To start, his devotion towards the perfect looking god Aphrodite is big enough for him to create one hundred clay figures of her each in a different pose solely because she is flawless. The imagery comes into play because as Pygmalion works his hands around the clay, it is easy to visualize the poses in which Pygmalion is making those clay models in. In addition the fact that Pygmalion is going to use marble, a grand and great material in terms of sculpture his desire to make the statue of the god an artisan work. It is easy to foresee in the mind what the sculptor, Pygmalion will do with his
To start, his devotion towards the perfect looking god Aphrodite is big enough for him to create one hundred clay figures of her each in a different pose solely because she is flawless. The imagery comes into play because as Pygmalion works his hands around the clay, it is easy to visualize the poses in which Pygmalion is making those clay models in. In addition the fact that Pygmalion is going to use marble, a grand and great material in terms of sculpture his desire to make the statue of the god an artisan work. It is easy to foresee in the mind what the sculptor, Pygmalion will do with his