Lady Bracknell’s behaviour throughout the play is rather eccentric, this is used by Wilde as an advantage to portray the upperclass. Upon hearing Jack and Gwendolen’s engagement, Lady Bracknell asks him, “[…] Do you smoke?” It is quite peculiar that her first thought was to inquire whether or not Jack smokes. In the Victorian times, true aristocrats had the reputation of not having to work often, meaning they had an extensive amount of free time. Her demeanour and management of the situation revealed that she is serious about intermingling between the social classes. Wilde depicts the quintessential upperclass mother as one that deeply concerns over the marriage between different social classes. Lastly, Gwendolen Fairfax successfully represents the quintessential upperclass woman. Wilde takes advantage of Gwendolen’s obsession with the name Earnest to ridicule the upperclass’ obsession with acceptable and admirable characteristics. Rather than looking at each suitor’s attributes, she looks for a man to fit a
Lady Bracknell’s behaviour throughout the play is rather eccentric, this is used by Wilde as an advantage to portray the upperclass. Upon hearing Jack and Gwendolen’s engagement, Lady Bracknell asks him, “[…] Do you smoke?” It is quite peculiar that her first thought was to inquire whether or not Jack smokes. In the Victorian times, true aristocrats had the reputation of not having to work often, meaning they had an extensive amount of free time. Her demeanour and management of the situation revealed that she is serious about intermingling between the social classes. Wilde depicts the quintessential upperclass mother as one that deeply concerns over the marriage between different social classes. Lastly, Gwendolen Fairfax successfully represents the quintessential upperclass woman. Wilde takes advantage of Gwendolen’s obsession with the name Earnest to ridicule the upperclass’ obsession with acceptable and admirable characteristics. Rather than looking at each suitor’s attributes, she looks for a man to fit a