The play, "Stolen" by Jane Harrison, also focuses on the trauma and psychological abuse suffered by the Stolen Generation.
The play, "Stolen" by Jane Harrison, also focuses on the trauma and psychological abuse suffered by the Stolen Generation.
As the original script’s stage directions dictate; “they line up diagonally…just like in the first scene. Then the actors break out of their roles and talk in turn about their own experiences.” The original production in 1998 did just this in relation to indigenous actors and their role in the stolen generation. However, for our class performance, students emulated the directions through their experiences in workshopping, characters, researching and performing Stolen. This simple, stripped back and realist Brechtian ending was the perfect theatrical technique and choice to reflect the plays content and importance of personal connection and emotion, adding and a contemporary spin on Australian theatre. As an audience member, it was incredibly powerful hearing actors talk unscripted and bring a true sense of realism and conviction when recounting their own experience; strengthening the actor-audience relationship through understanding and empathy. One can only imagine the immense power of individuals exposed to the stolen generation and Australia’s dark past, and their re-telling of stories as actors on stage in Stolen. Witnessing our class performances, it was clear Harrison’s intent of emotional connection with the audience and an empowered empathy towards the story and our own traditional and contemporary…
An individual’s interaction with others and the world around them can enrich or limit the experience of belonging. The film Gran Torino, displays a great understanding of who belongs in a community and the experiences they have with each other, although alienation does take place through events in which occur. You acquire a sense of warmth with the characters feeling and attitudes they have with each other through the types of emotions and feelings they have with one another. Throughout the film you will gain a greater understanding of the hatred between immediate families and non-related families.…
Stolen addresses the Stolen Generation and the social concerns surrounding the impact of individuals and the Indigenous community. Harrison splits up the action between five diverse characters, tracing their independent stories from childhood to adulthood. We have the sexually and physically abused (Ruby); the hopeful turned hopeless (Jimmy); the stolen child who in turn has her children stolen from her (Shirley), the lost (Sandy) and the 'black' girl in a 'white' man's world (Anne). In a workshop of the opening scene, 'Arriving' (pg. 1) in which the characters speak in the 'stream of conscious style' the difference in what each actor produced to portray their particular character was very noticeable. Harrison's use of a wide breadth of characters is effective in reflecting the broad spectrum of social concerns the Stolen Generation faced: physical, sexual and mental abuse, 'I promised not to tell' (Ruby: pg. 8); high suicide and depression rates, 'I can't fight' (Jimmy: pg. 34); cultural…
The strong presence of racism among Australian communities as depicted in the film caused such events, namely the Stolen Generation, to occur. This significant event was a period in late 1800s-1960s where children from both Indigenous, and non-Indigenous (i.e. ‘white’) origins were forcefully taken away from their families as a result of official Australian Government policy. In relation to the film, Gail’s recall of a bitter memory associated with Kay particularly sheds light upon this key historical event.…
The stolen generation is the name given to the generation of aboriginal and Torres strait islander children that were removed from their families and placed into institutions where they were forced to forget their aboriginality.…
A connection to a physical location may present us with the perception that we either belong or not belong however, it is the connections that we form with people in places, memories of previous places and ones response to experiences within places that heightens ones sense of belonging or alienation. The concept of belonging through connections with people, experiences and memories in certain places is explored in the texts Romulus my Father a memoir by Raimond Gaita and Oranges and Sunshine directed by Jim Loach.…
Add depth to your response by mentioning the choice that Scott also faces in relation to this specific concept of belonging. Identify specific techniques used – the poem to represent the concept of belonging.…
The Member of the Wedding by Carson McCullers tells the story of Frankie and how she became truly confused about her person and placement. Frankie’s identity crisis and her need to belong comes at a price. However, in overcoming such tragedy, Frankie Addams finds her true self. In order for Frankie to truly find her placement, she must overcome the struggle and confusion with her identity and her need to belong. Frankie’s name changes, her confusion in finding her sexuality, and her struggle to belong, together reveal her character dilemma and her need to fit in.…
“We belong … like fish in water. We’re in our environment.” This quote from the New York Times shows the perception of belonging as the idea about connecting to a place, person, group or a community. 'Feliks Skrzynecki' by Peter Skrzynecki, 'I'm nobody! Who are you?' by Emily Dickinson and 'The Rabbits' by John Marsden & Shaun Tan show the concept of belonging as being contrasted towards the New York Times quote, showing the alienation and non-existent connection towards it. These texts have furthered my understanding on the perceptions of belonging by recognising the different concepts of connection to people, places and things.…
In a world that pressures for conformity, one of the greatest challenges we all face is to be ourselves. We not only want to belong, we need to belong, and so we are at our best when we feel connected to those around us. We like to be appreciated, enjoy admiration and crave to feel significant to those around us. Too often though, in our quest to feel significant, we forfeit expressing our individuality and limit our vulnerability. In the process we lose touch with what makes us special, disconnect from authenticity and give up what makes us someone who others feel they can really connect to. All people balance the need to conform and fit in with the need to express their individuality throughout their lives. The want to belong has the capacity to reduce individuality and influence members to behave in un-normative ways.…
Is belonging really a choice? Can this statement apply to every experience related to belonging? Like the refugee experience? Does a refugee choose to belong or not belong?…
In the short film, ‘The Most Beautiful Thing’ by Cameron Covell, an evolution of the characters sense of belonging comes to pass. In the beginning of the film, it appears that neither of the leading characters, Emily and Brandon, feels like they belong for very different reasons. Emily is deaf and through that feels alone and cut off from her surroundings while Brandon is looked down upon by his peers and feels that he is different from them. As the film continues, the two find each other and a sense of belonging through one another. They convince each other to take leaps of faith and they can be themselves around one another freely, which debatably is the core definition of belonging. There is little background noise and speech in the film,…
The Concise Oxford Dictionary of Current English defines stasis as, “inactivity; stagnation; a state of equilibrium” (Thompson 1360). In Aldous Huxley’s Brave New World, equilibrium is achieved through the three political doctrines of community, identity, and stability.…
If we were to mix some of the characters in each story, the communities would become a lot different. The Mayor in “One of These Days” seems to be rather domineering. So if he were to somehow be placed into the community in “A Rose for Emily,” where all those characters are rather lenient, things would become a lot more intense. Additionally, if Mrs. Turpin from “Revelation”, was to be brought into to live in the same community with the ladies in “The Handsomest Drowned Man in the World”, opinions of things might have changed.…
Gender differences in aggression and social connectedness are shaped by nature during prenatal development because of the sex chromosomes that determine the sex of the individual. These sex chromosomes control the sex hormones which affect the brain’s wiring and development. As a result different portions of the male and female brain are thicker than the other sex’s. It is found that men grew to have a thicker portion of the parietal cortex, important for space perception while women have thicker frontal lobes, areas involved with verbal fluency. Additionally, the Y chromosome, the male chromosome, would allow for the development of the testes which produces the chief male sex hormone that influences social behavior including aggression. As a result, boys…