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Huckleberry Finn Tone Analysis

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Huckleberry Finn Tone Analysis
Tone
The tone in The Adventures of Huckleberry Finn applied through the literature of Mark Twain is introspective, ironic and moralistic. The author has developed a respect for his character, Huck, yet he surrounds the character with amusing and childish tones. It is rather lighthearted and entertaining to read into the thoughts of young Huckleberry as he attempts to find the moral correctness of aiding the escape of a slave.
This is also accompanied with a sardonic tone that allows the audience to notice the logic of the protagonist’s moral predicament before he is able to comes to terms with the conclusion of it himself. There is also much humor following a very serious young man who never makes a single joke throughout the entire novel yet constantly is finding himself smack dab in the middle of a comical
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Both books share the same title and the only difference is a change in names. The sequel is clearly more narrowed in on Huckleberry rather than Tom Sawyer, although Tom is present in the book. Titles show who the writer is going to make the protagonist and all other characters will be included based on their importance to the main character.
The author want to convey how each adventure is like a trial for the protagonist. Each one takes a toll on the character. In this work, the adventures form Huck into a moral version of himself regardless of his reluctance to listen to his conscience. It all begins with the first adventure, when Huck decided to run away. This gave him courage and the capability of standing against society. On his way, he met Jim and decided to help him be a runaway slave which gave him a better sense of morality than the white folk that raised him. He then fought against conmen and burglars, the same type of person he was when he took part in Tom’s gang. He came out of the “adventures” a changed young

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