From the opening scene of the play Iago’s amoral, sadistic and deceptive nature is shown as he plans to destroy his superiors, notably Othello. In this first scene, Iago immediately begins scheming ways to destroy Othello, suggesting possible motives as to why he needs to do such things. However, as the play reaches its climax, it is clear that Iago’s motives were not just limited to being “his [Othello] lieutenant”. In a sense, Iago is also deceiving the audience, leading them to believe that his motives to destroy Othello are those highlighted in the opening scene. Iago’s sadistic nature is clearly represented when he wishes to “poison his [Othello] delight”. It suggests that he takes pleasure in spoiling another man’s delight. Iago shows duplicity throughout the play and compares himself “Janus”, the Roman God with two faces, and with the combination of duplicity and deception, Othello cannot see past
From the opening scene of the play Iago’s amoral, sadistic and deceptive nature is shown as he plans to destroy his superiors, notably Othello. In this first scene, Iago immediately begins scheming ways to destroy Othello, suggesting possible motives as to why he needs to do such things. However, as the play reaches its climax, it is clear that Iago’s motives were not just limited to being “his [Othello] lieutenant”. In a sense, Iago is also deceiving the audience, leading them to believe that his motives to destroy Othello are those highlighted in the opening scene. Iago’s sadistic nature is clearly represented when he wishes to “poison his [Othello] delight”. It suggests that he takes pleasure in spoiling another man’s delight. Iago shows duplicity throughout the play and compares himself “Janus”, the Roman God with two faces, and with the combination of duplicity and deception, Othello cannot see past