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A young Chinese American woman, Jing-Mei “June” Woo, recalls, after her mother’s death, her mother’s sadness at having left her twin baby girls in China in 1949. June has used her mother’s regret as a weapon in a battle of wills focusing on what her mother wants her to be and what she wants. June wins, leaving her mother, Suyuan, stunned when she says she wishes she were dead like the twins. Although this scene characterizes the common struggle for power between mother and daughter, the story also illustrates the cultural division between an Asian immigrant and her Asian American daughter. These cultural clashes resonate throughout the short story, as does the discordant sound of June’s piano playing. - See more at: http://www.enotes.com/topics/two-kinds/summary#sthash.qCMj6LtF.dpufA young Chinese American woman, Jing-Mei “June” Woo, recalls, after her mother’s death, her mother’s sadness at having left her twin baby girls in China in 1949. June has used her mother’s regret as a weapon in a battle of wills focusing on what her mother wants her to be and what she wants. June wins, leaving her mother, Suyuan, stunned when she says she wishes she were dead like the twins. Although this scene characterizes the common struggle for power between mother and daughter, the story also illustrates the cultural division between an Asian immigrant and her Asian American daughter. These cultural clashes resonate throughout the short story, as does the discordant sound of June’s piano playing. - See more at: http://www.enotes.com/topics/two-kinds/summary#sthash.qCMj6LtF.dpufA young Chinese American woman, Jing-Mei “June” Woo, recalls, after her mother’s death, her mother’s sadness at having left her twin baby girls in China in 1949. June has used her mother’s regret as a weapon in a battle of wills focusing on what her mother wants her to be and what she wants. June wins, leaving her mother, Suyuan, stunned when she says she wishes she were dead like the twins. Although this