Roman Polanski’s 1965 thriller film, Repulsion, follows the character of Carol Ledoux, a single manicurist living in London with older sister Helen. The film captivates Carol’s transition from a serene woman to a psychotic who falls victim of insanity Her illness causes her to break apart from reality, endure personality changes, and experience hallucination all leading up to the death of two men. Through the arrangement of mise-en-scene, visual elements, the film helps filmmaker’s captive audiences. The specific combination of acting, sound, and lighting in Repulsion work together to construct tension and terrorize audiences.…
A 43-year-old woman pretends to be 30 years old and marries a younger man who doesn’t know her true age.…
Gender roles have been a theme for many films throughout time. One movie that particularly challenges the idea of gender roles in the horror genre is that of Halloween (1978). In many horror films, women are depicted as weak and rather ignorant victims of the killer that is coming to attack. That is very different from how Halloween depicts the heroine of the story. She is seen as an intelligent woman trying to protect both herself and her children in a way that is both smart and productive. Siskel and Elbert view the film as more of an upbeat horror film in their movie critique. They view it as a positive that the women are given a more dominant presence and therefor making the focus of the film something so much more than a senseless murder of a women who could not defend herself.…
The theme of deeply ingrained values is also present in A Nightmare on Elm Street…
For the most part, stereotypical gender roles exist because society chooses to accept them, but it is easy to say that the media is a profoundly influential source to the problem. We constantly see gender stereotypes in film and television, where the man is portrayed to be the strong, dominant character; he is the breadwinner and the hero, while the woman is a damsel in distress waiting to be rescued. This type of representation of women is quite the opposite in film noir. The classic femme fatale of film noir is a strong and confident woman who disrupts traditional family values; she refuses to play the typical role that society prescribes. Instead, the femme fatale uses her beauty to manipulate men in order to achieve power and independence.…
In Chapter Twenty-Five Mulvey discusses the pleasures of looking, and how film producers utilize this to create films. Mulvey explains that the instinct of looking can be defined as the “construction of ego, it continues to exist as the erotic basis for pleasure in looking at another person or object” (Mulvey, 1999). Mulvey explains that the viewer seeks satisfaction in a dark auditorium, and the contrast between the light and dark stimulate an illusion of “voyeuristic separation” (Mulvey, 1999). The women in the films are displayed as sexual objects and…
Blake, CG. "Linear vs. Non-linear Narrative." A New Fiction Writers Forum. N.p., 6 Dec. 2011. Web. 21 June 2012. <http://cgblake.wordpress.com/2011/12/06/linear-vs-non-linear-narrative/>.…
Movies and television always priority man as strong and dominate. There are not many media portrayals that change the character of male. Men are still glorified for the sexual actives, non commitment and re-lack attitude of life. There are limited amount of films that deceits man in a different stereotypical life than the macho man. However, movies like She’s Out of My League has a very timid, fragile and nerdy male lead. His character tries to get the attention of beautiful, successful and desirable woman. The gender role differences in the movies tries to show the progression in media depiction. The movie was different because the male is not outwardly attractive and very clumsy. His brother represents the typical meat headed, unintelligent…
masculine hero, and the he fits right into the dirty world around him. However, with a shift in perspective, we see that just maybe the opposite gender are the ones who are the heroes of the genre. The women are certainly memorable. Through analyzation of the typical hero’s journey and comparison to the stories of the women in film noir, we see that they are the true heroes of the genre. This again begs the question of why it is so often that men rule the grimy world of the film detective. Why are these women demonized in their own narratives, punished for their raw sexuality and delegated to the static sidekicks or to the simple villain role? We can…
Through this essay, I will attempt to examine various codes and character portrayals that contribute to the representation of women within the domain of film fiction. My intention is to review exactly how women are represented and investigate whether fictional characters play a part in perpetuating harmful stereotypes. Laura Mulvey will be intermittently mentioned as a pioneering figure of feminist film theory, her discourse will be applied and challenged within the following pages.…
The 1960s-80s saw the introduction of 2nd wave feminism - focusing largely on gender inequality within sexuality, family life and the workplace. It was quickly established that mainstream media was playing a large role in the production and reinforcement of the patriarchy, and so began an influx in the analysis of representations of women within the media; or lack thereof. Paralleling the popularisation of 2nd wave feminism, the 60s, 70s and 80s saw a prevalence of horror films within mainstream media; rendering the genre a target for scrutiny. In this essay I will discuss representations of gender in Stanley Kubrick's psychological horror, 'The Shining' (1980) and Wes Craven’s thriller, ‘Scream’ (1996).…
Cinema and particularly Hithcock’s films use the image of woman in glasses as a signifier for the uncanny nature of the less-than-ideal female, the one with the threatening gaze. Miriam in Strangers on a Train, Ann Newton in The Shadow of a Doubt, Midge Wood in Vertigo and Dr. Constance Peterson in Spellbound offer excellent examples. Dr.Constance Peterson in a Psychiatrist usually an anomaly in a male dominated profession in the 1940s- which demands acute observation and male gaze - excels in it. The Freudian “bisexuality” ingrained in her character-the embodiment of both masculine and feminine in one individual as noted by Tania Modleski (qtd in Ditewig-Morris 1) is a fascinating character for analysis just like Miriam. A thorough analysis of these characters force us to come to the notion that the women in glasses challenged the patriarchal convention and hence Tania Modleski posited about Hitchcock’s “thoroughgoing ambivalence about feminity” where he seems afraid of women in glasses (qtd in…
“Roll cameras, and ACTION!” We should see the roles that deal with politics and our managers normal, and not an exception. Along with actresses, female directors face a strong bias in landing any major roles in the film production. Like many advocates, I hope to be an influential director one day, therefore I will fight for equality but not a separation in Hollywood.…
A bold statement for recognition of talent, the Oscar Award has become one of the most coveted awards in the film industry. Simply being nominated for an Oscar carries it's own prestige. Every year, actors, film crews and fans alike anticipate nominations and winners for each category. A curious trend continues to arise with the annual Oscar nominees and winners. Not since 2004's Hilary Swank in Million Dollar Baby, has a film featuring a strong lead female character won their Oscar nomination. In fact, of the eight nominees for Best Picture every year, 3 films – at most – featuring strong female leads are nominated. The use of female stereotypes in films could account for this continued trend. The film industry perpetuates stereotypes of females…
The most sensitive and controversial topics from time to time is gender representation. Gender representations in media often portray male and female stereotypically, in which they are depicted differently (Doring 2006, p. 173). Even though the representation of gender in media has already been developed lately, but women’s representation in media are still portrayed stereotypically in various ways. According to Amancio (1993), he stated that gender stereotypes are seen as social representations or collective ideologies defining model of behavior. Media do not simply reflect the reality in society about the gender stereotypes; it supports the ruling class’ ideology of patriarchy which controls the issue of gender all over the world by producing…