Nora plays with Dr. Rank 's emotions; though by accident, she does so more than she had intended. Nora becomes desperate for money at one point and intends to use her sex appeal and subtle charm to get some from Dr. Rank. Nora is in the process of flirting with the doctor when he confesses that his love to her when he tells her his "body and soul are at [her] command" (Ibsen 358). Seeing that her flirtation would be taken much more seriously than she anticipated she does decide not to pursue the matter further.
Nora plays victimizer to her husband and children as well. The least obvious is her children. As we read the play the general feeling is love and devotion for her offspring. Nora makes sure they are well dressed and plays with them often. In this abundance of love we also see the problem. Nora is preparing her children to become the same doll she was raised to become. We see this when she mentions the things she bought them for Christmas at the beginning of the story. "Here a horse and trumpet for Bob. And a doll and a doll 's bed here for Emmy;" (Ibsen 333). She has purchased toys for the children that a little girl might buy for her dolls. Nora herself realizes her fault later in the story when she says "Yes, but you were so very right, I 'm not up for the job" in reference to her inability to raise the children (Ibsen 376).
Nora plays the part of victimizer to her husband in a way that also affects her children. Nora leaves them. Nora is not happy with her position in
Cited: Hunker, James. Iconoclast a Book of Dramatist. New York: Charles Schribner 's Sons, 1925 Ibsen, Henrik. A Dolls House. Drama. Ed. Robert DiYanni. Burr Ridge IL: McGraw- Hill, 2000. 331-379 Weigand, Herman J. The Modern Ibsen a Reconsideration. Freeport, NY: Books For Libraries Press, Year.