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Jane Eyre, as the eponymous character, has become closer and better known to us than to any familial member or friend. Because of this we understand the way she writes, and subsequently how she views her own new environment. Her vivid descriptions and powerful imagery remind us of where her imagination (more spirited than that of any other child) originated in the time spent engaged in Bewick’s ‘History of British Birds’, her only form of escapism from the dreary conditions at Gateshead Hall. So the descriptive element reminds the reader of the sharp contrast between her current peaceful, contented life and that of her childhood.…
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In the excerpt of Moments of Being, Virginia Woolf reflects upon her childhood summers spent with her dad and father. As Woolf relives that one joyful day, she intrigues the reader with her rich writing style. While telling her story, Virginia Woolf uses language techniques such sentence structure, punctuation, and metaphors to convey the importance of this nostalgia. Moments of Being attracts the reader to feel what Woolf did that day. Her work is strong, detailed, and full of life.…
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It is absolutely just to say that this is so. Clarissa is very shallow; she fits the typical, one-dimensional image of women created at that time perfectly. She says on page eleven, “she would have been, in the first place, dark like Lady Bexborough, with skin of crumpled leather and beautiful eyes”. She thinks this, as she considers how she would have liked her life to be, and she reels off things she would have preferred to what she has currently. This in itself is a menial thing to think about, and, when thinking about it realistically, wouldn’t better her life in any way; therefore, it is also a useless thing to wish for as well. We see her do this again when Woolf writes, “it was an extraordinary beauty of the kind she most admired, dark, large-eyed, with that quality which, since she hadn’t got it herself, she always envied” this is similar to the previous quotation, and yet different in that, this time it refers to both her looks and her personality as well. She talks of the beauty “she most admired”, but also talks of the ‘quality’ that Sally had. The extroverted quality Sally had, that she later loses when we encounter her again at Clarissa’s party.…
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Virginia Woolf’s purpose in writing this piece is to remind us of the power that death has over life. She shows us the desperation of attempting to avoid death but also the inescapable ending of…
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She references her experience from one coast to another through a type of thought process that leads her to other topics which somehow always seem to connect to make the writing clear and understandable to the reader.…
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In Mrs. Dalloway by Virginia Woolf, everything and everyone is insignificant. That is, until someone or something starts to embody a larger idea that gives that person or object significance. Throughout the entirety of the novel, characters and objects themselves only gain significance once enshrouded by a larger representative idea.…
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One of the most important themes of ‘Mrs. Dalloway’ and, by virtue of it being a derivative text, of ‘The Hours,’ is that of mental health. The ways issues of mental health are presented are, almost universally, sympathetic and, in the case of the former, empathetic. The strongest symbols of this theme are Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura (Mrs. Brown), and Virginia (Mrs. Woolf) in ‘The Hours.’ Most have problems which are very much the product of their time and we see the way in which people with such illnesses were (and in the case of Richard still are) treated for their malaise. Also of interest in these texts is the relationship between era and the illnesses suffered and the treatment given; across these two texts, the years 1923, 1949, and 1999 are represented.…
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The story follows three different women through a day in their individual lives: Clarissa Vaughn, Laura Brown, and Virginia Woolf. Each of these women show us different examples of how this fascination (with death) manifests and impacts our lives. Clarissa's day exemplifies the avoidance of death, Laura's, the ponderance, and Virginia's, the acceptance.…
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In an excerpt from Virginia Woolf’s memoir “Moments of Being”, she constructs a memoir with optimistic diction to convey to humanity that the significant moments from the past are a lesson to be used in the future. In Woolf’s excerpt she reflects upon her childhood memories with her brother Thoby and her father at a seaside village.…
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Across time, literature has been re-noun for taking readers on journey’s; transporting them into the past and into the future, displaying the changes in societies across the years. The tale of abused orphan Jane Eyre, who through the words of Charlotte Bronte, defies expectations, as she faces various obstacles and difficulties on her journey towards equality and autonomy. Bronte’s novel explores the emotional journey of Jane, using the physical process of her travels throughout the thirty years of which the novel spans to illustrate the change in her character, creating an understanding for readers of Jane’s place in the world as every journey concludes and a new one begins. In comparison, Virginia Woolf’s ‘Mrs. Dalloway’ avoids the physical…
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In the novel The Hours by Michael Cunninghan, the three mirroring narratives of Virginia Woolf, Laura Brown, and Clarissa Vaughan all have single stories buried within their daily lives. An overlying single story in all three points of view(perspective0 comes from having to live life within the constraints of how others believe life should be lived. In Virginia Woolf’s perspective, an example of this is when she expresses this belief in her ideas for her novel Mrs. Dalloway. As she is brainstorming about her book, she concludes that “Clarissa Dalloway, in her first youth, will love another girl, Virginia thinks; Clarissa will believe that a rich, riotous future is opening before her, but eventually… she will come to her senses, as young women do, and marry a suitable man” (Cunningham 81-82). In other words, Woolf believes that women should have to conform to what society wants and marry not a woman, but a man.…
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Virginia Woolf’s A Room of One’s Own is a landmark of the twentieth-century feminist thought. It explores the history of women in literature through an unconventional and thorough investigation of the social and material conditions required for the writing of literature. She strongly advocates that “a woman must have money and a room of her own if she is to write fiction.” The essay has become a virtual cliché in our culture and has achieved the standard of ‘one of the greatest feminist classics of the century.’ The present paper is an attempt to analyse and interpret the essay ‘A Room of One’s Own from the feminist perspective. It is evident that the arguments that Woolf puts across in this essay are relevant even today and therefore, can be used in a critical analysis of any modern novel, where women play a central role. The book provides a framework from which one can look at some of the literary texts.…
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Virginia Woolf describes a certain specimen of moth and how its simply ok with its simplicity and then goes on to describe the present day that the writer is living in. She grabs the readers interest and sets the tone for the remainder of the story. “Nevertheless the present specimen, with his narrow hay-colored wings, fringed with a tassel of the same color, seemed to be content with life. It was a pleasant morning,…
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The theme of oppression against women in Clarissa Dalloway's society is very common among English literary texts set in the 20th century ( ). However, more than just an illustration of oppression against women, "Mrs. Dalloway" also highlights how oppression is deeply embedded in the English psyche that it became an acceptable and expected behavior among the English people.…
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Woolf uses a stream of consciousness narrative in The New Dress where the thoughts and feelings of Mabel Waring are essential to the narrative. "The narrator knows the inner thoughts of the protagonist and takes advantage of the privilege of omniscience by preventing Mabel's feelings as…
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