In his lonely and gruesome endeavor for shelter and food, the earth around him “[is] then lighter than the sky, which produces a peculiarly sinister effect, and the hill, poor and mean in contour, loom[s] out dim and pale upon the gloomy horizon; the whole prospect [is] hideous, mean, lugubrious, and insignificant” (Hugo 11). Here, Hugo’s narrative description of the environment is a parallel representation of Jean Valjean’s situation. Simply by viewing Hugo’s use of personification and adjectives, there is an overall negative connotation associated with Jean Valjean’s current placement in society. The hill is a metaphorical hill which Jean Valjean must climb in order to become a true and honest man, and the notion that there is still some light on earth displays that not all hope is lost for
In his lonely and gruesome endeavor for shelter and food, the earth around him “[is] then lighter than the sky, which produces a peculiarly sinister effect, and the hill, poor and mean in contour, loom[s] out dim and pale upon the gloomy horizon; the whole prospect [is] hideous, mean, lugubrious, and insignificant” (Hugo 11). Here, Hugo’s narrative description of the environment is a parallel representation of Jean Valjean’s situation. Simply by viewing Hugo’s use of personification and adjectives, there is an overall negative connotation associated with Jean Valjean’s current placement in society. The hill is a metaphorical hill which Jean Valjean must climb in order to become a true and honest man, and the notion that there is still some light on earth displays that not all hope is lost for