that took part in music, art, literature and theatre, the clubs that catered to "whites only" still refused to let blacks into the clubs unless they were custodians, waiters or cooks. (The Harlem Renaissance 27). African-Americans were allowed to make music for the white people to enjoy, but were not allowed to enjoy it with them. The whites still felt "superior" to the blacks and did not consider them to be equal. The only black people that made it big in the music industry and publishing industry only did so because they appealed to white crowds with their performance tactics, attitudes, and songs of sorrow and upbeat songs to dance to. Even still, black artists were still restricted to certain businesses and areas that would allow them to, regardless of success. (Negro Renaissance 161). No matter how famous they were, blacks were still considered second-class citizens. The seclusion of African-Americans was not only restricted to those living in the north. The poor Blacks in the South never received any of the racial tolerance up north. They lived in a world of racism and the Ku Klux Klan. The Harlem Renaissance did not redefine African-American expression. This can be seen through the funding dependence on White Americans, the continued spread of racism and the failure to acknowledge the rights of poor Southern African-Americans. To these African-Americans, the Harlem Renaissance represented conformity and submission to the White culture. Yet there were also those who were not even given the opportunity to be a part of the Harlem Renaissance.
I wouldn't copy this if I were you.... It's only a rough draft...Plus I had to post it up in order to get it to a computer with a workin printer. I will delete this one and repost a finalized copy....
J