Fallen is a thought-provoking -person narrative film that begins and ends with the voice of the film’s narrator and protagonist, Azazel. The movie, which is based on his personal story, opens with an intriguing self-introduction that snares the audience’s attention from the outset: “I want to tell you about the time I almost died.” As the movie proceeds, Azazel reveals that he is responsible for killings, as well as the false indictment and subsequent suicide of a detective named John Hobbes. Azazel himself is described as an “evil spirit of the wilderness.” Where Genesis 1 and John 1 narrate all thigs to have been created by God, Genesis 3:15 explicitly mentions an enmity between humans and the serpent. (Revelation 20:2 also mentions this snake.) Dr. Stephen Ray argues “God is the causal effect of everything” and that “if God didn’t create Azazel, there would be no evil.” This paper will reflect on some of the various perspectives of the powers of the evil spirts and explore to what…
Nonetheless, it must be recognized that in earlier times evil was not only real but palpable. This paper will look at evil as it is portrayed in two different works -- Dante's Divine Comedy, and Chaucer's Canterbury Tales -- and analyze what the nature of evil meant to each of these authors. The Divine Comedy is an epic poem in which the author, Dante, takes a visionary journey through Hell, Purgatory, and Paradise. The purpose of Dante's visit to Hell is to learn about the true nature of evil.…
Through his self-reflection, Satan realizes he had forgotten to be grateful and was mindlessly ambitious, finally taking responsibility for his own actions. Contrary to Satan’s initial blaming of fate and ignorance, Satan’s new critical thinking and self-examination presents him in a more logical light, demonstrating further complexity in his character.…
Through the study of the three texts; Department 19 by Will Hill, ‘Macbeth’ the play and The Social Network by David Fincher, it is evident that literary villains are archetypes that often represent the evil side of human nature. One may argue that each villain has certain traits that allow the reader to be drawn to the terror and horror of their deeds yet also allow readers to reflect upon the society that has created such individuals. Authors stray their villains from the stereotype to keep the modern audience engaged.…
We live in a society that loves to know the reasons for the villain's actions. We want to know at exactly what moment in time this character decided to be “evil.” We want to be able to relate to the villain because we have realized we can no longer relate to the hero. The hero has knowledge unattainable in books, the honor only found in gods, and nobility that is too hard for us “mere mortals” to obtain. Our society has given up on the idea of the hero. We are all sick of being the mad scientist in a superman cape, The scratchy polyester choking our necks like a tightened noose. We want to be able to say it is okay to be bad, as long as you have a good reason for it. This is the thinking in the 2005 movie Beowulf and Grendel (Gunnarson,2005).…
The monster was not the villain. He was forced into the position by Victor. All the damned being wanted was to be accepted by society. He did not ask to be created out of decaying body parts but was forcibly stuck with this gruesome exterior. No one could look past that and see he was just a human being longing for relationships. Consider this, how might you react if your own father figure couldn’t look at you without pain and disgust? Would you be accepting of a life of hurt or would you seek revenge in any way possible? The monster never wanted to hurt the innocent victims. He simply longed for his creator to understand what it was like living a lonely life without the love and joy of…
The controlling purpose of this paper is to analyze the transformation of Satan in John Milton’s Paradise Lost. Satan is a very strong and demanding character in all of the series of Paradise Lost , from the beginning to the end. Satan’s main goal throughout the entire poem is to try to corrupt humankind and, unfortunately with his tricky tactics and significant transformation skills he does. At the beginning of the poem Satan is a very kind and majestic angel, by the name of Lucifer that many follow and listen to. In Heaven all angels are equal, loved, happy, and worship only one God. However , Satan wanted it to be the other way around where everyone looked up to him rather than God.…
Does this novel characterize evil? What is the nature of evil from the point of view of the book?…
The lens through which readers encounter monsters is often a skewed one. This lens could be that of the author, who seeks to embody a monster as a horrific, non-human entity that will cause havoc in an area. Similarly, this lens could be that of a character in a piece, one who witnesses the monster’s wrath and destruction firsthand and hopes to avoid the cruel savage being. Monster narratives rarely unfold from the perceptive of the monster, and, as such, audiences must rely on other sources as to the monster’s course of action. Such voices can carry a bias with them. As in the case of the author, the omniscient perspective provides descriptions of the monster without directly interacting the monster. This perspective could easily fail to report…
In the hymn A Mighty Fortress Is Our God, written by Martin Luther, a sense of acknowledgement of the devil is quite evident. The people of this hymn’s era had an understanding that there were evil forces that did not coincide with their heavenly father. “And though this world, with devils filled, should threaten to undo us, We will not fear , for God hath willed His truth to triumph through us.” So because these people had an understanding, or rather an acknowledgement that there were devils (witches/demons/sorcerers) in their mist it became natural to draw attention to the issue. Once the attention is drawn, people start to become preoccupied; hence the literature, songs, and beliefs about the devil. Another way to become preoccupied or to portray evidence that interest is being shown is for one to begin to compare or give titles. Throughout the hymn Luther threw in some startling titles of the devil that might have been commonly used in his era. Such include the prince of darkness, evil force, and the ancient foe. These titles are all examples that the people of this era are indeed giving interest to the devil, just as they would give God titles and attention to.…
When encountering Milton’s Satan and Shelley’s monster one can draw several striking parallels between their existence. Both are outcasts from their creator; each monster seeks an alliance in their exile; while on their journey of revenge, each monster tries to infiltrate those who are closest to their creator and; during each narrative, the monsters make choices which deliver them into ‘evil’. In their own way, they seek to be less like a ‘thing’ and exist more as a shadow of their creator.…
Abstract: Satan is the most controversial and appealing figure of Paradise Lost. No convincing single…
The Gothic begins with later-eighteenth-century writers' in the Romantic period. When it was launched, the Gothic featured terrifying experiences in ancient castles experiences connected with subterranean dungeons, secret passageways, flickering lamps, screams, moans, bloody hands, ghosts, graveyards, and others. By extension, it came to designate the mysterious, fantastic, supernatural, the terrifying, the pleasurably terrifying, in literature more generally. Gothic literature is meant to create terror, open fiction to the realm of the irrational, perverse impulses, nightmarish terrors, obsessions lying beneath the surface of the civilized mind, and to demonstrate the unknown presence of the strange existing world that…
Throughout the epic, many traits and characteristics that Milton attributes to Satan make him seam appealing or forgivable. One source of Satan’s fascination for us is that he is an extremely complex and subtle character. It would be difficult, perhaps impossible, for Milton to make perfect, infallible characters such as God the Father, God the Son, and the angels as interesting to read about as the flawed characters, such as Satan, Adam, and Eve. Satan, moreover, strikes a grand and majestic figure, apparently unafraid of being damned eternally, and uncowed by such terrifying figures as Chaos or Death. Many readers have argued that Milton deliberately makes Satan seem heroic and appealing early in the poem to draw us into sympathizing with him against our will, so that we may see how seductive evil is and learn to be more vigilant in resisting its appeal.…
There is no reason to apply modern theories to Milton if we do not care whether…