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The Use of Technology to Control Society

Brave New World warns of the dangers of giving the state control over new and powerful technologies. One illustration of this theme is the rigid control of reproduction through technological and medical intervention, including the surgical removal of ovaries, the Bokanovsky Process, and hypnopaedic conditioning. Another is the creation of complicated entertainment machines that generate both harmless leisure and the high levels of consumption and production that are the basis of the World State’s stability. Soma is a third example of the kind of medical, biological, and psychological technologies that Brave New World criticizes most sharply.

It is important to recognize the distinction between science and technology. Whereas the State talks about progress and science, what it really means is the bettering of technology, not increased scientific exploration and experimentation. The state uses science as a means to build technology that can create a seamless, happy, superficial world through things such as the “feelies.” The state censors and limits science, however, since it sees the fundamental basis behind science, the search for truth, as threatening to the State’s control. The State’s focus on happiness and stability means that it uses the results of scientific research, inasmuch as they contribute to technologies of control, but does not support science itself.

The Consumer Society

It is important to understand that Brave New World is not simply a warning about what could happen to society if things go wrong, it is also a satire of the society in which Huxley existed, and which still exists today. While the attitudes and behaviours of World State citizens at first appear bizarre, cruel, or scandalous, many clues point to the conclusion that the World State is simply an extreme—but logically developed—version of our society’s economic values, in which individual happiness is defined as the ability to satisfy needs, and success as a society is equated with economic growth and prosperity.

The Incompatibility of Happiness and Truth

Brave New World is full of characters who do everything they can to avoid facing the truth about their own situations. The almost universal use of the drug soma is probably the most pervasive example of such wilful self-delusion. Soma clouds the realities of the present and replaces them with happy hallucinations, and is thus a tool for promoting social stability. But even Shakespeare can be used to avoid facing the truth, as John demonstrates by his insistence on viewing Lenina through the lens of Shakespeare’s world, first as a Juliet and later as an “impudent strumpet.” According to Mustapha Mond, the World State prioritizes happiness at the expense of truth by design: he believes that people are better off with happiness than with truth.

What are these two abstract entities that Mond juxtaposes? It seems clear enough from Mond’s argument that happiness refers to the immediate gratification of every citizen’s desire for food, sex, drugs, nice clothes, and other consumer items. It is less clear what Mond means by truth, or specifically what truths he sees the World State society as covering up. From Mond’s discussion with John, it is possible to identify two main types of truth that the World State seeks to eliminate. First, as Mond’s own past indicates, the World State controls and muffles all efforts by citizens to gain any sort of scientific, or empirical truth. Second, the government attempts to destroy all kinds of “human” truths, such as love, friendship, and personal connection. These two types of truth are quite different from each other: objective truth involves coming to a definitive conclusion of fact, while a “human” truth can only be explored, not defined. Yet both kinds of truth are united in the passion that an individual might feel for them. As a young man, Mustapha Mond became enraptured with the delight of making discoveries, just as John loves the language and intensity of Shakespeare. The search for truth then, also seems to involve a great deal of individual effort, of striving and fighting against odds. The very will to search for truth is an individual desire that the communal society of Brave New World, based as it is on anonymity and lack of thought, cannot allow to exist. Truth and individuality thus become entwined in the novel’s thematic structure.

The Dangers of an All-Powerful State

Like George Orwell’s 1984, this novel depicts a dystopia in which an all-powerful state controls the behaviours and actions of its people in order to preserve its own stability and power. But a major difference between the two is that, whereas in 1984 control is maintained by constant government surveillance, secret police, and torture, power in Brave New World is maintained through technological interventions that start before birth and last until death, and that actually change what people want. The government of 1984 maintains power through force and intimidation. The government of Brave New World retains control by making its citizens so happy and superficially fulfilled that they don’t care about their personal freedom. In Brave New World the consequences of state control are a loss of dignity, morals, values, and emotions—in short, a loss of humanity.

1. COMMUNITY, IDENTITY, STABILITY- VERSUS INDIVIDUAL FREEDOM

Community, Identity, Stability is the motto of the World State. It lists the Utopia's prime goals. Community is in part a result of identity and stability. It is also achieved through a religion that satirizes Christianity- a religion that encourages people to reach solidarity through sexual orgy. And it is achieved by organizing life so that a person is almost never alone.

Identity is in large part the result of genetic engineering. Society is divided into five classes or castes, hereditary social groups. In the lower three classes, people are cloned in order to produce up to 96 identical "twins." Identity is also achieved by teaching everyone to conform, so that someone who has or feels more than a minimum of individuality is made to feel different, odd, almost an outcast.

Stability is the third of the three goals, but it is the one the characters mention most often- the reason for designing society this way. The desire for stability, for instance, requires the production of large numbers of genetically identical "individuals," because people who are exactly the same are less likely to come into conflict. Stability means minimizing conflict, risk, and change.

2. SCIENCE AS A MEANS OF CONTROL

Brave New World is not only a Utopian book, it is also a science-fiction novel. But it does not predict much about science in general. Its theme "is the advancement of science as it affects human individuals," Huxley said in the Foreword he wrote in 1946, 15 years after he wrote the book. He did not focus on physical sciences like nuclear physics, though even in 1931 he knew that the production of nuclear energy (and weapons) was probable. He was more worried about dangers that appeared more obvious at that time- the possible misuse of biology, physiology, and psychology to achieve community, identity, and stability. Ironically, it becomes clear at the end of the book that the World State's complete control over human activity destroys even the scientific progress that gained it such control.

3. THE THREAT OF GENETIC ENGINEERING

Genetic engineering is a term that has come into use in recent years as scientists have learned to manipulate RNA and DNA, the proteins in every cell that determine the basic inherited characteristics of life. Huxley didn't use the phrase but he describes genetic engineering when he explains how his new world breeds prescribed numbers of humans artificially for specified qualities.

4. THE MISUSE OF PSYCHOLOGICAL CONDITIONING

Every human being in the new world is conditioned to fit society's needs- to like the work he will have to do. Human embryos do not grow inside their mothers' wombs but in bottles. Biological or physiological conditioning consists of adding chemicals or spinning the bottles to prepare the embryos for the levels of strength, intelligence, and aptitude required for given jobs. After they are "decanted" from the bottles, people are psychologically conditioned, mainly by hypnopaedia or sleep-teaching. You might say that at every stage the society brainwashes its citizens.

5. THE PURSUIT OF HAPPINESS CARRIED TO AN EXTREME

A society can achieve stability only when everyone is happy, and the brave new world tries hard to ensure that every person is happy. It does its best to eliminate any painful emotion, which means every deep feeling, every passion. It uses genetic engineering and conditioning to ensure that everyone is happy with his or her work.

6. THE CHEAPENING OF SEXUAL PLEASURE

Sex is a primary source of happiness. The brave new world makes promiscuity a virtue: you have sex with any partner you want, who wants you- and sooner or later every partner will want you. (As a child, you learn in your sleep that "everyone belongs to everyone else.") In this Utopia, what we think of as true love for one person would lead to neurotic passions and the establishment of family life, both of which would interfere with community and stability. Nobody is allowed to become pregnant because nobody is born, only decanted from a bottle. Many females are born sterile by design; those who are not are trained by "Malthusian drill" to use contraceptives properly.

7. THE PURSUIT OF HAPPINESS THROUGH DRUGS

Soma is a drug used by everyone in the brave new world. It calms people and gets them high at the same time, but without hangovers or nasty side effects. The rulers of the brave new world had put 2000 pharmacologists and biochemists to work long before the action of the novel begins; in six years they had perfected the drug. Huxley believed in the possibility of a drug that would enable people to escape from themselves and help them achieve knowledge of God, but he made soma a parody and degradation of that possibility.

8. THE THREAT OF MINDLESS CONSUMPTION AND MINDLESS DIVERSIONS

This society offers its members distractions that they must enjoy in common- never alone- because solitude breeds instability. Huxley mentions but never explains sports that use complex equipment whose manufacture keeps the economy rolling- sports called Obstacle Golf and Centrifugal Bumble-puppy. But the chief emblem of Brave New World is the Feelies- movies that feature not only sight and sound but also the sensation of touch, so that when people watch a couple making love on a bearskin rug, they can feel every hair of the bear on their own bodies.

9. THE DESTRUCTION OF THE FAMILY

The combination of genetic engineering, bottle-birth, and sexual promiscuity means there is no monogamy, marriage, or family. "Mother" and "father" are obscene words that may be used scientifically on rare, carefully chosen occasions to label ancient sources of psychological problems.

10. THE DENIAL OF DEATH

The brave new world insists that death is a natural and not unpleasant process. There is no old age or visible senility. Children are conditioned at hospitals for the dying and given sweets to eat when they hear of death occurring. This conditioning does not- as it might- prepare people to cope with the death of a loved one or with their own mortality. It eliminates the painful emotions of grief and loss, and the spiritual significance of death, which Huxley made increasingly important in his later novels.

11. THE OPPRESSION OF INDIVIDUAL DIFFERENCES

Some characters in Brave New World differ from the norm. Bernard is small for an Alpha and fond of solitude; Helmholtz, though seemingly "every centimetre an Alpha-Plus," knows he is too intelligent for the work he performs; John the Savage, genetically a member of the World State, has never been properly conditioned to become a citizen of it. Even the Controller, Mustapha Mond, stands apart because of his leadership abilities. Yet in each case these differences are crushed: Bernard and Helmholtz are exiled; John commits suicide; and the Mond stifles his own individuality in exchange for the power he wields as Controller. What does this say about Huxley's Utopia?

12. WHAT DOES SUCH A SYSTEM COST?

This Utopia has a good side: there is no war or poverty, little disease or social unrest. But Huxley keeps asking, what does society have to pay for these benefits? The price, he makes clear, is high. The first clue is in the epigraph, the quotation at the front of the book. It is in French, but written by a Russian, Nicolas Berdiaeff. It says, "Utopias appear to be much easier to realize than one formerly believed. We currently face a question that would otherwise fill us with anguish: How to avoid their becoming definitively real?"

By the time you hear the conversation between the Controller, one of the men who runs the new world, and John, the Savage, you've learned that citizens of this Utopia must give up love, family, science, art, religion, and history. At the end of the book, John commits suicide and you see that the price of this brave new world is fatally high.

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