Normally, he goes clean-shaven into the world, but the promise of a Saturday liquid with sunshine draws him first from his study to the backyard, from there to his front lawn. The smell of burning leaves stirs the memories of childhood car rides, narrow lanes adrift with yellow leaves, girls on plodding horses, unattended stands piled high with pumpkins, onions, or beets so that each one was, in its own way, a still life. Always, there were salmon tins glinting with silver, set above hand-painted signs instructing purchasers to deposit twenty-five or fifty cents. This act of faith containing all the stories he has read in childhood about the North – cabins left unlocked, filled with supplies for hapless wayfarers – wakes in him a desire to temporarily abandon the twice-cut yards and hundred-year-old oaks. He does not hurry for he has no destination. He meanders, instead, through the neat suburban labyrinth of cul-de-sacs, bays and circles, losing and finding himself endlessly. Becoming lost is made all the easier because the houses repeat themselves with superficial variations. There grows within him, however, a vague unease with symmetry, with nothing left to chance, no ragged edges, no unkempt vacant lots, no houses rendered unique by necessity and indifference. The houses all face the sun. They have no artificial divisions. There is room enough for everyone. Now, as he passes grey stone gates, the yards are all proscribed by stiff picket fences and, quickly, a certain untidiness creeps in: a fragment of glass, a chocolate bar wrapper, a plastic horse, cracked sidewalks with ridges of stiff grass. Although he has on blue jeans – matching pants and jacket made in Paris – he is driving a grey Mercedes Benz. Gangs of young men follow the car with their unblinking eyes. The young men stand and lean in tired, watchful knots close to phone booths and seedy-looking grocery stores. Their slick hair glistens. Their leather jackets gleam with
Normally, he goes clean-shaven into the world, but the promise of a Saturday liquid with sunshine draws him first from his study to the backyard, from there to his front lawn. The smell of burning leaves stirs the memories of childhood car rides, narrow lanes adrift with yellow leaves, girls on plodding horses, unattended stands piled high with pumpkins, onions, or beets so that each one was, in its own way, a still life. Always, there were salmon tins glinting with silver, set above hand-painted signs instructing purchasers to deposit twenty-five or fifty cents. This act of faith containing all the stories he has read in childhood about the North – cabins left unlocked, filled with supplies for hapless wayfarers – wakes in him a desire to temporarily abandon the twice-cut yards and hundred-year-old oaks. He does not hurry for he has no destination. He meanders, instead, through the neat suburban labyrinth of cul-de-sacs, bays and circles, losing and finding himself endlessly. Becoming lost is made all the easier because the houses repeat themselves with superficial variations. There grows within him, however, a vague unease with symmetry, with nothing left to chance, no ragged edges, no unkempt vacant lots, no houses rendered unique by necessity and indifference. The houses all face the sun. They have no artificial divisions. There is room enough for everyone. Now, as he passes grey stone gates, the yards are all proscribed by stiff picket fences and, quickly, a certain untidiness creeps in: a fragment of glass, a chocolate bar wrapper, a plastic horse, cracked sidewalks with ridges of stiff grass. Although he has on blue jeans – matching pants and jacket made in Paris – he is driving a grey Mercedes Benz. Gangs of young men follow the car with their unblinking eyes. The young men stand and lean in tired, watchful knots close to phone booths and seedy-looking grocery stores. Their slick hair glistens. Their leather jackets gleam with