Huttmann uses guilt-ridden diction as she continues to go through her story and argument. Mac continues to suffer
Huttmann uses guilt-ridden diction as she continues to go through her story and argument. Mac continues to suffer
“I find you, Alice Dubson,Guilty of the murders of Sarah, Jonathan and Tyson Dubson” the judge's words reverberated through the courtroom causing searing tears to well within her now glassy eyes and her to shake her head while incoherently screaming “no” as if she was a broken record player. Her body was trembling as continued to scream at the judge who merely smirked at us while fondling a disgustingly thick roll of money under his podium. Her screams echoed through the halls as we were dragged away by four disgruntled officers. “Stop screaming you stupid little girl” I roar causing her to go silent in fear while tears continued to stream down her pathetic little face. As we passed the jury their disgusted glares…
It is pure torture for a mother or father to see the man that took away from them, something that can never be returned, their child. “He walks the goddamn streets,” (103) Matt says. Matt did not think that the justice system would release a man like this on bail. This murderer is now tending to his daily routines without a care in the world, while the victims of his injustice helplessly watch. They watch as the killer of their child is shopping at a local grocery store; Buying skirt steak and quart of two percent milk while they wait in line to buy flowers for their dead son’s tombstone. Watch as that same man, who has shattered a mothers bond, is enjoying a Saturday afternoon at a local barbershop for his weekly high and tight haircut. “It’s killing her,” said Matt. Dubus writes “she can’t even go out for cigarettes and aspirin” (103) without seeing him. Not only has he killed their child, he is now killing them indirectly.…
In the setting, Roland started off her narrative with a baby who was just born with a strange “monster” on her cheek. The nurse couldn’t look at Wendy, the mother, in the eyes and even apologized. This shows how even the nurse felt awful for the mother, leaving her to feel guilty and confused.…
2. What do stalking the old man and the post-murder details reveal about the narrator’s character?…
In Anne Trumbore’s “Spite” dramatic point of view and juxtaposition of the mother’s screams with the math problem characterizes the narrator as someone who feels unloved. She distances herself from her mother in the opening paragraph. In this excerpt the author describes the incident as, “A thirty-five-year-old woman with multiple sclerosis fell while taking a shower. She screamed for her husband. He did not hear her (1)”. This paragraph, including this specific line, are delivered in 3rd person dramatic view. The rest of the passage is delivered in first person, making the narrator become directly involved in the story instead of being an outsider to the situation. During the incident the author describes how she reacted to her mother. She…
| Shifting narration highlights the emotional impact of the accident. Represents a juxtaposition in chronology (before/after), and highlights the extent to which the accident shapes their lives. This heightens the reader’s emotional response to the text. Reinforces the normality of the Brennan’s lives before the accident. The use of flashbacks fades as Tom’s reflection brings him to the point of acceptance; a symbol of deliverance and recovery.…
Gerald is forced to enter the shop under pressure and reluctantly buys a dozen roses. Powerful verbs and adjectives such as “shy”, “red”, “shivering”, ”frozen mouth” and “twitching”, allow us to imagine an extremely nervous boy. The simile “he looked around like a hunted rabbit” is an example of Paul Jennings’ effective language techniques. It s because of these sentences that we feel pity for Gerald; “this great big wave of redness swept down from his ears, down his neck and for all I know right down to his toes.”…
In “The Cask of Amontillado,” by Edgar Allan Poe, two acquaintances, Montresor and Fortunato, are related through vengeance and murder. Poe practices deception to produce an appealing character before altering his symbolic tactic to a state of suspense. In the poem, “My Last Duchess”, by Robert Browning, the Duke of Ferrara tells the story of his last Duchess to a mysterious listener. The Duke narrates the poem causing us to wonder why the Duchess is now his “last” Duchess. “The Cask of Amontillado” also written in first person, keeps us in a state of suspense; we wait to see where Montresor will take Fortunato. Although we end up empathizing with murderers, these authors use techniques that create tension for the audience.…
Edgar Allen Poe is known for using many different artistic elements to create eerie, spooky stories. In “The Cask of Amontillado,” Poe uses first person point of view to let the reader know how proud the narrator, Montresor, is with his past impunitistic murders. “I must not only punish but punish with impunity” (pg.236). The use of setting and imagery makes the mood dark and gloomy.…
Loss- Ana loses her father during the war, we see this through a flask back where the gypsy sings for the loss of ANAs dad, singing ‘Never anymore vill the start to shining in the sky above this roof… never to come… never anymore’ to express the hurt and tragic loss ANA feels. Catherine has also experienced loss through her ex-boyfriend who had recently committed suicide, her grieving mechanism is shown through her lack of eating and through the repetition of Kens (her housemate) nagging of her to eat, for example through his imperative dialogue after Catherine tries to argue that she had already eaten ‘That’s such a pathetic lie. I’m making you a sandwich.’ It demonstrates her eating disorder caused by her loss of her boyfriend’s death.…
The opening line of Swallow the Air immediately draws us into May’s story with its conversational tone: “I remember the day I found out my mother was head sick.” In the same paragraph strong emotive language positions us as readers to sympathise with May’s mother and her story: “…Mum’s sad emerald eyes bled through her black canvas and tortured willow hair.”…
It is typical when reading Edgar Allan Poe’s literature for it to give off a spine-chilling sensation. Poe likes to specify the words he places into his writing, in order for the reader to picture it in their mind. To make this possible, Edgar Allan Poe utilizes negative diction and imagery to manifest a dark and sinister tone in his story, “The Masque of the Red Death”.…
In Crave by Sarah Kane, the discussions of violence between a series of characters, named C, M, B, A, that express a unique form of poetic narrative that expresses the subconscious mind of reactionary violence in terms of victim status. The exchange between predator and victim status is an important aspect of the character, A, that illustrates the cycle of family abuse that define familial relationships. These family relationship define the reactionary forms of violence that exchange the aggressor/victim role in the passing of highly dysfunctional forms of abuse between the family members. In this case, A defines the abusive behaviors of a mother that projects the exchange of violence as a common feature of family life. This is also true…
Once again he makes a claim using simple syntax: “Cesar was … ruled by pulp.” Once again he embellishes with fascinating detail: “Cesar loved everything that ripened in time.” But instead of using a metaphor, Rodriguez gives an anecdote to illustrate Cesar’s quirky, fastidious nature. Having patiently built up sympathy for this character, Rodriguez utilizes the connection to create as large an emotional impact as possible: “If he’s lucky, he’s got a year, the doctor told me. If not, he’s got two.” Although the until the final sentence this paragraph has a fairly upbeat mood, the author uses two techniques to foreshadow the eventual tragic conclusion.…
There is no doubt Louise’s grief over her husband’s death is genuine, “she wept at once, with sudden, wild abandonment” she is honestly sad that her husband is gone, (99) “she had loved him – sometimes. Often she had not.”(101). Louise was not physically abused, loved by her husband “the kind, tender hands folded in death; the face that had never looked save with love upon her”. (100) yet by all accounts she is dying from an unknown heart trouble, treated with the care with the news of her husband’s death. After her blast of grief is past she takes to her room, to sit in her comfortable chair, symbolic of a rest from the expectations of her place in society that have oppressed her identity and restricted her freedoms. It is here exhausted from grief in front of an open window, looking outside that she can see “tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air” (99). Louise comes to see the possibility of a new life opening and springing forth,…