To start off, the most obvious aspect of the horror genre that is in this film is vampires as they are a supernatural creature. The Vampires in the film are what you would expect; blood-sucking beasts with their sharp teeth, which sleep upside down, cast no reflection and who are afraid of sunlight. But that’s not all of it.…
A genre such as supernatural horror is meant for an audience that desires to feel that rush of adrenaline running through their bodies. The purpose of this genre is to satisfy the curiosity of people that let their minds wander off about the supernatural world. The audience expects to get goosebumps, and to be on the edge of their seats while chewing their nails. If that is what a movie of this genre causes the audience, then the producers have done their job correctly. A supernatural horror movie targets and expands upon the audience's fear. Therefore, the supernatural genre has to frighten you in order for the film to be scary.…
From Edward Scissorhands and Charlie and the Chocolate Factory, to Big Fish, director Tim Burton has been proving his amazing capability to weave extraordinary, almost dreamlike worlds. Although many directors use cinematic techniques to show or prove something, Burton clearly has a special gift. Burton’s use of cinematic techniques is very unique compared to other directors. Burton uses lighting, characterization, and music to show the mood of the scene.…
The theme of deeply ingrained values is also present in A Nightmare on Elm Street…
After watching Rosemary’s Baby, I still don’t prefer horror though I would say it is interesting enough in other aspects. I like the mise-en-scène in this film. For instance, the dreamlike scene of Rosemary being raped. Although I, as an audience, am absolutely positive that it was really happening, all the elements in the shot i.e. the mattress floating on the sea did create a dizzy feeling that, I believe, Rosemary would be confused and convinced that “raped by a monster” is only a dream. After all, she is such a naïve young woman! Also, I like the background music played sometimes at the scene of the Woodhouses’ apartment. It was a simple piece played by piano, always appears during the daytime, while Rosemary is alone at home and Mrs. Castevet comes to visit her. This music is not related to horror nor the emotions of characters, but it gives a natural feeling to me, imagine there was someone in the neighborhood playing the piano, always the same piece, quite a simple one, probably a child… as if it was just a usual apartment…
People look to comedy movies to laugh just as they look to scary movies to be frightened. Producers and directors of these films include key elements to fulfill the audience’s wants. In scary movies producers use elements such as: colors, foreshadowing, symbolism, camera angles, sounds, etc. to heighten the suspense and scare factor of the film. In Robert Zemeckis’s films he uses these techniques to scare the audience and build up the suspense. Zemeckis specifically uses foreshadowing and camera angles, in What Lies Beneath, to generate suspense and prove that everything is not always as it seems.…
Social and Historical Effects Responsible for the Conception of the Fantastic and Supernatural in Gothic Horror…
Corpse Bride. Tim Burton style is best described as a creative. He uses irony, flashbacks, and…
When looking at the movie cover of Halloween, you first feel terror. The fire, masked figure, and apparent suffering in the still images make you naturally feel uneasy. You are then drawn to the caption, Evil Has a Destiny. If you weren’t feeling uneasy already, this caption should do it. It brings up questions and makes you want to know the answer. This visual is effective in instilling a feeling of mystery, it does this through not showing the face of the figure, scrambling scenes from the movie, and giving a vague setting.…
I thought Stephen King’s opening paragraph in the short story “Why We Crave Horror Movies” was great. I believe it leaves the audience on the edge of the seat wondering what his statements will be. I also like his opening paragraph because I am able to relate to his examples of fears. An opening like King’s leaves the audience curious, and sets the tone for the rest of the paper. My beliefs of the dominant mood, what I have learned from this paper, and my relations might very much differ from yours.…
Ever since Georges Melies wrote and directed the two minute film called Le Manoir Du Diable, the film scene has been all about horror, even today. Horror films were created when trying to figure out someone’s fears and nightmares. America was a large part of the upcoming horror films in history. “America was home to the first Frankenstein and Jekyll and Hyde movie adaptations, the most influential horror films through the 1920s400 came from Germany's Expressionist movement, with films like The Cabinet of Dr. Caligari and Nosferatu influencing the next generation of American cinema.”(Harris, Mark H) Soon in the 1930’s some famous classic horror films came out, such as, the Hunchback of Notre Dame and The Phantom of the Opera. By the 1970’s most of the horror films were made for scares and not so much a plot for the story.…
Stephen King never clearly states the thesis of this essay however there is enough information provided that we can infer one. We need to keep our inner lyncher at bay by feeding ourselves with small portions of demonic, bloody, violence, found in horror movies. King writes “It deliberately appeals to all the worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized...” (Why We Crave Horror Movies, paragraph 12) and by doing so he’s implying that horror movies are like a temporary fix for our violent craves.…
Stephen King is one of the most well-known horror story authors in history. In his essay, “Why We Crave Horror Movies” he opens up with the thesis on the first sentence, “I think that we’re all mentally ill; those of us outside the asylums only hide it a little better – and maybe not all that much better, after all” He later goes on to say “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie, we are daring the nightmare.” Basically what King is trying to get across is that horror movies are vital to mankind’s sanity. He gets his point off early and keeps reiterating it throughout the essays entirety. That point is that we NEED horror movies to let out our monstrous, and mentally ill side. A side in which according to Mr. King, we all have whether we believe it or not.…
''The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!!! ...'' Father Merrin&Father Damien Karras from the movie -The Exorcist-…
Blood, gore, death, darkness, suspense, and fear of the unusual are just a few ingredients that are stirred into making a horror film. Horror films are projected to create a psychological sense of fear; however, humans tend to enjoy and crave the heart-pumping adrenaline rush of terror. Some believe it is the calling of curiosity while others think it is the section of insanity that imbedded itself into our mind. Trepidations are not a trend that has set forth in the twenty first century; we humans hunger after the thrill of terror ever since Roman times. In addition, horror films closely relate to events like gladiators fighting at the Flavian Amphitheatre, not only because of the blood and gore, but for the audience purpose of intentionally…