Getting others to engage in these indulgences also skews his true nature. His friends are focused on what Prince Prospero offers by way of music, dancing, food, and extravagance instead of what they should be concerned with — the fact that he is a coward and not fulfilling his duties as a leader. The masquerade isn’t just in the form of a ball; it’s also in his ability to mask what is happening outside from those inside his castle. While death consumes his nation, the “apartments [of his castle] were densely crowded, and in them beat feverishly the heart of life” (377). A true coward attempts to divert attention from his cowardice, and Prospero does this very well through “the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not little of that which might have excited disgust”
Getting others to engage in these indulgences also skews his true nature. His friends are focused on what Prince Prospero offers by way of music, dancing, food, and extravagance instead of what they should be concerned with — the fact that he is a coward and not fulfilling his duties as a leader. The masquerade isn’t just in the form of a ball; it’s also in his ability to mask what is happening outside from those inside his castle. While death consumes his nation, the “apartments [of his castle] were densely crowded, and in them beat feverishly the heart of life” (377). A true coward attempts to divert attention from his cowardice, and Prospero does this very well through “the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not little of that which might have excited disgust”