“The Civil War would be a tragedy for the nation, and a disaster for the South.” Stated by Sam Houston himself. Yet 65,000 Texans served. The civil war was a war between the North and the South, but why? Texans fought in the Civil War to preserve slavery, to earn state’s rights, and just for the love of Texas.…
With such powerful language and intonation, it sometimes is difficult for me to remember that King Lear is but an aged man, biased and occasionally foolish. In act two, he finally ostracizes Regan and Goneril by making sexist comments intending to wound both women. His speech has three distinct parts: distinguishing men from women, making a prayer for the present, and giving his threat for the future. Lear divides the world into two parts, one with animals, and the other with humans. The latter category is then again subdivided into men and women. He sees the section of men as like beasts, but women to almost have just a superficial view of the world by only caring about looks instead of substance. He mocks Regan and Goneril with their clothing- something he calls “gorgeous”, but it “scarcely keeps [them] warm.” Lear must consider himself to be like a beast in that he acts as he sees practical, like keeping knights that stay loyal to him as the only family he has left, which are “a reservation to be followed with such a number.” I think he is stumbling over what to say the entire speech, with interrupted sentences, apostrophe, and the use of prose, which might indicate feeling rushed and lack of time in which he would usually have spoken poetry. By discussing sexism, it seems to be an easy play of Lear’s to make that will surely injure Regan and Goneril, even though both are quite masculine in their powers. In the next section, he creates another sexist divide by assigning different responses to hardship per gender. Even his speech shows his condescending beliefs for women by using the soft ‘w’ sound alliteratively in line 319. “…women’s weapons, water drops,” are contrasted with what Lear wants- “noble anger” that is more suited to him as a man. Even the thought of crying would “stain [his] man’s cheeks” in an act of weakness. While characterizing grief as womanly, Lear again associates being female as a deficiency in that one…
"Fair is foul, and foul is fair." (Act I, Scene I, line 10) With this opening paradoxical quote, Shakespeare opens the tragedy of Macbeth. Macbeth is the tragic hero of this tragedy, as his ambitious actions place him in a downwards spiral until he loses everything that was once precious to him. He sacrifices his innocence, his conscience, and his peace of mind for the endless power and control he pursues. The introduction of the play begins with the description of a king under the pressures of war. Duncan, the king of Scotland, hears of Macbeth's bravery in battle against a Scot who took sides with the enemy. Scotland is currently at war with the King of Norway, and the country is rather divided, as traitors begin to surface. One such traitor, the Thane of Cawdor, was promptly arrested (and later hanged). As a reimbursement for his courageous demeanor, Duncan gives the title to an unknowing Macbeth. Meanwhile, Macbeth and Banquo are on their journey to the castle and find themselves with three witches, who greet Macbeth as the "Thane of Cawdor." Immediately interested by this prophecy, Macbeth urges them to speak more...and his suppressed dreams of power begin to arise. It is this, Macbeth's aspirations of greatness that thrust him into power and his eventual death.…
The Madness of King LearBy Nick Summers - December 08, 2002 It is odd to think that true madness can ever be totally understood. Shakespeare's masterful depiction of the route to insanity, though, is one of the stronger elements of King Lear. The early to middle stages of Lear's deterioration (occurring in Acts I through III) form a highly rational pattern of irrationality: Lear's condition degenerates only when he is injured or when some piece of the bedrock upon which his old, stable world rested is jarred loose. His crazy behavior makes a lot of sense. Despite his age and frailty, Lear is no weak character; it is difficult to imagine how another character could have better resisted such mental and emotional weights as the king suffers under. Lear's worsening madness is understandable only when interpreted with a proper appreciation of the intense forces acting on him and of the gradual disappearance of everything he finds recognizable about his former world.As Lear sets out from his palace toward his daughters' homes, he is still sane, though he begins to regret disowning Cordelia ‹the first sign of mental stress and the first step toward his eventual madness. Lear's Fool needles him about the rash decision, and the king blurts out, "O! let me be not mad, not mad, sweet heaven; / Keep me in temper; I would not be mad!" (I.v.46-47) It is a harbinger of thoughts to come.Lear's impending madness is established in parallel with the growing storm; both threaten to break at any moment. But Lear is strong: he does not give in to insanity all at once; instead he holds on as long as he can, only gradually slipping into lunacy. And Lear is strong‹it is important to note the severity of the stressors acting on him; ignoring them can lead to a misinterpretation of his character as a weak, senile old man instead of a capable leader simply abused by the people he trusted. Perhaps he was foolish to trust them in the first place, but he was not crazy. Above all, Lear's madness…
Shakespeare in Lear, presents the notion that characters in great authority force suffering upon others in an effort to retain power, admiration, and status. Initially, Lear himself demonstrates this, appallingly treating Cordelia with an irrational snap judgement when he is embarrassed in court by his youngest daughters silence and lack of praise; “Here I disclaim all my parental care.” (1:1:107) This unjust sentence is highly ironic, especially for the audience, as dramatically we see transparent farce of Gonerill and Regan’s dedications of love, and the total truth of Cordelia’s. Due to the “infirmity of his age” (1:1:284) (Lear) the unjust pain Cordelia endures for his mistake is greatened, and due to this dramatic irony the audience is forever hopeful for some form of justice and resolution to come.…
Female sexuality (or the lack of it) is a motif Shakespeare uncovers multiple times throughout the play. Besides Lear’s three daughters Cordelia, Regan and Goneril there are no other women in the play. Gloucester, Lear and Kent are all unmarried. Yet Lear has this obsession with women, or rather with the ungodliness he associates them with. Lear’s rage towards women begins when he demands for an undying confession of love from each of his daughters; the winner shall get the largest piece of land. His youngest daughter Cordelia proclaims to Lear “I love your majesty. According to my bond. No more nor less.” (Act 1, Scene 1 lines 102-103) Cordelia speaks the truth. Whereas Goneril and Regan lie through their teeth, claiming things such as “Sir, I love you more than word can wield the matter; Dearer than eyesight, space and liberty.” (Act 1, Scene 1, lines 81-82). Lear believes the untruthful words of Goneril and Regan, and he unleashes his anger upon Cordelia. As Ian Johnson said in his…
Topic: Macbeth’s coronation dinner and his reaction to seeing Banquo’s ghost. The weird sisters appear and speak to Macduff after King Duncan is killed. Macbeth and Lady Macbeth prepare for Banquo’s funeral and tell the story of their interaction.…
Although the definitions of evil vary, as well as its motives and causes, one who possesses characteristics of profound immorality, sinfulness, and corruption could be described as an evil individual. Evil is typically perceived as the dualistic opposite of good. While many characters in literature throughout history are conceived as evil, two distinct characters stand out from the rest; Macbeth in Shakespeare’s definitive tale Macbeth and Grendel in the legendary masterpiece Beowulf. These two literary figures both exemplify traits of gullible ambition, avaricious guilt, and true wickedness. The two pieces of literature depict the terrible effects that these traits, as well as many others, can have on an individual who lacks strength of character.…
One of the most notable instances of unfairness in the play is shown through Lear's banishment of Cordelia. In order to determine how much of his kingdom he should leave to each of his daughters, Lear asks each of them to tell him in words how much they love him. Goneril flatters her father, and Regan praises the king like never before, but when it comes time for Cordelia to confess her love for Lear, she cannot bring herself to do it. In these well-known lines, she states, "Unhappy that I am, I cannot heave my heart into my mouth. I love our majesty according to my bond, no more nor less." In reaction to Cordelia's refusal to act as a sycophant towards her father, Lear is caught up in a rage.…
In William Shakespeare's play, Macbeth, Lady Macbeth influences Macbeth in a big way showing Shakespeare's message that going against one's better judgement can be destructive. After Lady Macbeth influences Macbeth to murder Duncan, Macbeth is left in his despair to kill innocent people around him. Macbeth also loses the respect and trust of his once-loyal friends and nobles. Before and after he kills King Duncan, which his wife manipulated him to do, Macbeth worries anxiously about the murder. Macbeth is a Thane that kills the then-King Duncan in order to fulfill a prophecy he was given by three witches. Because Lady Macbeth manipulated Macbeth into murdering Duncan, Shakespeare's message that going against one's better judgement is apparent.…
In “King Lear” there are two strong contrasting views of nature that govern men; that of Edmunds and the characters closely associated to him, and that of Lear and his party. Edmund is seen in the first Act speaking to the heavens of his plot to sabotage the legitimate son Edgar, Edmund’s half-brother. He personifies nature in the line “Thou Nature, art my goddess; to thy law my services are bound” and proceeds to tell of his intention with overthrowing Edgar “Legitimate Edgar, I must have your land. Our father’s love is to the bastard Edmund.” He looks to nature to aid him in achieving his goals of furthering himself above the legitimate. Looking to the stars he speaks about how his father Gloucester in the “lusty stealth of nature” “compounded” with his mother under the “Dragon’s tail” which we can see to be a sign of the stars. Along with this Edmund states his nativity is under Ursa Major, which emphasizes the fact that he sees the fates of man are governed and consolidated by the heavens which can in turn reflect upon the meaning of what is natural. In the scene where Edgar is being fooled by Edmund into fleeing his father’s fake…
Thinness seems to have been a fashion trend spreading among American girls in recent years. Currently, about 75 percent of girls in America are not confident of their bodies and appearance. Some girls choose to be on a diet to lose weight; however, going on a diet can be a threat to their health. Nevertheless, how on earth can fat girls lose weight healthily and effectively? Three good sports for fat girls to lose weight healthily are ice-skating, swimming, and yoga.…
The opening Act of King Lear uses the motifs of nature and the unnatural, sanity and madness, and “nothing” to reinforce the downward movement in Lear’s perception of his own identity. For example, at the beginning of the play, Lear expresses his awe at the serenity of a beautiful world: “With plenteous rivers, and wide wide-skirted meads…” (I, i, 66). As the plot moves forward, the motif of the unnatural becomes present and indicates the negative trend of Lear’s own identity. Specifically, when Lear becomes mad at his daughter Goneril for treating him poorly he exclaims: “…from her derogate body never spring / A babe to honour her!” (I, iv, 77-78). Whereas normally a father would wish well upon his children, Lear curses his daughter, and the…
In King Lear by William Shakespeare, many themes arise throughout the play. One predominant theme is recurring in King Lear, loyalty. Loyalty plays a vast role in this play. Loyalty is expressed in different ways and misuse of loyalty is seen. The theme of loyalty concerns King Lear, as he is trying to divide up his kingdom for his three daughter, in his old age he asks them simple question, how much does his daughter's love him. As Lear assumed his first two daughters proclaimed their love for him to his liking, while Cordelia his most loved daughter refused to proclaim her love for her father. “Unhappy that I am, I cannot heave My heart into my mouth. I love your majesty According to my bond, no more nor less.” (1.1.91-93) Cordelia is being…
Although Cordelia appears in Act I, Scene I and disappears until Act IV, she has an enormous impact on the play as a whole. It is generally acknowledged that the role played by Cordelia in King Lear is a symbolic one. She is a symbol of good amidst the evil characters within the play. Since the play is about values which have been corrupted and must be restored, it is not surprising that the figure who directs the action must be embodiment of those values which are in jeopardy – love, truth, pity, honour, courage and forgiveness. Cordelia’s reply does not initiate the tragedy; Lear’s misguided question does that. Her “nothing” sets her father’s tragic journey in motion. There is nothing wrong with her remarks.…