In this book the author Tim O' Brien uses many different little stories to sum of the big picture of war. He focuses in on many different characters, stories, and their specific feelings to help the reader get an actual feel of what he felt. Which he states on pg. 171 " I want you to feel what I felt. I want you to know why story-truth is truer than happening-truth". While O' Briens main connection to the title focus's in on what each soldier physically carried, deeper than that is the soldiers own feelings, doubts, and fears.…
True war is exclusive, true war is not read from or watched, true war is only told by those who have faced it dead in the eye. Although experiences like these will never be truly known to the outside world, Tim O’Brien uses juxtaposition, allowing his readers to undergo the next best thing. In the chapter “How to Tell a True War Story,” O’Brien explains his take on what a real war story should look like. In it he uses juxtaposition to emphasize points and reveal the emotions of characters. An example of juxtaposition comes when the platoon encounters a water buffalo in the mountains.…
In comparing these two short stories the similarities were evident and stuck out like a sore thumb. The first similarity that I had encountered was that both stories gave the impression that previous to war the main characters had an enormous sense of patriotism. This is why they went to join the military. They wanted to fight for their country, and if they were willing to die for it Krebs, the main character in "Soldiers Home", had a nationalistic view before the World War I, and he believed that Americans should fight to save the freedoms of the United States. In "How to Tell a True War Story" the main character is portrayed as a person who had a lot of loyalty to America prior the Vietnam War because he has the emotion of a true patriot. Another similarity between these two stories is that the main characters were changed by the sight and horrific events of war. For example, Krebs could not even pray with his mother at the end of the story because he has lost faith in God. These events, such as, watching someone get their head blown off, or catching sight of one of your friends lungs turn into liquid because of mustard gas, changed their perception of war. This would definitely change my view of patriotism for one's country. Also, the narrator in "How to Tell a True War Story" points out that no one wants to listen to the real truth. This is emphasized because no one wants to hear…
Though Ernest Hemingway’s “Soldier’s Home” (1925) and Tim O’Brien’s “How to Tell A True War Story” (1987) were written about sixty two years apart and portray different experiences after the war settling back into everyday American society, both works have similar situations, a setting of war, and experiences. In “Soldier’s Home”, Harold Krebs, a nineteen year old soldier, fought in the Belleau Wood, Soissons, the Champagne, St. Mihiel, and in the Argonne battles of World War I, while the soldier in “How to Tell a True War Story” is deployed during the Vietnam War. Both of the stories have protagonists who are both returning veterans. “Soldier’s Home” and “How to Tell a True War Story” have soldiers who have a tough…
The two stories that I am comparing and contrasting are “How to Tell a True War Story” by Tim O’Brien. Also, “This Way for the Gas, Ladies and Gentlemen” by Borowski, Both stories contains vivid imagery of happenings during the German and Vietnam War. Also the two stories both share a similar theme which is war, yet there faced with two different obstacles during the war. The United States and Poland both suffered hardships watching their countries being torn apart and innocent lives taken. For a reason that no one has the answer too, but will always remember those moments. I picked these novels because just by reading the title I know that each novel is about a War that had a dramatic impact on the world. So the two…
One of the most obvious differences between the two stories is how each soldier handles himself after the war. In Tim O'Brien's Soldier's Home, the narrator of the story uses story telling to convey his war experiences with everyone. He uses this method of telling stories, to blur the difference between truth and fiction, and also to hide the atrocities of war. This telling of stories is used to dance around the truth. It is also is a way of him making his transition back into his home's society and way of life that is completely different from what he…
When one thinks of war, the general thought is that it inspires acts of patriotism and heroism. No one really looks deeper into the topic to find that along with patriotism and heroism there are often feelings of shame and loneliness. In The Things They Carried it is clear that most of the soldiers in the war do not come back with a sense of pride or honor. Most come back wishing they had never gone at all. Tim O'Brien reveals that because Vietnam precipitated such traumatic experiences, his storytelling is a great way to cope with his shame and loneliness, emphasizing that the war experience is not one of patriotism and heroism, but one of loneliness and guilt.…
True war stories are not about war. So tells us Tim O’Brien, a master in the art of war stories. What they are about is life, love, family, loss, grief, and…
According to O’Brien, “a true war story is never moral” (O’Brien 68). The war stories that have morals are often fabrications of the truth. The mark of a true war story is the difficulty in telling the difference between what happened and what seems like it happened. The details of a story can be vague, something that cannot be understood, and can still be considered a true war story. Believably of a war story must also be taken into account when discussing its credibility. Some scenarios, O’Brien says, are too far-fetched to be considered true, and yet those are the stories are the ones that could not be further from the truth. The author’s stance on this subject is that, “in many cases a true war story cannot be believed. If you believe it, be skeptical.”(O’Brien 71). A war story that is mundane is often times the ones that have falsities in them. As seen by Mitchell Sanders, it is his drive to make the other soldiers believe his story that makes it believable. O’Brien gives an outline of how to tell a proper war story in this chapter, so that the common pitfalls in storytelling can be subverted. He condones the seemingly useless nature of stories by saying that, “a true war story is never moral.”(O’Brien 68). It is less about the quality of the story and more about its accuracy of what seems like it happened, that separates a true war story from one that is…
Have you ever been through a traumatic experience? How did you explain your feelings during it? Did you want the other person to feel the same way you did? A few years ago, a drunk driver ran a red light and crashed into my vehicle. Surviving the accident with no marks, bruises, or scrapes, I had no visible proof of what I had been through. But mentally, I was hysterical, frantic, and upset. My family did not understand my reason for being distraught since I had not sustained any injuries. Wanting them to understand what I had gone through and how I felt, I exaggerated and gave extra details in an attempt to prove that my experience was detrimental and distressing. Tim O’Brien, the author of the short story How to Tell a True War Story, used symbolism and polysyndeton to convey that people often exaggerate after experiencing something profound, emotional, or traumatic in order to communicate unthinkable sensations and feelings.…
Young men who are sent to a war learn the reality in a very harsh and brutal way. Both the stories, ‘The Red Convertible’ and ‘The Things They Carried’ portray the life of a young soldier and how he psychologically gets affected from all the things he had seen in the war. Tim O’Brien’s ‘The Things They Carried,’ is more specific on the experiences of a soldier during a war where as Karen Louise Erdrich focuses more on describing the post war traumatic stress in her short story ‘The Red Convertible’. One thing similar in both the narrations is the Vietnam War and its consequences on the soldiers. From the background of both the authors it’s easy to conclude that Tim O’Brien being a war veteran emphasizes more on the war scenes where as Louise Erdrich focuses mainly on the life inside the reservations, which makes sense as she has a Native American ancestry.…
Ernest Hemingway’s “Soldier’s Home” is a tremendous story about a young soldier’s battle to find himself after returning from the war. In this story, Hemingway’s character Krebs leaves for the war as a young upscale college student and returns a couple of years later out of touch with society and lost within himself. The main conflict in the story is the struggle in which Krebs faces as he tries to rediscover where he belongs not only in the world, but also inside himself.…
O’Brien plays with the idea of truth, his story may not have actually happened in real life but the raw emotion and ideas are still there. O’Brien prefaces this story by saying that it is true. In the chapter “How to Tell a True War Story” O’Brien claims that a true war story is not moral and tells us that we should never believe a story that seems moral.…
The story by Tim O’Brien shows how the soldiers are themselves and can also be serious. O’Brien also sees how Vietnam changes the soldiers and how they see the world now. There will be people that will ask if it’s true or not true they can asks what happened. There can be different ways to tell a story but they can ask what happen. O’Brien would know which story he really believes. O’Brien will give use by looking at Rat’s point of view, and Sanders point of view of Lemon death and how Rat copes with a letter. Here are three points’ that will go with O’Brien story the history, biography and literary criticism.…
In "Soldier's Home" through the historical setting of World War I, , Hemingway describes Harold Krebs having trouble adjusting to society, lying to himself, and observing no longer interacts with people even his family; however, Krebs must lie to stay in the town and to survive from between reality and truth. As a result, he has to choose how to re-adapt himself not to fall behind the line of…