Horizontal World 2010
This passage taken from the memoir, The Horizontal World, written by Debra Marquart, is an excerpt that demonstrates Marquart’s indirect expression of love for the Midwest. Through her development of changing tones, which is propelled by diction and an appeal to ethos, she is able to advance her message about the unknown yet special qualities of the Midwest.
Debra Marquart uses a change of tone from the beginning of the passage to its end in order to juxtapose the two contradictory perspectives of the Midwest. Marquart clearly shows this variation through the dull and colorless diction in the beginning of the essay, which then transitions to a hopeful and suspenseful use of diction. For instance, she illustrates the drab background of the Midwest as she states, “...you’ll encounter a road so lonely, treeless, and devoid of rises and curves in places that it will feel like one long-held pedal steel guitar note”, which is then juxtaposed to the description in the last paragraph where she exclaims, “They traveled to the Midwest by train to what was then the end of the line—Eureka, South Dakota. Eureka—from the reported to have been the word that Archimedes cried when he found a way to test the purity of Hiero’s crown. My grandparents wouldn’t have known the etymology of the word, but they would have felt it, the anticipation...” Marquart’s change in tone from an illustration of the Midwest as drab and boring to a hopeful and bright description with the use of the words, like “purity” and “anticipation” as well as the historical allusion to Archimedes, drives her argument by helping her to further differentiate the common or “typical” views associated with the Midwest and its undiscovered value and beauty. It is through this progression from one tone to another that the author is able to distinctly show the readers that despite the preconceived judgments held against the Midwest, in reality, the views regarding the Midwest are not single-sided; rather they vary like
Debra Marquart uses a change of tone from the beginning of the passage to its end in order to juxtapose the two contradictory perspectives of the Midwest. Marquart clearly shows this variation through the dull and colorless diction in the beginning of the essay, which then transitions to a hopeful and suspenseful use of diction. For instance, she illustrates the drab background of the Midwest as she states, “...you’ll encounter a road so lonely, treeless, and devoid of rises and curves in places that it will feel like one long-held pedal steel guitar note”, which is then juxtaposed to the description in the last paragraph where she exclaims, “They traveled to the Midwest by train to what was then the end of the line—Eureka, South Dakota. Eureka—from the reported to have been the word that Archimedes cried when he found a way to test the purity of Hiero’s crown. My grandparents wouldn’t have known the etymology of the word, but they would have felt it, the anticipation...” Marquart’s change in tone from an illustration of the Midwest as drab and boring to a hopeful and bright description with the use of the words, like “purity” and “anticipation” as well as the historical allusion to Archimedes, drives her argument by helping her to further differentiate the common or “typical” views associated with the Midwest and its undiscovered value and beauty. It is through this progression from one tone to another that the author is able to distinctly show the readers that despite the preconceived judgments held against the Midwest, in reality, the views regarding the Midwest are not single-sided; rather they vary like