When Holden describes Jane as having her checkers in the back row, he is projecting the Madonna-Whore complex onto her because,it represents her virginity, by employing this mindset he is preserving the “pure” image of Jane that Stradlater tainted. In addition, Holden utilizes this defense mechanism to employ a thinly-veiled perspective of childhood by avoiding any overtly sexual descriptions of Jane, something Straddler and his other peers obviously engage in.The barriers towards sexuality in Catcher In The Rye deviates from the antiquated quest narrative,because traditionally sex is glorified,but holden does everything in his mean to either purify or avoid it .In his article, “Kings In The Backrow”, Strauch and Salinger compares Holden to another iconic literary character, Huckleberry Finn, which shows the idea of the restriction of sexual thoughts: “The Catcher suffers in comparison with Huck Finn. If Holden displays a superiority over Huck in certain traits of character, his neurotic psychology, intensified by sexual conflicts from which Huck was free and aggravated by a vulgar, dehumanized society, leads the boy to the psychoanalytical couch in a thoroughly pessimistic novel, whereas Huck Finn ends on a resolute note of
When Holden describes Jane as having her checkers in the back row, he is projecting the Madonna-Whore complex onto her because,it represents her virginity, by employing this mindset he is preserving the “pure” image of Jane that Stradlater tainted. In addition, Holden utilizes this defense mechanism to employ a thinly-veiled perspective of childhood by avoiding any overtly sexual descriptions of Jane, something Straddler and his other peers obviously engage in.The barriers towards sexuality in Catcher In The Rye deviates from the antiquated quest narrative,because traditionally sex is glorified,but holden does everything in his mean to either purify or avoid it .In his article, “Kings In The Backrow”, Strauch and Salinger compares Holden to another iconic literary character, Huckleberry Finn, which shows the idea of the restriction of sexual thoughts: “The Catcher suffers in comparison with Huck Finn. If Holden displays a superiority over Huck in certain traits of character, his neurotic psychology, intensified by sexual conflicts from which Huck was free and aggravated by a vulgar, dehumanized society, leads the boy to the psychoanalytical couch in a thoroughly pessimistic novel, whereas Huck Finn ends on a resolute note of