003) states Sargent believed the beautiful and infamous Madame Gautreau would be the key to his success as a renowned Parisian portrait painter. Both Gautreau and Sargent were expatriates to their beloved Paris, sharing a great desire to reach elite status. This commonality may be the reason Gautreau agreed to allow Sargent to paint her, as she had turned down many requests similar to his (Sidlauskus 2001). Both artist and subject believed the portrait would elevate them to…
In 1977, Bequest of Alice K. Bache authorized The Mask. Alice K. Bache was a 1903-1977 collector throughout New York, NY, Washington, CT, and New Orleans, LA who preserved ancient art that of Cycladic, Pre-Columbian, Mexican, Asian and Peruvian works. She also began endowing her art collection to the Metropolitan Museum of art in 1967. As a part of her recent donation, she granted The Mask in which is now perched there.…
What I Saw in the Water is different from most of Kahlo’s painting because this painting does have a dominant focus. This painting is one of the most creative and unsettling. Frida Kahlo friend Julien Levy explained this painting, as “It is an image of passing time about time and childhood games in the bathtub and the sadness of what had happened to her in the course of her life”. She painted her entire life into the bathtub. In this painting you see can some of the same symbols that Kahlo uses in all of her paintings. The bathtub is the first symbol, which is present in the painting. For Kahlo the bathtub setting is equivalent to the womb, which for the artist is both a source of happiness and suffering. Frida deeply moaned her inability to…
Fauvism started as a loosely associated group of artists who used explosive colors to portray emotion. They were not constrained by the Realists color palette and used this new found freedom to explore and experiment with other styles, helping to cut a path to 20th Century Modernism. Fauvism respected expression on a individual basis. An artists’ emotional response to all things natural, or intuition were far more important than classical training or lofty subjects.…
The title of this book is The Window and the writer is Jeanette Ingold, she also wrote The Big Burn, Airfield, Hitch, Paper Daughter, Mountin Solo. The person who published this book is Harcourt Brace, he also published this series called Virginia Woolf and more. This book was a bestseller, and the intended audience is young adults or teens. This was in the 3rd person point of view. There are 181 pages of an amazing story to read and learn. How life would have been if you were blind or had a disability.…
Henri Cartier-Bresson is among some of the most influential photographers of the 20th century. His photographs appear in most popular magazines such as, Life, Harper's Bazaar, Vogue and also co founding Magnum Photo Agency. Cartier-Bresson pursued photography with an impulsive passion that he refined into a photojournalistic art form. He is also well know for coining the phrase “The Decisive Moment” in photography, which is capturing the moment something is happening creating a photograph that leaves the viewer waiting. In better terms the decisive moment is “the one that fixes forever the precise and transitory instant.” It is important to keep in mind each picture was exposed on film and could only be viewed after the film was developed;…
Henri Cartier Bresson (1908-2004) was a French photographer and photojournalist, working throughout his homeland of France and around the world. When looking at Cartier-Bresson's artistic practice – the physical actions, techniques and procedures used to create the work combined with the conceptual ideas, influences, meanings and beliefs – we can see an emphasis on the story behind the image rather than its formation. There is a subtle influence of composition on his works though, due to his interest in painting before he became a photographer.1 We can observe his ability to capture the decisive moment, producing a 'snapshot' of what the eye saw in a fleeting instant, with a “cosmopolitan understanding” of the scene.2 Using his 35mm Leica camera3 he produced images which, usually featuring only a few characters, encapsulated the personalities, emotions and circumstances of a scene. By focussing on the crowd or characters rather than the affair, CartierBresson evoked mood and feeling in his images. With this theme of emotion running throughout all his work, we can observe that he grasped the inner relationships of human beings, a motif which distinguished his work from that of others.4 In the time of the great magazines before the dominance of television, photojournalism was featured on elaborate spreads and reached a wide audience. Cartier-Bresson co-founded 'Magnum', a photography agency which allowed photojournalists to publish their work in major magazines whilst keeping rights to their work.5 As a photojournalist Cartier-Bresson recorded life and events in times and places like China before and during its industrial revolution, India and Indonesia throughout their independence and the United States throughout its post-war economic prosperity. He utilised the 'photo essay' to tell the story behind his images, acclaimed for his images of…
Some sculptures of the human form release a certain presence, feeling or emotion that they are more than just objects. Ron Mueck represents this concept or idea throughout his realistic sculptures. Ron Mueck is an Australian hyperrealist sculptor working in the United Kingdom. Formally a model-maker and puppeteer for children’s television and film, Mueck has been creating fine art sculptures of the human form since 1996. Using many materials such as; resin, fibreglass, silicone and even real hair particles. Mueck contrasts hyper realistic likeliness of human beings, whilst playing with scale. Mueck often constructs his pieces from a mould and makes them hollow so these huge and sometimes small projects are easy accessible and transferable. The detailed sculptures are captivating when viewed up close, as they may be many times larger or smaller than expected. The audience’s reaction and response to Muecks work is unbelievable because these life-like sculptures look so real, like they could just come alive at any moment. Muecks sculptures show an expression, creating different characters who are frozen in time, portraying different meanings, emotions and reactions. This sense of life within the sculptures gives the audience the idea that they could be more than just objects.…
On first look at the painting, we give our attention to the isolated woman in the middle of the work. The woman is the largest feature of the painting and is the focal point of all other elements found in the painting. The woman is portrayed as someone of great importance. The woman is clothed in a flowing white…
Beauvoir discusses love in relation to sexual difference. She also discusses the difference between authentic and inauthentic love. What differences between women and men's experiences of love does she discuss? How does she think the problems of love can be rectified?…
"What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject-matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue." – Henri Matisse-…
First, the reading claims that the woman wear a cap like a servant's cap while her dress assert she is a rich woman because she has a luxury dress and it is not acceptable in the details of Rembrandt's work. The professor opposes this point by saying that the pigment analysis clearly show that this kind of depiction was a part of paint details and Rembrandt did it cautiously.…
First of all, the author claims that the woman, who is identified as a servant, in the painting is wearing a luxurious fur collar. The inconsistency of white cap makes the author argues that the painting is not painted by Rembrandt. This point is challenged by the lecturer. She says that the color was painted on over the top after 100 years, and the purpose was to increase the value of the painting to look like a aristocratic woman.…
“I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.” Frida Kahlo is one of the most influential artists in this world is known for many pieces of art, especially self-portraits, expressing herself. And, most importantly, expressing her reality. All, that through definitely many of Kahlo’s paintings, she communicated a quite large part of it, in itself: Mexico. Of course, showing it was a shared reality by the Mexican people, who shared the basic main environments in her portraits. Talented with her craft based on her outlook, Kahlo was able to characterize and detail what primarily made each painting unique: the culture and self-individuality…