Ice Cube Death Certificate Analysis

Ice Cube's "Death Certificate" album has two very distinctive sides to it; a death side followed by a life side. While there are similarities between the two sets of tracks, such as a negative portrayal of white men and police officers and a picture of the oppression of black men in the inner city, they both have significant differences in their portrayals of society during the time of the album, 1991. The "death" tracks are a reflection of how Ice Cube views his life and his society in South Central Los Angeles when the album was created. He paints a very grim picture. There are eight main tracks that have to do with "death" and they all cover a different aspect of struggles in the inner city. Cube covers the angst expressed towards
The following track, "Look Who's Burnin'" is about STD's and the large amount of people getting tested at the free clinic. "A Bird In the Hand" goes back to drugs and how they have to be sold by blacks in the inner city to pay their bills and provide for their families because white corporate America won't hire them. "Man's Best Friend" is all about gun-totin' and "Alive On Arrival" talks again about mistreatment by cops and takes it one step further by talking about how the medical world mistreats the
The first full-length track, "I Wanna Kill Sam," is all about what he wants to do to Uncle Sam, kill him. He lets out his frustrations about how the American government is quick to send young black men off to fight in a war and yet they treat them like he portrayed in the first set of tracks. In short, blacks are getting tricked into fighting for a country that doesn't seem to care about their livelihoods when they are in the States. In "Horny Lil' Devil" Cube portrays white men as the devil in disguise. He accuses them of taking his land, taking his pay, trying to get with black women, and placing him and other blacks in their depressed socioeconomic state. He solves this "problem" by killing them all, including the Asian population that is moving into black neighborhoods and opening their own businesses there, even though they don't trust their customers. This is the gist of the next track, "Black